Music Videos and Blog Posts for April 21st, 2008

  • The Laptop Sessions: “You May Be Right” (Billy Joel Acoustic Rock Cover Song)

    Monday, April 21st, 2008

    By Jim Fusco:

    Okay, so here’s a bit of an anomaly. Most of us cast members of WCJM.com Free Internet Radio will be surprised, if they’re not listening to the shows as often as I do, to find me playing a Billy Joel song. I want to take this opportunity to clear the air.

    If you listen to the Beach Boys’ music through the ages, you’ll hear a progression in the music. The styles may be different as the years go on, but most of it is just building on what was previously there.

    Conversely, you can listen to Paul McCartney or the Moody Blues through the years and notice that their song/music styles change with the TIMES. For instance, in the seventies, songs got longer, then got disco-y, then got electronic once they reached the eighties. Around 2000, you heard drum loops and “new age” production on albums from both McCartney and the Moodies.

    But, their SONGS and the general “type” of music (rock or pop) stayed pretty constant. I’m not giving any free passes for horrible disco versions (Beach Boys fans can goan at “Here Comes the Night”) or electronica from the early 80s, but at least you still knew it was a “Paul” song or a “Moodies” song.

    Billy Joel, for me, falls into two categories, both of which I’ll briefly address:

    1. Overrated:

    As you’ll note with the bands I like, I tend to stay away from bands that are generally “overrated”. Yes, the Beatles are lauded all the time, but it’s pretty clear they’re the ONLY band that deserves the accolades they get. But, Brian Wilson and the Beach Boys NEVER won a Grammy for their songs (unless you count “Best Instrumental” for “Mrs. O’Leary’s Cow” a few years ago- what an insult). The Moody Blues STILL aren’t in the Rock’n'Roll Hall of Fame. I don’t think America’s had a decently reviewed album in Rolling Stone since their first one.

    But, look at who gets ALL the attention:

    - Bruce Springsteen
    - Elton John (who sells concert tickets like Tickle-Me-Elmos the day after Thanksgiving)
    - Bob Dylan, whom I’m convinced can fart on the microphone and earn a Five Star Rolling Stone review. Don’t get me wrong, I love the man, but he is overrated, as well.

    Now, Billy Joel is playing TEN, yes TEN shows at Mohegan Sun Casino here in Connecticut and sold them all out. The man hasn’t done an album in like 15 years and is more popular than ever. I swear more people go to his concerts than have EVER bought his music. And THAT’S the kind of crowd that makes someone so overrated. The “Starbucks” crowd that loves what all the other soccer moms love.

    The theme here: It’s not Billy Joel’s fault. I really don’t blame HIM for my dislike of his music.

    2. He changes the TYPE of music he plays ALL THE TIME.

    As I said earlier, bands I like have changed their styles through the years, either through progression, or just keeping up with the times. But, again- a Beach Boys song was a Beach Boys song, you know?

    Now, Billy Joel:

    Sometimes, he’s the crooner, singing in that horrid “better than thou” voice about “regular people” from New York and their stories.

    Then, out of nowhere, he’s formed a barbershop quartet in “For The Longest Time”.

    Then, he’s some teeney-bopper singing “Uptown Girl”.

    Then, 80’s rocker while singing “We Didn’t Start the Fire”.

    And, finally, he’s a good old fashioned rock’n'roller on tunes like this one, “You May Be Right”.

    What style of music IS this man? Epic piano numbers? Guitar-based rockers? Vocals-only diddies? What?

    That question, I cannot answer. And maybe I’m being a bit too general here, as since I’ve noticed this trend, I’ve never gotten past the Greatest Hits.

    In closing, I love this song, I love the style, and I wish this was the REAL Billy Joel. I hope you enjoy my rip-roarin’ rendition! (What a rant…)

     



  • Chord for Covers: Coldplay’s “Clocks” (Chords / Tabs)

    Monday, April 21st, 2008

    CLOCKS
    By Coldplay
    Chords Used:
    Abm	4 6 6 4 4 4
    Eb	6 6 8 8 8 6
    Bbm	6 8 8 6 6 6
    F#maj7	2 4 3 3 2 2
    C#	4 4 6 6 6 4
    Eb	Bbm	Abm
    Eb	Bbm	Abm
    
    Eb                  Bbm
    
    Lights go out and I can't be saved
    
    Ab
    
    Tides that I tried to swim against
    
    Eb                     Bbm
    
    Have brought me down upon my knees
    
    Ab
    
    Oh I beg, I beg and please, singing
    
    Eb                Bbm
    
    Come out of the things unsaid
    Ab
    Shoot an apple off my head
    Eb            Bbm
    And a trouble that can't be named
    Ab
    A tiger's waiting to be tamed, singing
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    Eb	Bbm	Ab
    Eb	Bbm	Ab
    Eb               Bbm
    Confusion that never stops
    Ab
    Closing walls and ticking clocks
    Eb                     Bbm
    Gonna come back and take you home
    Ab
    I could not stop, that you now know
    Eb          Bbm
    Singing come out upon my seas
    Ab
    Curse missed opportunities
    Eb            Bbm
    Am I a part of the cure
    Ab
    Or am I part of the disease, singing
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    Eb	Bbm	Ab
    Eb	Bbm	Ab
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    F#                    C#
    And nothing else compares
    F#                    C#
    And nothing else compares
    F#                    C#
    And nothing else compares
    F#                    C#
    And nothing else compares
    Eb	Bbm	Ab
    Eb	Bbm	Ab
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    Eb	Bbm	 Ab
    Yooooouuuuu arrrreeee
    Eb     Bbm
    Ab
    Home, home, where I wanted to go
    Eb     Bbm                      Ab
    Home, home, where I wanted to go
    Eb     Bbm                      Ab
    Home, home, where I wanted to go
    Eb     Bbm                      Ab
    Home, home, where I wanted to go