“Christmas Morning” by Jim Fusco – FREE mp3 Download! – Day 14 of 14

By Jim Fusco:

And here it is- the end of the line.  I can’t believe we’re already through all 14 days of my Rock’n’Roll Christmas celebration!  Remind me to never do this again. :-)

Today’s song is my original Christmas tune, “Christmas Morning”, that I wrote back in high school!  I personally think every artist has ONE good Christmas song in them.  And, to be honest, I’m not exactly sure that I’d ever be able to come up with another one as catchy as this one, so I don’t think I’m going to try!

I recorded this song for the first time back in 2004 for our Christmas album, “Our Christmas Gift To You”.  At the time, I was just getting used to playing the guitar and recording with my digital 24-track.  I had basic microphones, too.  Now, I have a Cab Clone to record my guitars, various tube amps, high quality mics, compressors, preamps, and…the same 24 track mixer.  But, if you’ve heard both versions, you can really tell a big difference.  I’ll probably end-up recording this again in the future after my equipment gets even better!

My wife Becky helps me sing on this tune, too.  I was going to have my brother Mike help out, but he was sick when he came home for Thanksgiving, so he couldn’t sing on it.  Next time, though!

I hope you’ve had as much fun reading and listening to these Christmas songs as I have making them.  It’s a pretty big accomplishment for me to do all of this while being so busy otherwise.  I hope I can maybe just do one song a year from now on, just to keep me into the recording process.  Enjoy “Christmas Morning” and have a Merry Christmas!

“Peacemaker” by Green Day – Chords, Tabs, & How to Play

Originally posted 2009-05-18 21:11:49. Republished by Blog Post Promoter

For the cover song music video, click HERE!

“Peacemaker”
Green Day

Bm
Well, I’ve got a fever,
A non-believer.
I’m in a state of grace,
For I am the caesar.
Bm                           F#
I’m gonna seize the day.
Well, call of the banshee…  Hey, hey.
(Hey, hey, hey, hey, hey)
As God as my witness,
F#                                Bm
The infidels are gonna pay.

Well, call the assassin
The orgasm,
A spasm of love and hate
For what will divide us?
The righteous and the meek…
Well, call of the wild… Hey, hey.
(Hey, hey, hey, hey, hey)
Death to the girl
At the end of the serenade.

F#
Vendetta, sweet vendetta,
F#     Bm
This beretta of the night,
Bm  Em                  Bm
This fire and the desire.
F#                                               Bm
Shots ringing out on a holy parasite.

I’m a killjoy from Detroit
I drink from a well of rage.
I feed off the weakness
With all my love.
Call up the captain… Hey, hey.
(Hey, hey, hey, hey, hey)
Death to the lover that you were
Dreaming of.

This is a standoff,
A molotov cocktail is on the house.
You thought I was a write off;
You better think again.
Call the peacemaker… Hey, hey.
(Hey, hey, hey, hey, hey)
I’m gonna send you back to the place
Where it all began.

Vendetta, sweet vendetta,
This beretta of the night,
This fire and the desire.
Shots ringing out on a holy parasite.

Instrumental:  Bm – F# – Bm – F#  Bm   Em   Bm   F#   Bm

Well, now the caretaker’s
The undertaker.
Now, I’m gonna go out
And get the peacemaker.
This is the neo
St. Valentine’s Massacre.
Well, call up the Gaza… Hey, hey.
(Hey, hey, hey, hey, hey)

Death to the ones
At the end of the serenade. (x4)

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

Bob Dylan Summer 2009 REVIEW – New Britain Stadium: Wednesday, 7/15/09

Originally posted 2009-07-16 01:00:18. Republished by Blog Post Promoter

For the Set List, CLICK HERE!

By Chris Moore:

Willie Nelson sounded as good as he ever has, and John Mellencamp brought a tremendous amount of energy to the stage with his talented band (he described them as being built for playing in garages and bars, but they handled a ballpark quite nicely).

But then Bob Dylan broke the roof in and set fire to the place as a parting gift.

(Well, there wasn’t a roof to begin with, but let’s not quabble over details…)

After more than three hours of opening acts and transitions between sets, Dylan came out just after 9pm on Wednesday, July 15th, 2009 at the Rock Cats’ baseball stadium in New Britain, CT.  At the precise moment the lights came up, I also took in my first breath of a suspicious smelling smoke…

Anyway, Dylan kicked off the first two songs on electric guitar, soloing along with his band members.  (There’s a great photo in a recent online Rolling Stone article that looks just like what I saw tonight.)  He added new lines to “Rainy Day Women #12 & 35” — “Everybody must get stoned,” for the layperson — and rollicked through “Stuck Inside of Mobile with the Memphis Blues Again” — a true Fusco-Moore favorite — as if it were a new song on his most recent album.

There’s always something special about seeing Dylan play guitar, but he wasn’t the only one in the band whose skills on the axe were highlighted.  Both of the other guitarists in his Never-Ending Tour band were allowed to bring more of their guitar work into the mix than in past concerts — take the infectious new guitar riff in “Tryin’ To Get To Heaven” or the simple but catchy licks in “Jolene.”  More than once throughout the evening, an acoustic guitar could be heard high in the mix, which has become a rarity in recent years.

By the time Dylan retreated to his keyboard, the momentum had already been established and only continued to build.  He romped through “The Levee’s Gonna Break” and soon after beat out a typically heavy version of “High Water (For Charley Patton).”  Although his set included mid-tempo (“I Feel a Change Comin’ On”) and slower (“When the Deal Goes Down”) songs, Dylan’s predilections certainly lay in the in-your-face, bass-pounding-through-your-chest, guitar-and-harmonica-solos-wailing variety.

That's as close a picture I could get with the police in full force around the ballpark...

That's as close a picture I could get with the police in full force around the ballpark...

Last year was a great show.  But what impressed me this year was just how clear Dylan’s vocals were tonight.  Now, I’m not suggesting a possible vocal cord surgery has occurred to restore him to his Nashville Skyline crooning, but he annunciated each word and clearly showed more respect for the tunes and melodies of his songs than he has in the past decade or more.

For years, I have been defending the gruffness of Dylan’s voice as simply one more of the many voices he has taken on over the years.  However, I have never been able to justify his oftentimes uniform low-to-high singing of each line of every song.

Tonight, with only a couple exceptions, he truly broke that mold all over the place.

Although the show was heavily weighted toward his newer material — 8 of the 14 songs were from his most recent four albums — the crowd seemed to enjoy the concert as much as I did, and although it was difficult to see from the outfield where we were standing, it looked as if most people stayed until almost the very end.  (Why anyone leaves before the encore, I’ll never know.  Dylan by now famously leaves “Like A Rolling Stone” and “All Along The Watchtower” for the additional set.)

I can’t believe it’s over.  It was an excellent concert, made all the better for having someone to go with this year.  Now, I have only to set the timer and wait in anticipation for next year’s Dylan tour schedule.

Until then, I’ll have to be content to continue listening to Together Through Life and revisit Modern Times, Love & Theft, Time Out of Mind, or, as I did on the long ride home through traffic, the Bootleg Series recording of the 1966 Royal Albert Hall electric set with Dylan and the Band (my favorite concert recording of all time)!

“Happy Xmas (War Is Over)” (John Lennon Christmas Song Cover)

Originally posted 2008-12-20 22:46:29. Republished by Blog Post Promoter

By Jim Fusco:

I’m sooooo tired.  No, I’m not quoting a classic Beatles tune- I’m really freakin’ exhausted!  Something about driving an hour to the Buckland Hills mall, shopping, eating a TON at Red Robin, and driving an hour back just makes me so tired.  Then, I realized it was my night for a cover song music video.  It always works that way.  My way of dealing with it?  Honk the horn while driving down I-84.

As we gear up for yet another winter storm here in CT, I find myself really ready for Christmas, and just in time.  Today, we dug ourselves out of the snow and I went to my parents’ house for a party with my father’s cousins- a yearly tradition.  It was so nice, especially because Mike was there.  Felt like old times.  Mike and I would attempt to fit in with the older crowd, but eventually would just run downstairs and play with our Hess trucks, which we would get each year.  Today, we got pizza from Fratelli’s in Wallingford.  My parents had never eaten there before, but I tried it at work and loved it.  So, I put my recommendation out there, and thankfully, everyone loved it.

I then went to do a video job (maybe THAT’S why I’m so tired) at the New Haven Lawn Club.  It was a nice Jewish wedding.  I only had to do the ceremony, but got paid for a whole job.  And a few days before Christmas, that’s always a welcome thing.  Chris, Dana, and I went on our trek (see above) after I got home, and that brings us to my cover song music video for tonight.

I’ve known “Happy Xmas (War Is Over)” my whole life.  I always found it interesting that my father said this song wasn’t really a big Christmas “hit” until after John Lennon died.  Just like George Harrison’s music- the man’s albums went on being obscure and not available on CD until AFTER he died.  Hey, at least they’re out now.  Dennis Wilson is the perfect example of this phenomenon, except it took everyone about 25 years to re-release something after his death.  And he was the most talented of them all.

I dedicate this song to my boss, Steve Mirabella, who suggested I do this for the Laptop Sessions.  It’s so rewarding to find someone who cares about and loves music as much as I do and is actually interested in these cover songs music videos we do on a daily basis here.  And yes, Steve, I found a much less annoying way of handling the Yoko Ono parts, so the song sounds much less….well, you know…than the original.

I hope you all enjoy this great Christmas song and heed its words- Christmas is a time for EVERYONE and it will come no matter the wars, hardships, unreasonable hatred, etc.  It’s good to know that there’s an anchor in our lives like that.  It allows me to keep traditions going and that makes me incredibly happy.  I’ll see you back here again on Tuesday for another great Laptop Session!  Oh, and tonight is my 150th music video, and here’s to 150 more!