By Chris Moore:

Hello and welcome to your Tuesday edition of the Laptop Sessions.  After my quite lengthy post last time, I’m going to keep this one fairly brief — not because I want to be lazy and write less, but because I still have a lot of work to finish before tomorrow morning.

Tonight, I’m pleased to present my second video in a three-part series where I present a song from not only a new band to the Laptop Sessions, but also originally done by a female lead singer.  Now, if you’ve come to the music blog before, then you know that my vocal range does not exactly lend itself to great heights…  But, even though I had to drop an octave for this song tonight, I’ve been true to the Laptop Sessions promise to always record in the original key!  Indeed, that’s one of the reasons that Jim started the Laptop Sessions — to create an alternative to carelessly and ineffectively recorded cover songs on YouTube.

While I don’t expect anyone to be wowed by my Johnny Cash-like adaptation tonight (I’m exaggerating with this description, of course!), it was interesting to record for a couple reasons.  The biggest one is the rhythm of the first verse.  It was difficult at first to keep the rhythm of the guitar, while at the same time being true to the tune and timing of the verse.  As with any acoustic cover I’ve recorded, though, I took the time to practice this opening over and over, beginning a few months ago and then coming back to it tonight.  In the end, it’s exciting to see the playback and know that, if only in baby steps, my abilities and stylistic experimentations are expanding because of this session-a-day project.

I first saw Tegan and Sara when they warmed up for Ben Folds in concert.  There was something about the duo that I liked, and even though they are twins, I’ve always liked the quiet, calming presence of Sara.  Which is odd, since I’m usually most interested in the lead singer or songwriter of a band.  Anyway, I bought their 2004 album So Jealous, and although I found a lot of the songs to be repetitive within themselves (i.e. a lack of new lyrical material past the halfway point of any given song), I also found the album really catchy.  I liked the upbeat sound and their vocal harmonies are really great.  They’re not exactly the Beach Boys by any stretch of the imagination, but they’ve found their own niche.  One of my favorite memories of this album is when I first bought it and played it for my sister, who liked it very much.  I just remember sitting in the basement rocking out to it with her.  We don’t exactly have the same tastes in music, so it’s exciting when we find some legitimate crossover!

Anyway, this song — “You Wouldn’t Like Me” — is the first track from the album.  When I did my usual Wikipedia/google run tonight, I didn’t learn all that much new about the band.  However, one thing I didn’t know was that the White Stripes recorded another track, “Walking With A Ghost,” from this 2004 album.

Okay, without further ado, here’s my version of their song.  Keep coming back to the best acoustic cover song music blog on the web, as you don’t want to miss Jeff’s original song tomorrow or Jim’s “Thumpin’ Thursday,” as Jeff would say.  And, of course, I’ll be back on Friday — this time, with a song that I can guarantee you know (but probably not the version that you’re familiar with)…

See you next session!

By Jim Fusco:

I was so disappointed to find that Monday’s video wasn’t a Beatles song- myself and my fellow Acai Berries had an all-new Beatles video ready to go to keep the streak alive, but now I guess I’ll save it until next week.  It’s a cool one, too, so be sure to check back!

Onto tonight’s video:

“You Can Do Magic” is one of those songs that I didn’t need to convince Becky to like.  This was a Top 5 Billboard hit for America in the mid eighties and was their last big hit to date.  Of course, they didn’t write this song and, if my memory serves me from reading the America Box Set liner notes like seven years ago, they didn’t play any of the instruments on it, either.  The writer of the song basically wrote it for the members of America (namely Gerry Beckley, whose “unique” voice actually works pretty great on this song) to sing and had the whole thing ready.  All Beckley and Bunnell had to do was overdub some vocals.  The guitar solo part in the beginning does sound like Beckley’s style, so maybe it’s him on that part…

That first guitar part was something I tinkered with before going to our recording session last week.  But then Steve came in and said, “Hey Jim, how about this over the beginning chords,” and busted out a great part on the 12-string Gibson that blew me away.  So, out went my dinky solo on regular acoustic and in came Steve’s jangly solo on the 12-string.  You can even hear Chris C. playing in the background (he’s actually on camera during next week’s video) if you turn it up, as he was picking the bass parts (an octave higher) on his mandolin.

Let me take this opportunity to say that I’ll finally admit that a Martin guitar is probably worth the extra money.  Every time I pick up Steve’s guitar, I’m just in awe of how clean and clear it sounds.  The low strings are especially crisp and it stays in near-perfect tune, too.  They make a new all-wood version for around $999 (the company cited the recession as a reason to make an “affordable” guitar), but it’s probably going to be quite some time before I can justify purchasing that.  Could be a nice Christmas present from Becky…for the next ten years…

And how about Steve’s vocals?  He did a great job backing me up on this song- again, it’s like singing with my father or my brother.  They already know the parts and just sometimes ask for me to clarify something.  It’s not like I have to teach them the part- it just sorta comes naturally.  What a breath of fresh air.  It’s one of the big reasons (besides his ability to pick up chord changes by ear) why we can bust-out two videos during a recording session.  And Chris C. can sight-read.  One take and he’s ready to go.  My vocals, even though I don’t like to point these things out, were a bit weak, as this take was done after two solid hours of playing and singing.  Earlier takes (done in the first half-hour) were much stronger on my part- my voice was just tired at this point.

And, we get a rare glimpse of Steve on camera this week!!  Don’t get used to it- you don’t see him at all in next week’s video!

I hope you enjoy this classic America tune.  Of course, I’ll be back next week with another Traveling Acai Berries video, so come on back.  But, while you’re at it, remember that we post every Monday and Thursday, as well!  I, for one, love to keep up with the posts and I’ve read every single one.  It’s great to check your email (remember to subscribe to the blog- click the links on the sidebar to the left) and get a fresh new post/video three times a week!  Plus, check out our past videos, as they’re just as good as the new ones (I sound like one of those annoying AT&T Rollover Minutes commercials) and even if you started today, you’d have well over a year of quality entertainment at your fingertips.

On the personal front, this has been a good week of getting stuff done- painting over the weekend and securing a renter for our place (!!!!) was followed by delivering the lighting to our new house, which we got a mini tour of today.  It looks amazing (we have trim around the windows, which is a novelty that we didn’t have in the condo) and it’s really coming together.  I can’t believe it’s about three weeks away…

Until next week, enjoy tonight’s video and enjoy Jeff’s video on Thursday!  It’s sure to please- talk to you then!

I’ll be driving my sister and her boyfriend back to New York soon.  Seeing as how I have a full gas tank already and recently brought my car for an oil change, I figured the best way to prepare for the trip was to make a playlist.

No brainer, right?

So, I’ve spent much longer than I should have rooting around among my iTunes archives to find a selection of songs that is varied, caters to both of our tastes, and will be good for a road trip.  This was a bit more difficult than I initially anticipated, but I finally have a final sequence that will last the entire hour and a half journey (give or take).

You’ll find some songs that Jaime first introduced me to via her consistently high-quality compilations, songs like “Anti-Christ Television Blues” from Arcade Fire and “I Just Do” by Dear & the Headlights.  Other songs are my picks from albums that she introduced me to, tracks like Right Away, Great Captain’s “What A Pity” and Neutral Milk Hotel’s “In the Aeroplane Over the Sea.”

I would have liked to include a different track by the Hush Sound (“A Dark Congregation” is a song that she included on a compilation), but I haven’t picked up a copy of their 2008 album Goodbye Blues yet.

Emphasis on “yet”…

The rest of the playlist is populated by blasts from the past, like the opener from Relient K, as well as a healthy helping of new 2010 tracks that I want her to hear (the songs from the Black Keys, the Hold Steady, Locksley, and Spoon).  And, of course, I couldn’t resist Bob Dylan and Beach Boys songs with New York in the title, as well as the only song I know of that refers to Nyack in the lyrics: Fountains of Wayne’s “Little Red Light.”

So, that’s my thought process on the creation of this playlist.  If you can think of any songs I should have added, comment as soon as possible so I can make the necessary updates! 

1)  “My Way or the Highway…” – Relient K

2)  “I Just Do” – Dear & the Headlights

3)  “Asleep in the Chapel” – Thursday

4)  “Hard Times in New York Town” – Bob Dylan

5)  “Cream and Bastards Rise” – Harvey Danger

6)  “16 Military Wives” – The Decemberists

7)  “Drive My Car” (Live from Good Evening New York City) – Paul McCartney

8)  “Tighten Up” – The Black Keys

9)  “Am I Ever Gonna Find Out” – Lifehouse

10)  “Get Back” (from Love) – The Beatles

11)  “Hustle and Cuss” – The Dead Weather

12)  “The Girl From New York City” – The Beach Boys

13)  “Try” – Straylight Run

14)  “The Fixer” – Pearl Jam

15)  “What A Pity” – Right Away, Great Captain

16)  “Drive” – Incubus

17)  “Blue Orchid” (Live from Under Great White Lights) – The White Stripes

18)  “Soft in the Center” – The Hold Steady

19)  “21^st Century” – Locksley

20)  “A Dark Congregation” – The Hush Sound

21)  “The Vampires of New York” – Marcy Playground

22)  “Anti-Christ Television Blues” – Arcade Fire

23)  “Hop a Plane” – Tegan & Sara

24)  “In the Aeroplane Over the Sea” – Neutral Milk Hotel

25)  “California Zephyr” – Jay Farrar & Ben Gibbard

26)  “Little Red Light” – Fountains of Wayne

27)  “Written In Reverse” – Spoon

28)  “Everybody Learns From Disaster” – Dashboard Confessional