-
The Laptop Sessions: “You May Be Right” (Billy Joel Acoustic Rock Cover Song)
Monday, April 21st, 2008
By Jim Fusco:
Okay, so here’s a bit of an anomaly. Most of us cast members of WCJM.com Free Internet Radio will be surprised, if they’re not listening to the shows as often as I do, to find me playing a Billy Joel song. I want to take this opportunity to clear the air.
If you listen to the Beach Boys’ music through the ages, you’ll hear a progression in the music. The styles may be different as the years go on, but most of it is just building on what was previously there.
Conversely, you can listen to Paul McCartney or the Moody Blues through the years and notice that their song/music styles change with the TIMES. For instance, in the seventies, songs got longer, then got disco-y, then got electronic once they reached the eighties. Around 2000, you heard drum loops and “new age” production on albums from both McCartney and the Moodies.
But, their SONGS and the general “type” of music (rock or pop) stayed pretty constant. I’m not giving any free passes for horrible disco versions (Beach Boys fans can goan at “Here Comes the Night”) or electronica from the early 80s, but at least you still knew it was a “Paul” song or a “Moodies” song.
Billy Joel, for me, falls into two categories, both of which I’ll briefly address:
1. Overrated:
As you’ll note with the bands I like, I tend to stay away from bands that are generally “overrated”. Yes, the Beatles are lauded all the time, but it’s pretty clear they’re the ONLY band that deserves the accolades they get. But, Brian Wilson and the Beach Boys NEVER won a Grammy for their songs (unless you count “Best Instrumental” for “Mrs. O’Leary’s Cow” a few years ago- what an insult). The Moody Blues STILL aren’t in the Rock’n'Roll Hall of Fame. I don’t think America’s had a decently reviewed album in Rolling Stone since their first one.
But, look at who gets ALL the attention:
- Bruce Springsteen
- Elton John (who sells concert tickets like Tickle-Me-Elmos the day after Thanksgiving)
- Bob Dylan, whom I’m convinced can fart on the microphone and earn a Five Star Rolling Stone review. Don’t get me wrong, I love the man, but he is overrated, as well.Now, Billy Joel is playing TEN, yes TEN shows at Mohegan Sun Casino here in Connecticut and sold them all out. The man hasn’t done an album in like 15 years and is more popular than ever. I swear more people go to his concerts than have EVER bought his music. And THAT’S the kind of crowd that makes someone so overrated. The “Starbucks” crowd that loves what all the other soccer moms love.
The theme here: It’s not Billy Joel’s fault. I really don’t blame HIM for my dislike of his music.
2. He changes the TYPE of music he plays ALL THE TIME.
As I said earlier, bands I like have changed their styles through the years, either through progression, or just keeping up with the times. But, again- a Beach Boys song was a Beach Boys song, you know?
Now, Billy Joel:
Sometimes, he’s the crooner, singing in that horrid “better than thou” voice about “regular people” from New York and their stories.
Then, out of nowhere, he’s formed a barbershop quartet in “For The Longest Time”.
Then, he’s some teeney-bopper singing “Uptown Girl”.
Then, 80’s rocker while singing “We Didn’t Start the Fire”.
And, finally, he’s a good old fashioned rock’n'roller on tunes like this one, “You May Be Right”.
What style of music IS this man? Epic piano numbers? Guitar-based rockers? Vocals-only diddies? What?
That question, I cannot answer. And maybe I’m being a bit too general here, as since I’ve noticed this trend, I’ve never gotten past the Greatest Hits.
In closing, I love this song, I love the style, and I wish this was the REAL Billy Joel. I hope you enjoy my rip-roarin’ rendition! (What a rant…)
-
Chord for Covers: Coldplay’s “Clocks” (Chords / Tabs)
Monday, April 21st, 2008
CLOCKS
By Coldplay
Chords Used:
Abm 4 6 6 4 4 4
Eb 6 6 8 8 8 6
Bbm 6 8 8 6 6 6
F#maj7 2 4 3 3 2 2
C# 4 4 6 6 6 4
Eb Bbm Abm
Eb Bbm Abm Eb Bbm Lights go out and I can't be saved Ab Tides that I tried to swim against Eb Bbm Have brought me down upon my knees Ab Oh I beg, I beg and please, singing Eb Bbm Come out of the things unsaid
Ab
Shoot an apple off my head
Eb Bbm
And a trouble that can't be named
Ab
A tiger's waiting to be tamed, singing
Eb Bbm Ab
Yooooouuuuu arrrreeee
Eb Bbm Ab
Yooooouuuuu arrrreeee
Eb Bbm Ab
Eb Bbm Ab
Eb Bbm
Confusion that never stops
Ab
Closing walls and ticking clocks
Eb Bbm
Gonna come back and take you home
Ab
I could not stop, that you now know
Eb Bbm
Singing come out upon my seas
Ab
Curse missed opportunities
Eb Bbm
Am I a part of the cure
Ab
Or am I part of the disease, singing
Eb Bbm Ab
Yooooouuuuu arrrreeee
Eb Bbm Ab
Yooooouuuuu arrrreeee
Eb Bbm Ab
Yooooouuuuu arrrreeee
Eb Bbm Ab
Yooooouuuuu arrrreeee
Eb Bbm Ab
Eb Bbm Ab
Eb Bbm Ab
Yooooouuuuu arrrreeee
Eb Bbm Ab
Yooooouuuuu arrrreeee
F# C#
And nothing else compares
F# C#
And nothing else compares
F# C#
And nothing else compares
F# C#
And nothing else compares
Eb Bbm Ab
Eb Bbm Ab
Eb Bbm Ab
Yooooouuuuu arrrreeee
Eb Bbm Ab
Yooooouuuuu arrrreeee
Eb Bbm
Ab
Home, home, where I wanted to go
Eb Bbm Ab
Home, home, where I wanted to go
Eb Bbm Ab
Home, home, where I wanted to go
Eb Bbm Ab
Home, home, where I wanted to go