Barenaked Ladies SET LIST – 11/20/2010 at the Klein Auditorium, Bridgeport CT

By Chris Moore:

CLICK HERE to read the Review!

1)  “Who Needs Sleep”

2)  “The Old Apartment”

3)  “Falling for the First Time”

4)  “Jesse, Ben, and Tommy saw my balls” rap

5)  “Every Subway Car”

6)  “Leave”

7)  “Moonstone”

8)  “Another Heartbreak”

9)  “Maybe Katie”

10)  “Sound of Your Voice” (acoustic)

11)  “It’s All Been Done”

12)  “Too Little Too Late”

13)  “Brian Wilson”

14)  “You Run Away”

15)  “Four Seconds”

16)  “Big Bang Theory Theme”

17)  “One Week”

18)  “Pinch Me”

19)  “If I Had $1,000,000” (w/ “Raisins” by request)

20)  “Magic” Medley (“California Gurls,” etc.)

ENCORE:

21)  “Alcohol”

22)  “Lovers in a Dangerous Time”

23)  “Tonight is the Night I Fell Asleep at the Wheel”

BnL Live at the Klein, November 2010 – The Weekend Review

By Chris Moore:

See the Set List HERE.

On the heels of my previous BnL concert review, posted little more than three months ago, there isn’t much more that needs to be said, other than to underscore several assertions concerning the Barenaked Ladies.

First, it really can never be too soon to see them play live again.  After seeing them in August with decent seats and having had an outstandingly fun time, I almost considered letting this second New England tour stopover pass me by.

Almost.

Being fortunate enough to live in an area that is located in, as a friend recently referred to it, the “Barenaked Belt,” it simply doesn’t make sense to not take advantage of it.  And, this time around, the venue was considerably smaller – Mohegan Sun Arena being 9500 capacity, and the Klein Auditorium being only 1400.  We sat front row balcony, or “mezzanine” as the theatre people say, and got some performances that probably wouldn’t find their way into a stadium set, songs like the rarely played “Moonstone” and “Tonight is the Night I Fell Asleep at the Wheel.”

A second assertion, and perhaps the main thrust of my August review, is that BnL is every bit as good as they were when Steven Page was in the band.  This is surprising, as he is such a unique talent and a man who brings considerable stage presence and energy to the live shows.

And, for the record, let’s be clear that I would love to see the five-man band reunited at some point down the road.

But, for now, the four-piece Barenaked Ladies are still a force to be reckoned with, and they have apparently decided that no catalog item is off limits, regardless of how much of a “Steven” song it is/was.  Take, for example, the fairly standard middle of their order, a veritable greatest hits of Steven Page tracks: “Sound of Your Voice,” “It’s All Been Done,” “Too Little Too Late,” and “Brian Wilson,” all topped off with the not-so-subtle “You Run Away.”

A third assertion is one that struck me early in the set last night: the Barenaked Ladies are the rare group of men that have gotten cooler as the years pass.  One needs only to compare their image and sound from the excellent and not-to-be-slighted Gordon era with their current stage show in order to appreciate just how cool they’ve become without losing too many fans to claims of selling out.

They have such a vast array of music, and to a certain degree, they allow for it in their set lists.  Although there are certain songs that you can reasonably expect (and in certain orders), there is room for adlibs and unexpected deep tracks, songs like those mentioned above.  Even songs that have been played about ten thousand times over their career, like “One Week,” have taken on a fresh appeal.  With Kevin Hearn singing the Page parts of “One Week” last night, I think they’ve finally perfected their recent live arrangement of this, their best-known composition.  Likewise, Tyler Stewart and Jim Creeggan have stepped up their game, Stewart bringing down the house with his reinvigorated, Jack Black-esque approach to “Alcohol” and Creeggan with his on-stage gesticulations, ear-to-ear grin, and acceptance of the spotlight for tracks like “On the Lookout” and “Peterborough and the Kawarthas.”

Finally, as if it needs to be said, Ed Robertson is a force unto himself.  His white man rapping helped to establish the band’s public image, and he is ever willing to put himself out there for a laugh.

When I choose the words “put himself out there,” I mean that literally.

Last night, as a tribute to their excellent opening act Jukebox the Ghost’s final night on tour, Robertson emerged from backstage with only a towel on.  Then, positioning himself between keyboardist/lead vocalist Ben Thornewill and the audience, he opened his towel so only Thornewill could see him and proceeded to dance to the music.  He moved around the stage and repeated this process for the other two band members.  Meanwhile, the crowd was laughing and clapping and screaming, and guitarist Tommy Siegel laughed his way through his vocals.

As Thornewill pointed out after the song, he could only see Robertson in his peripheral vision at first.  When he reached his hand out to pretend to tickle him, he found that Robertson was indeed wearing only a towel.

Never let it be said that the “Barenaked” part of their band name hasn’t been earned.

Forgive me for getting up on my soapbox yet again, but BnL continues to be one of the most underappreciated rock music acts of the modern age.  If you or someone you know hears “Barenaked Ladies” and instantly thinks “goofy,” “funny,” “If I Had $1,000,000,” and/or “One Week,” then check bnlmusic.com for a tour date in your area.  One show and you’ll be hooked.  Guaranteed.

I’ve been a fan now for over a decade, and they continue to recapture my interest and adoration each and every time I see them live.

As I climb off my soapbox, I bid you good day and hope this review might at least inspire a spin of Maroon or Stunt.  Or Gordon.  Or Maybe You Should Drive.  Or Everything to Everyone.  Or…

Well, you get the idea.

“Shoe Box” (Barenaked Ladies Cover)

By Jim Fusco:

Tonight, another event in my ongoing tribute entitled, “Steven Page, we hardly knew ye.”  Steven Page leaving Barenaked Ladies has been traumatic for me, musically.  It’s like if John left the Beatles and the band went on without him.  They’d still be a great band with three songwriters, singers, and musicians, but you would always wonder if they’ll ever get back together, etc…

At first, I likened Steven Page leaving Barenaked Ladies after 20 years to Brian Wilson taking a self-inflicted leave from the Beach Boys starting in late 1967.  But, I then realized that Page leaving BNL is much worse in a way, but better in another.

You see, when Brian Wilson stopped making music with the Beach Boys on a regular basis (and being the producer), the other Boys (Carl, Dennis, Mike, Al, and Bruce) hadn’t really been accomplished songwriters yet.  I mean, it took them until 1968 to really put together an album and it definitely sounds like a first effort in many ways.  We were all just lucky to discover five brilliant songwriters behind Brian Wilson.  In many ways, for me, Brian recessing in the Beach Boys contributes to my love of the band because, well, they really became a band after that.  You had five songwriting members that played instruments and sang and went out and played concerts- that incarnation of the Beach Boys is almost unsurpassed, for me.

With Steven Page, he leaves the band with three accomplished songwriters (especially Ed Robertson, with a #1 single in “One Week” under his belt) and some fine singers, to boot.  So, BNL has a bit of a head-start.  In fact, there shouldn’t be too much of a hiccup, other than Page’s recent flurry of depressing songs and over-the-top oparetta vocals.

The thing that makes Page’s absence worse is that, at least for the forseeable future, it’s permanent.  With the Beach Boys, Brian was always still around in some form.  He always contributed at least one song to every album, even if they had to dig it up and force him to complete it.  Fans would always hope for the next Brian Wilson gem and it was comforting to know he was there, readying himself for a possible comeback that never really came.  Of course, I say this like I was there- I wasn’t even alive until after Brian’s amazingly talented brother Dennis died- I’m just speaking from what I’ve read in the past.

So, after that whole explanation, I’m really trying to say that I’m having a hard time getting over the restructuring of my second-all-time favorite band.  Tonight’s video is a little tribute to Steven Page.

“Shoe Box” (which I always thought was “Shoebox”) was a single and had its own EP (with includes a decent song in “Trust Me’) and served as a bridge between the style of the first three albums and the albums to follow (starting with “Stunt”).  The song was also on “Born On A Pirate Ship” in a much more subdued tone, much to that version’s detriment.  The rockin’ single version is my choice, and that’s what I did my video after.  How can you tell them apart?  Well, the album verison just starts off with the instruments and vocals at the same time.  The single goes through the chord progression before Steven Page starts in.

Listen to the words closely on this one- a very interesting message to it.  Also, you may have to look up the words, as it took Chris and I about five years to realize that he’s not saying, “And Rumplestiltskin side my shoe box!” and is in fact saying, “When talk turns to single malts and Stilton and my shoe box!”  Who would’ve thought?

Okay- a long post tonight to make up for last week.  Tomorrow night, I have a BIG announcement about my new album and that just means more work for me.  So, you’ll have to stay tuned until another all-new Original Wednesday comes your way!  Have a great night and I’ll catch you all tomorrow!



“Green Christmas” (Acoustic Christmas Cover)

By Chris Moore:

Well, tonight’s going to be a brief one, and I apologize.  But I made up for it by calling in the big guns — aka one Jim Fusco for additional guitar stylings and harmony vocals — to make this video one my favorites that I’ve done.  It’s certainly the best Christmas video that I’ve recorded.  We had a lot of fun playing it, and I think that comes through on the recording.

I hope you enjoy it!

Oh, yeah, I should probably mention what song it is.  This is “Green Christmas,” one of the holiday originals on the Barenaked Ladies’ Barenaked For the Holidays album.  Second only to “Elf’s Lament” and maybe “Christmastime (Oh Yeah),” this is one of my favorite original tracks on the album.  There’s just the right mix of humor and seriousness on this record, and I think this one leans more toward the serious side.  I especially like the middle part — “Green, cause of everything I miss.  All this missletoe, no kiss…”

Simply put, this was a lot of fun to record.

And it’s certainly not like we haven’t played it before.  It’s been a while, but this song is officially part of our MoU Christmas Chord Book, Part II.  That’s right, we needed multiple chord books to contain the number of songs we learned for our Christmas shows.

The reason this post is so brief is that I remembered and recorded my video much later than I would have liked, and then, Jim and I watched the SNL “Best of Christmas Past” DVD while wrapping our gifts for Christmas.  It felt good to accomplish that while simultaneously watching some great skits — the Matt Foley “motivational speaker” Santa, Alec Baldwin’s “Shvety balls,” Eddie Murphy’s “Mr. Robinson’s neighborhood, and boy does the list go on… — and laughing (a lot!) together.

And, now, it will feel good to sleep…

See you next session!