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Bob Dylan’s “Bob Dylan” (1962) – Yes, No, or Maybe So
Sunday, March 11th, 2012
Originally posted 2010-05-03 22:30:24.
Bob Dylan’s Bob Dylan (1962) – MAYBE
Bob Dylan's self-titled debut (1962
(March 19, 1962)
Review:
It is difficult to imagine a time when Bob Dylan was not revered as a songwriter, but here is one of the true documents of that time; it is an album that exemplifies young Dylan’s early sound, as he experimented with his influences on some of his first cover song recordings and presented the first two originals he committed to an album (the early, touching gem “Song to Woody” and the raw, poetically humorous “Talkin’ New York”).
Top Two Tracks:
“Song to Woody” & “House of the Risin’ Sun”
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Bob Dylan’s “Christmas in the Heart” (2009) – The Weekend Review
Sunday, March 11th, 2012
Originally posted 2009-11-29 02:28:00.
By Chris Moore:
Throughout Christmas in the Heart, Bob Dylan and his band are clearly enjoying themselves, embracing the timelessness of the Christmas music genre. More specifically, Dylan and company are transporting themselves and their listeners back to a simpler time of deceptively simple songs and sentiments.
Still, not every nostalgia-inducing feature is practiced or purposeful. For instance, that’s not static you hear on your compact disc or mp3 copy — that’s just Dylan’s voice.
Over the fifteen songs that comprise this new album, Dylan moves fluidly between the religious and the imaginative, from solemn, sacred hymns describing the birth of Jesus Christ to classic tunes about jolly old Saint Nicholas himself, Santa Claus.
Interestingly, this is the first time Dylan has included more than thirteen tracks on a studio release since 1970′s Self Portrait, the runner up being 1992′s Good As I Been To You, clocking in at thirteen tracks. Granted, these are not the most positive comparisons in his considerable catalog, but fortunately, the comparisons end at the track count.
Christmas in the Heart is a unified collection of songs that are unlike anything Dylan has recorded before, and yet they somehow fit perfectly with the material he has released in the past decade or so. Ever since the two albums of covers he released in 1992 and 1993, Dylan has seemingly been drawn to the sounds and styles of the past. 2001′s Love and Theft saw a wide variety of styles, and the songs on both Modern Times (2006) and this year’s Together Through Life have progressively relied on mid-20th century styles and arrangements.
In many ways, this is the most logical time for Dylan to contribute to the very American tradition of popular Christmas music.
Bob Dylan's "Christmas in the Heart" (2009)
I will admit that, upon a first listen, I was unimpressed. Bob Dylan fanatic that I am, the deterioration of his voice initially alienated me and I felt distanced from these classic compositions, most of which I had heard before in at least one or more arrangements.
“The Christmas Blues” is perhaps the most Dylan-esque of the tracks, especially when considering the predominance of recent Dylan tunes with blues structures, the harmonica solo, and the more serious, even downtrodden tone. In this song, his vocals are stretched and utilized to heartfelt effect.
As I listened a second and third time, the subtlety of these tracks began to set in. The lead guitar in “Do You Hear What I Hear?” that more than adequately takes the place of the typical “answer” vocal components, the choral background singers with spot-on, traditional harmonies, and the variations in Dylan’s vocals — the rough edges in “Little Drummer Boy” and “Have Yourself a Merry Little Christmas,” the softened edges in “Christmas Island” — all contribute to what is largely a relaxing and entertaining record.
Is there a better description for a Christmas album?
What strikes me about Christmas in the Heart is the proof which it provides for the argument that this time of year is a special season, one which captivates the hearts and souls of men and women and inspires us to be better people. Certainly, if Bob Dylan put this much effort into not only a holiday album, but also a specifically Christmas-themed release, then there must be something to be said about the power of music influenced by the Christmas spirit.
Dylan, known for turning around and surprising even his most loyal fanbase, has done it again. It may not be as revolutionary as going electric, or as polarizing as songwriting from an explicitly born-again Christian perspective, but it is at least as dramatic a development in his career. Rarely has Dylan prepared such well-known cover songs for a studio release, much less songs with such a concrete set of lyrics and straightforward message.
If nothing else, this album will provide some interesting fodder for the ongoing “Is he Christian?/Is he Jewish?” debate that continues to rage on…
For me, Christmas in the Heart is a clear reminder of the universal qualities of the Christmas spirit. It is an album that further diversifies Dylan’s hand in American popular music, and likewise carries the torch for another generation to hear and appreciate a style that originated almost six decades ago.
All in all, Christmas in the Heart would make for a strong addition to any pop/rock music fan’s Christmas album collection.
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Bob Dylan SET LIST – 11/27/2010 at the MGM Grand Theatre at Foxwoods, Mashantucket, CT
Sunday, March 11th, 2012
Originally posted 2010-11-28 01:52:54.
Click HERE for the Weekend Review!
SET LIST:
1. “Gonna Change My Way of Thinking”
2. “Lay, Lady, Lay”
3. “I’ll Be Your Baby Tonight”
4. “Tangled Up in Blue”
5. “Tweedle Dum & Tweedle Dee”
6. “The Lonesome Death of Hattie Carroll”
7. “High Water (For Charley Patton)
8. “Visions of Johanna”
9. “Summer Days”
10. “Love Sick”
11. “Highway 61 Revisited”
12. “Workingman’s Blues #2″
13. “Thunder on the Mountain”
14. “Ballad of a Thin Man”15. “Jolene”
16. “Like a Rolling Stone” -
“World Gone Wrong” (Traditional) – Chords, Lyrics, & How to Play
Sunday, March 11th, 2012
Originally posted 2010-03-10 23:51:05.
To see how it’s played in the cover song music video, CLICK HERE!
“World Gone Wrong”
TraditionalD
Strange things have happened, like never before;
My baby told me I would have to go.
D G
I can’t be good no more, once like I did before.
G A7
I can’t be good, baby,
Dmaj7 A7 D
Honey because the world’s gone wrong.Feel bad this morning, ain’t got no home.
No use in worrying, ’cause the world’s gone wrong.
I can’t be good no more, once like I did before.
I can’t be good, baby,
Honey because the world’s gone wrong.I told you, baby, right to your head,
If I didn’t leave you I would have to kill you dead.
I can’t be good no more, once like I did before.
I can’t be good, baby,
Honey because the world’s gone wrong.I tried to be loving and treat you kind,
But it seems like you never right; you got no loyal mind.
I can’t be good no more, once like I did before.
I can’t be good, baby,
Honey because the world’s gone wrong.If you have a woman and she don’t treat you kind,
Praise the Good Lord to get her out of your mind.
I can’t be good no more, once like I did before.
I can’t be good, baby,
Honey because the world’s gone wrong.Said, when you been good now, can’t do no more,
Just tell her kindly, “There is the front door.”
I can’t be good no more, once like I did before.
I can’t be good, baby,
Honey because the world’s gone wrong.Pack up my suitcase, give me my hat,
No use to ask me, baby, ’cause I’ll never be back.
I can’t be good no more, once like I did before.
I can’t be good, baby,
Honey because the world’s gone wrong.
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