The Laptop Sessions: “That’s Not Me” (The Beach Boys Acoustic Rock Cover Song)

Sunday, June 29th, 2008

By Jim Fusco:

“That’s Not Me” is track three of the pivotal album, “Pet Sounds” from 1966. My family got into the Beach Boys back in 1990 or 1991 because of this album. Of course, we listened to the greatest hits, but we were more interested in this well-crafted, deeper music that “Pet Sounds” brought to the table. Seventeen years later, “Pet Sounds” doesn’t stand as my favorite Beach Boys album- that title goes to a couple of others, including “Holland”, “Sunflower”, and “The Beach Boys (1985)”. But, I still love every single track off of “Pet Sounds”. One of the reasons I like those other albums better is because of the contributions from the other band members. On “Pet Sounds”, it’s really a Brian Wilson solo album, featuring Mike Love, Al Jardine, Bruce Johnston, Carl Wilson, and Dennis Wilson on backing vocals.

But, then you get songs like “God Only Knows” that clearly benefited from Carl’s lead vocals and “That’s Not Me”, which benefited from Mike Love’s great lyrics and singing. This song is a great one to play on acoustic guitar and do a cover of because I didn’t have that feeling of stripping too much away from the song. This is a very personal-sounding song and I think it works great as an intimate cover music video. Of course, I plan on doing pretty much every song from “Pet Sounds”, but I arrived at this choice now because it’s the track that still hung on to that Brian Wilson/Mike Love writing tandem that put them on top in the early 60s.

I hope you enjoy tonight’s Laptop Session acoustic cover song and I hope you’ll come back to see another great cover music video from Chris Moore tomorrow!

CD Review: Tegan and Sara’s “So Jealous”

Sunday, June 29th, 2008

By Chris Moore:

So Jealous brings to mind the definition of a three star album.

If one star indicates one’s ability to record an album and five stars suggests one’s talent for producing superior, impressive music, then three stars is a rating for a good album. In this case, Tegan and Sara have found a unique sound for themselves and embraced it. It is a good album that I have enjoyed—I am arguably biased in their favor, as my first two listenings took place on a two and a half mile stretch of I-91 during a major traffic jam; they saved me from utter boredom and frustration.

Yes, it is a good album. Does it demonstrate the musical genius of Brian Wilson? Does it compete for poetic excellence with the Wallflowers? Does it draw you in entirely, body and soul, as Jack Johnson’s new album can? The answer to these questions is an honest “no.”
This being said, I have learned that one cannot expect miracles out of every album ever made.

Tegan and Sara’s greatest strength lies in their ability to combine acoustic and electric elements. The first track demonstrates their very catchy sound as it builds from an acoustic song to an all-out electrified jam. And they sound good together. The combination of their voices is a blend that is pleasing to the ear.

For the most part, the songs are successful—memorable, even. This is not an album with one or two good songs and the remainder a void of throwaways. After all, how can one resist their cries for the subject of one song to “take me anywhere”? Or ignore their quiet, though authoritative pleas for another not to “get so uptight,” then to “Go away!”?

They have chosen to incorporate basic harmonies, which is a good choice for their vocal blend. Even their slower songs have a backbeat that drives them simply—as is the case with their vocals—yet effectively.

The most significant factor in my mediocre rating of this album lies in their one notable flaw—repetition. On several tracks, they tend to take the same chorus, albeit a well-written, catchy chorus, and repeat it too many times. Ending some songs earlier or expanding the lyrics would have significantly improved the flow of the album.

I truly believe that they have it in them to write better songs. Actually, I should say they have it in them to better the songs they have already written. “You Wouldn’t Like Me,” “I Bet It Stung,” “I Won’t Be Left,” “Walking With A Ghost,” and “Fix You Up” are strong tracks and very good songs. They are performed in a heartfelt manner by two talented young songwriters who are perhaps a couple of the world’s last, best hopes for successful women artists in the music industry. They write their own songs, play their own instruments, are entirely clothed in all their pictures, and criticisms aside, have produced a thoroughly enjoyable album.

7/2005