By Jim Fusco:

A week away.  I just can’t believe it.  I haven’t had time to breathe, but I’ve managed to set up the whole house, buy and wrap gifts, and watch Christmas movies in this short period we call Christmas time.  During these last few days, I’m trying to make the absolute most of it, and that involves doing things I actually want to do when I get home.  I’m glad to bring you tonight’s Original Wednesday.

You know, I tried to present a new song here tonight, but my last Original Wednesday of the Session-a-day project rounds out with yet another Christmas song.  I can’t believe we’re at the end of this project already.  I mean, it’s been a lot of work and a long time in the making, but I look forward to the time when I can actually go back and appreciate it all.  It’s been a great life-journal over these past few months.

Tonight’s orignal song is a tune that my father dictated to me, to which I attempted (back in 2000 or 2001) to add chords to.  He’s maintained throughout the years that I didn’t get it right.  The original music had a flute behind it.  I remember the flute part exactly.  I know that’s what he wanted in there.  He says I don’t sing it right, either, but I suppose that’s the nature of cover songs…and the nature of transposing a song from a tune to the piano when you really don’t know how to play.  Again, this was seven years ago when I was still VERY new to any of the “musical” instruments.  I knew how to play the drums, but picked up piano and guitar on my own.

I actually remember being out at, I think, a place like Sturbridge Village with my aunt many summers ago and specifically buying one of those tin flutes so I could play this song’s flute part.  I know I have a version of it somewhere.  Wow, I think it’s actually right in front of my face right now on the desk in  my room.  If Chris gets me REALLY drunk (kidding!) maybe he can talk me into playing that almost certainly embarassing tape of Christmas songs for him.  Hey, free fast-food always helps.  But, then again, I owe him for last night’s dinner because I forgot to pay for his!  What a friend I am…

I got to do a little shopping tonight, allowing me to neglect my nightly freelance work in favor of spreading some Christmas cheer.  I hope I have a nice weekend and a nice time leading into Christmas.

Oh, and as one last note: I made a comment at work today about one of the reasons I love Christmas music so much.  I really do like it more than just about anyone.  I have over 200 Christmas songs and love every single one.  Anyway, one of the reasons I love it so much is because of how happy the songs are.  I can count on one hand the sad Christmas songs.  And even those have sleigh bells…

Tonight’s original song is one of those sad songs (with sleigh bells) that basically points out how Christmas can be a sad time if no one’s there to make it a big event.  I took my father’s verses (whether he says they’re correct or not) and appended the fast part way back then.  The parts actually work together well and the lyrics even follow the same sentiment: “I want to be home on Christmas.  If I’m not, then I’ll be sad.  If you’re wondering why I’m sad, just look around and notice that I’m not home and around loved ones for Christmas!”  So, it all comes back around.

Good night and see you on Saturday!  Stay tuned for a great Thumpin’ Thursday post with Chris Moore tomorrow!

For Christmas songs chords & lyrics, CLICK HERE!

By Chris Moore:

It’s official: the Christmas season is upon us yet again!  I, for one, found it difficult to concentrate on the work I brought home this weekend, choosing instead to listen to Christmas music — specifically that on Bob Dylan’s new 2009 holiday album Christmas in the Heart (see my review here!) — and playing some of my favorite seasonal songs on acoustic guitar.  One of my new favorites is a song written by Hal Moore and Bill Fredricks titled “Must Be Santa.”

Now, before you get too excited, I should begin by making it very clear that tonight I am covering Bob Dylan’s rendition of “Must Be Santa” and NOT the performance “popularized” by Mr. Music and the Cool Kids Chorus.

Please don’t be disappointed…

Seriously, though, if you would like to hear that rocking version, you’ll just have to download it for yourself.  Or the versions by Mitch Miller, Raffi, Point Sebago Resort, Glen Burtnik, Miss Lisa, Miss Molly, The Friel Brothers, The Angel Choir, The Holly Players Orchestra, The Hit Crew, Mary Lambert, Bob McGrath, Kids Sing’n, the Pokemon Christmas Bash band, or Lorne Greene with the Jimmy Joyce Children’s Choir — good luck finding that last one.

If you’re craving a good polka, then don’t miss out on the Brave Combo version (which, ironically, is the closest in style and arrangement to Dylan’s).

And who could forget the Kids Rap’n the Christmas Hits version?

These cover songs range from boring to funny to vomit-inducing and back again.  This brings me to the Bob Dylan version, which is a breath of fresh air when played beside these other covers.  Dylan’s “Must Be Santa” is a frantic, polka-inspired three minutes of Christmas spirit, accordions, and bright choral vocals built up around Dylan’s gruff lead.  Recorded nearly half a century after Mitch Miller first recorded the song in 1961, it is interesting to see how our image of Santa and the general sound and style of Christmas music (i.e. both sets of chord changes as the song progresses a la so many other seasonal favorites) really haven’t changed much in all this time.

Of course, it doesn’t hurt that Dylan’s album — and his recent work in general — is an homage to a simpler time in American popular music.

That is perhaps why Dylan’s new album, time-ravaged vocals and all, has slipped in so quickly among my favorite Christmas albums of all time.  Although it was recorded earlier this year, there is a sense of nostalgia and even timelessness in each of its tracks.  Somehow, he has managed to record the songs in a style that seems very natural from his current studio band.  Indeed, Dylan has seemingly reached further and further into the past for the styles of his past several albums.  In this sense, 2009 was the ideal year for him to record an album of traditional favorites and holiday songs from earlier in the century.

I don’t think any music will ever usurp the positions that The Beach Boys’ Christmas Album and the Moody Blues’ December currently hold in my heart.  The Barenaked Ladies’ Barenaked for the Holidays, Brian Wilson’s What I Really Want For Christmas, and America’s Harmony are certainly the next runners up.  Some of my attachment to this music is admittedly due to my own personal memories, such as listening to the Beach Boys each year as my family decorated the tree and attending a Moody Blues Christmas concert with two of my dearest friends several years ago.  That being said, there is also a universal element to the music on these records that I can’t imagine any fan of rock music being able to deny.  Somehow, these aforementioned bands have managed to incorporate religious hymns, classic rock Christmas songs, and originals into unified works that I look forward to dusting off each and every year.

For now, I’m wading into the music of season via this new Dylan album.  After all, this is the punchline of a joke I’ve been making for as many years as I’ve loved Bob Dylan — “Imagine if Dylan recorded a Christmas album!”  My friends and I would laugh, but I was always privately jealous that their favorite bands — the Beach Boys, the Moody Blues, etc. — had recorded Christmas albums or at least a Christmas song or two.

Now, I have my secret wish, and I couldn’t be happier!

Yes, Dylan’s voice is rugged, and truth be told, I was a bit hesitant to embrace this album when I gave it one listen upon its release a month ago.  However, it only took a second listen for me to get hooked.

Whatever music you may enjoy listening to at this time of the year, I hope you’re enjoying it, and I hope you’ll come back throughout the week for Jim’s music video tomorrow, a guest session(!) on Friday, and another installment of Weekend Review.

See you next session!

For Moody Blues chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to another all-new edition of the Laptop Sessions.  To kick off another full week of new material, I’ve reached into the Moody Blues catalog of songs — specifically from their 2003 album December — to bring you a cover song version of their cover of the Mike Blatt and Tim Rice song “A Winter’s Tale.”

Now, although I am an English teacher, this is not to be confused with the William Shakespeare play “The Winter’s Tale.”  Not only is there a notable difference in parts of speech (namely the indefinite – “a” – versus the definite – “the” – articles), but there is also a big difference in tone.  Still, “The Winter’s Tale” is quite a trip.  Consider, for instance, that this play contains one of Shakespeare’s most infamous stage directions: “Exit, pursued by a bear.”  What I find the most interesting is that there is contention over whether he used an actual bear for the original productions, or simply a man dressed in a bear costume.

I would assume the latter, but the former is just so much more fascinating…

But this is all beside the point.

“A Winter’s Tale” is one of those songs that is indisputably beautiful, sung perfectly by Justin Hayward.  For those who have seen them in concert recently, you may have noticed my apparel is a nod to Hayward’s typical onstage wardrobe.  That wasn’t too difficult to arrange, as I simply removed my tie and jacket and voila!  Of course, this is also one of those songs that, upon playback, forces me to remember I’m a rhythm guitarist hammering away at what is such a subtle, pretty song at heart.  During our MoU Christmas concerts, Mike would front the band on this one, fingerpicking and taking the lead — and for good reason!

The reason I’m standing up is because the song simply didn’t sound right when I played it sitting down.  I found I was having trouble getting comfortable as I played it.

Of course, the majority of the song being played on barre chords didn’t help either…

Several takes and several strained ligaments in my hands later, you’ve got yourself a new Laptop Session.

As a final note about the song, I found it very interesting that this song, originally written by songwriters Mike Batt and Tim Rice, hit #2 on the UK charts back in 1982.  Batt teamed up with Rice to write the song for performer David Essex.  Another interesting bit of trivia is that Batt went on to produce Justin Hayward’s solo album Classic Blue between 1988 and 1989 at Abbey Road Studios in London.  Classic Blue, ironically, is an album of covers.  The track listing includes three songs written by Batt, as well as classics from Brian Wilson, Lennon/McCartney, and Led Zeppelin.

I hope that you enjoy this installment of the Laptop Sessions, and I encourage you to hurry back for more very soon.  In addition to your regularly scheduled (yuletide?) cover song music video tomorrow, there may be a brand new Guest Session on Friday, as well as another edition of the Weekend Review.  If you missed last weekend’s music review, you should know that I just kicked off a top five albums of the decade countdown.  Each weekend between now and January 2nd, 2009, I will reveal another album on the list, as well as a full review.  Then, on January 2nd, I will post my full “Top Thirty Rock Albums of the Decade” list, along with my review for the number one rock album of the decade.

Thus far, the Barenaked Ladies’ Maroon (2000) has cinched the #5 slot.  Which album will rank as the fourth best album of the decade?

You’ll have to tune in to the Weekend Review to find out…

See you next session!

By Jim Fusco:

Well, my first Eagles cover tonight, aided by one Chris Moore!

This is a landmark Laptop Session, as it’s the first one EVER to feature an electric guitar!  I’m using one of my prized Ibanez guitars for this video.  I can’t believe how great it came out.  I’m not talking about our performance- I’m talking about the fact that we used my one microphone and just sorta placed it there and let it roll.  The amp was on the other side of the room, too.

I got the solo perfect in this take, but Chris wanted to do another one to perfect his part.  After a couple of extra takes, I decided that the solo was more important than a couple of botched chords, so we kept this take.  You may notice a different font used in this video, as that’s a clear sign we used Chris’ computer, as mine was busy burning DVDs.

I like this song, but didn’t really love it until I learned how to play it last year.  It’s got some great chords, including one of my favorites- A major 7th.  It’s my first Eagles song, too, and I’m happy I had Chris to back me up and allow me to play a non-kazoo solo tonight.

It’s really late now, as Mike came over to talk and chill with Dana, Chris, and me.  We had a good time laughing about Dana’s various botched pickup lines and Chris’ general hilarity.

I’ll be back with you on Thursday night, as Jeff will be filling in for me on Monday.  He’s got his work cut out for himself this week, as he’ll be posting Sunday, Monday, Wednesday, and Saturday.  Wow, that’s pretty awful.  But, at least that’ll eat up four of his remaining nine or ten videos for the year!  I’m getting ramped-up for Christmas, as the tree (which is perfect) is up, the lights are on, and the presents are ready for wrapping.  Of course, I’m still busy with video jobs and the like, but we’ll make it.

Okay, have a great week and enjoy your quad-shot of Jeff coming right at ya!