By Chris Moore:

Hello and welcome to not only another Laptop Session music video, but also a special treat from the three songwriters who bring you an acoustic cover a day EVERY day in 2008…

This is a little something we like to call Triple Threat Tuesday. What this means is today you will receive not one, not two, not four, but THREE video blog entries. Each video will be a cover version of Bob Dylan’s 1969 song “Tonight I’ll Be Stayin’ Here With You.” It’s such a great track that we couldn’t agree on just one person to record an acoustic cover of it… so all three of us will take a stab at it! This song originally appeared on the first fully country-rock Dylan album, appropriately titled Nashville Skyline. This album is filled with very simple, upbeat, and brief (under 3 minutes each) songs, not to mention they’re all sung in his “Lay, Lady, Lay” voice and Johnny Cash himself makes a special guest appearance on the opening track. I’ve heard better duets, but there are few things better than hearing two giants like Cash and Dylan harmonize (however loosely) on such a great song as “Girl from the North Country.” Dylan actually originally released that song on his 1962 acoustic album The Freewheelin’ Bob Dylan.

Personally, my favorite version of this song is Dylan’s Rolling Thunder Revue version, recorded in 1975 and released in the Bootleg series. He changes the words around and, although they’re a bit more blunt than the original, I love them and think they work well for this acoustic cover rendition. But that’s the beauty of cover songs — they give songwriters like us endless opportunities to perfect our own skills and to end some of our own style to the track. For instance, I can bet that Jim’s version will be faithful to the original, as he loves that album. He could have bet money that I would go for the obscure live lyrics, since I love Bob Dylan and have probably heard more live versions of this song than the average person should.

As Jim explained yesterday, I must follow up — it’s great to be back online. This music blog has been a lot of work for us and I can’t imagine losing the session – a – day promise this far into the game! We’re building more and more each day, and now that I’m on summer break from teaching, I’ll be able to devote all my attention toward my creative pursuits.

See you next session!

Jeff’s version (sorry – this is my first Bob Dylan cover – be nice to me!)

Jim’s version: Recorded the night of, using my new video filters and amazing USB microphone- just listen to the audio quality of this acoustic cover song!

For the cover song music video, CLICK HERE!

” Beyond Here Lies Nothin’ ”
Bob Dylan

Am – Am – Dm – Am – E – Am

Am
Oh, well, I love you pretty baby;
You’re the only love I’ve ever known.
Am                                  Dm
Just as long as you stay with me,
Dm                               Am
The whole world is my throne.

Am                      E
Beyond here lies nothin’…
E                                      Am
Nothin’ we can call our own.

Well I’m moving after midnight
Down boulevards of broken cars.
Don’t know what I’d do without her,
Without this love that we call ours.

Beyond here lies nothin’…
Nothing but the moon and stars.

(SOLO)

Down every street there’s a window,
And every window’s made of glass.
We’ll keep on lovin’ pretty baby,
For as long as love will last.

Beyond here lies nothin’…
But the mountains of the past.

(SOLO) x2

Well my ship is in harbor,
And the sails are spread.
Listen to me, pretty baby:
Lay your hand upon my head.

Beyond here lies nothin’…
Nothin’ done and nothin’ said.

Am

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

For Christmas songs chords & lyrics, CLICK HERE!

By Chris Moore:

It’s official: the Christmas season is upon us yet again!  I, for one, found it difficult to concentrate on the work I brought home this weekend, choosing instead to listen to Christmas music — specifically that on Bob Dylan’s new 2009 holiday album Christmas in the Heart (see my review here!) — and playing some of my favorite seasonal songs on acoustic guitar.  One of my new favorites is a song written by Hal Moore and Bill Fredricks titled “Must Be Santa.”

Now, before you get too excited, I should begin by making it very clear that tonight I am covering Bob Dylan’s rendition of “Must Be Santa” and NOT the performance “popularized” by Mr. Music and the Cool Kids Chorus.

Please don’t be disappointed…

Seriously, though, if you would like to hear that rocking version, you’ll just have to download it for yourself.  Or the versions by Mitch Miller, Raffi, Point Sebago Resort, Glen Burtnik, Miss Lisa, Miss Molly, The Friel Brothers, The Angel Choir, The Holly Players Orchestra, The Hit Crew, Mary Lambert, Bob McGrath, Kids Sing’n, the Pokemon Christmas Bash band, or Lorne Greene with the Jimmy Joyce Children’s Choir — good luck finding that last one.

If you’re craving a good polka, then don’t miss out on the Brave Combo version (which, ironically, is the closest in style and arrangement to Dylan’s).

And who could forget the Kids Rap’n the Christmas Hits version?

These cover songs range from boring to funny to vomit-inducing and back again.  This brings me to the Bob Dylan version, which is a breath of fresh air when played beside these other covers.  Dylan’s “Must Be Santa” is a frantic, polka-inspired three minutes of Christmas spirit, accordions, and bright choral vocals built up around Dylan’s gruff lead.  Recorded nearly half a century after Mitch Miller first recorded the song in 1961, it is interesting to see how our image of Santa and the general sound and style of Christmas music (i.e. both sets of chord changes as the song progresses a la so many other seasonal favorites) really haven’t changed much in all this time.

Of course, it doesn’t hurt that Dylan’s album — and his recent work in general — is an homage to a simpler time in American popular music.

That is perhaps why Dylan’s new album, time-ravaged vocals and all, has slipped in so quickly among my favorite Christmas albums of all time.  Although it was recorded earlier this year, there is a sense of nostalgia and even timelessness in each of its tracks.  Somehow, he has managed to record the songs in a style that seems very natural from his current studio band.  Indeed, Dylan has seemingly reached further and further into the past for the styles of his past several albums.  In this sense, 2009 was the ideal year for him to record an album of traditional favorites and holiday songs from earlier in the century.

I don’t think any music will ever usurp the positions that The Beach Boys’ Christmas Album and the Moody Blues’ December currently hold in my heart.  The Barenaked Ladies’ Barenaked for the Holidays, Brian Wilson’s What I Really Want For Christmas, and America’s Harmony are certainly the next runners up.  Some of my attachment to this music is admittedly due to my own personal memories, such as listening to the Beach Boys each year as my family decorated the tree and attending a Moody Blues Christmas concert with two of my dearest friends several years ago.  That being said, there is also a universal element to the music on these records that I can’t imagine any fan of rock music being able to deny.  Somehow, these aforementioned bands have managed to incorporate religious hymns, classic rock Christmas songs, and originals into unified works that I look forward to dusting off each and every year.

For now, I’m wading into the music of season via this new Dylan album.  After all, this is the punchline of a joke I’ve been making for as many years as I’ve loved Bob Dylan — “Imagine if Dylan recorded a Christmas album!”  My friends and I would laugh, but I was always privately jealous that their favorite bands — the Beach Boys, the Moody Blues, etc. — had recorded Christmas albums or at least a Christmas song or two.

Now, I have my secret wish, and I couldn’t be happier!

Yes, Dylan’s voice is rugged, and truth be told, I was a bit hesitant to embrace this album when I gave it one listen upon its release a month ago.  However, it only took a second listen for me to get hooked.

Whatever music you may enjoy listening to at this time of the year, I hope you’re enjoying it, and I hope you’ll come back throughout the week for Jim’s music video tomorrow, a guest session(!) on Friday, and another installment of Weekend Review.

See you next session!

The SET LIST is below…

For a detailed review, CLICK HERE!

Well, a year sure did go by quickly! Here I am with my girlfriend, Nicole, at what has become an important and fun annual event – the local Bob Dylan concert!

This year, Dylan’s summer 2009 tour has stopped at Rock Cats Stadium in New Britain as part of his ballpark series with Willie Nelson and John Mellencamp.

Somewhat surprisingly, Nelson is opening and is playing as I type — songs like “On the Road Again” and “Mamas Don’t Let Your Babies Grow Up to be Cowboys.” Why so soon for the veteran country western singer? Earliest bed time of the bunch? Somehow, I doubt it! Anyway, I’m not a big fan, but his band is very solid and he sounds fantastic!

Okay, it’s back to the music for me, but I’ll be back with up to the minute Dylan set list updates as they come. I may need Nicole’s help to decipher the arrangements of the older songs, but I think she’s up to the task.

Mellencamp’s out now, and thanks to the graciousness of a somewhat tipsy fellow fan, we have much better seats (see above). The outdoor ballpark concerts really are nice, but you’re at the mercy of Mother Nature; thankfully, she was kind today.

Mellencamp opened with a song that we both know – “Ain’t That America.” I find his lyrical content a bit campy for my style, but I plan to reserve judgement until the concert is over. So far, so rockin’!

Upcoming: The Dylan Set List

BOB DYLAN SET LIST – 7/15/2009:

1.) “Rainy Day Women #12 & 35″
2.) “Stuck Inside of Mobile with the Memphis Blues Again”
3.) “The Levee’s Gonna Break”
4.) “Tryin’ to Get to Heaven” – LAPTOP SESSION – CLICK HERE!
5.) “High Water (For Charley Patton)” – LAPTOP SESSION – CLICK HERE!
6.) “I Feel a Change Comin’ On”
7.) “Tweedle Dee & Tweedle Dum”
8.) “When the Deal Goes Down”
9.) “Highway 61 Revisited”
10.) “Ballad of a Thin Man”
11.) “Thunder on the Mountain”

ENCORE:

12) “Like a Rolling Stone” – LAPTOP SESSION – CLICK HERE!
13) “Jolene”
14) “All Along the Watchtower” – LAPTOP SESSION – CLICK HERE!