The BEST COVER SONGS of 2011 (The Year-End Review Awards)

Originally posted 2012-01-16 10:00:21. Republished by Blog Post Promoter

By Chris Moore:

What better way to kick off a Monday at the Laptop Sessions acoustic cover song music video blog than to unveil the Weekend Review’s picks for the top ten cover songs of 2011.  After all, this is kind of our thing.  And this has been a busy year for covers.  Not only were there two – not one, but two! – collections of Buddy Holly covers released as tribute to the legendary singer/songwriter in 2011, but there were also two covers EPs put out by Relient K.  This is not to mention Brian Wilson digging back to his childhood (farther back than the Gershwin brothers this time) for the inspiration to In the Key of Disney.

A regular amount of covers wasn’t enough for 2011.  No, no: 2011 needed more covers!  Now, as you’ll recall from our mission statement, it has always been the goal of this blog to put an end to the proliferation of bad covers on YouTube.  In keeping with that tradition, we will now take the time to recognize these non-YouTube covers that have demonstrated excellence this year, standing out from the pack of mediocre (or worse) ones:

1)  “(You’re So Square) Baby, I Don’t Care” – Cee Lo Green (Cover of Buddy Holly)

2)  “Caroline No” – America (Cover of the Beach Boys)

3)  “Here Comes My Girl” – Relient K (Cover of Tom Petty & the Heartbreakers)

4)  “Colors of the Wind” – Brian Wilson (Cover of the Disney song)

5)  “Baby” – Relient K (Cover of Justin Bieber)

6)  “Not Fade Away” – Florence and the Machine (Cover of Buddy Holly)

7)  “Interstate Love Song” – Relient K (Cover of Stone Temple Pilots)

8)  “It’s So Easy” – Paul McCartney (Cover of Buddy Holly)

9)  “Listen to Me” – Brian Wilson (Cover of Buddy Holly)

10) “You’ve Got a Friend in Me” – Brian Wilson (Cover of the Disney song)

 

Honorable Mention:

“Surf Wax America” – Relient K (Cover of Weezer)

“Flaming Pie” (Paul McCartney Cover)

Originally posted 2008-02-08 19:05:01. Republished by Blog Post Promoter

By Jeff Copperthite:

Welcome to your fantastic Friday edition of the Laptop Sessions! Today I bring you a fantastic – if short – song from Paul McCartney.

The song is the title track from his 1997 album Flaming Pie, and is a great song. I heard this song (and then, this album) thanks to Jim playing it for a show we did back in 2001.

I hope to learn some more tunes from Paul in the future for more sessions. He really is quite a writer and this is expected given who he is.

I also hope you enjoy this video, and thank you for continuing to watch The Laptop Sessions.

As always, check http://laptopsessions.com/ for more! And, be sure to look for the release of my new EP “Greenlight” on February 24th.

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

The Weekend Review: February 2012 Report

Originally posted 2012-05-28 12:24:57. Republished by Blog Post Promoter

Go Fly A Kite (Ben Kweller)

Released: February 7, 2012

Rating: 4 / 5 stars

Top Two Tracks: “Jealous Girl” & “Mean to Me”

When I saw Ben Kweller open for the Barenaked Ladies a couple years ago, I was floored by this performer who managed to blend a wide variety of influences and crossed the genre lines while maintaining a coherent, high adrenaline rock show.  For months afterward, as I picked up his albums, I struggled and largely failed to find anything to match what I had experienced live.  Now, with Go Fly A Kite, Kweller has finally recorded an album that properly expresses all his strengths, alternating between electric rockers and softer acoustic tracks, all the while maintaining a power pop energy that works to his strengths.  Mainstream music critics will largely ignore this album.  Nicholas Moffitt of VZ Magazine went so far as to call it “likeable,” but not before qualifying even this statement with “fans of Kweller and power pop.”  Is Go Fly A Kite the next great rock album?  I’m not arguing that, but it is one of the few albums in recent memory that relies only upon instrumentation and vocals for its energy.  There are no computer tricks employed here: only good, old-fashioned human performance.  There isn’t a clunker in the bunch, and the track listing steadily unfolds larger ideas and themes (not to mention the diorama-style CD packaging, which is one of the most imaginative I’ve seen).  Forget Moffitt’s qualification: if you’re a fan of rock and upbeat, energetic music, Ben Kweller’s latest is a must-hear.

 

 

 

Kisses on the Bottom (Paul McCartney)

Producer: Tommy LiPuma

Released: February 7, 2012

Rating: 2 / 5 stars

Top Two Tracks: “My Valentine” & “I’m Gonna Sit Right Down and Write Myself a Letter”

A confession before I commence: I’m admittedly predisposed to a bad taste in the mouth upon hearing a well-established artist has decided to record an album of covers.  (I know, I know: I write reviews predominantly for a cover songs music video blog.  But, to be fair, we post them for free and for practice in between our regularly-scheduled albums of originals.)  A brief history of just a few of the cover albums that should compel a roll of the eyes: Michael McDonald’s Motown (2003) and the following year’s oh-so-creatively titled Motown Two, all five volumes of Rod Stewart’s The Great American Songbook series (2002-2005, 2010), and perhaps the most disappointing fall into the valley of covers: Eric Clapton’s Me and Mr. Johnson, a follow-up to 2001’s excellent Reptile album, followed in 2010 by a disappointing album of covers – Clapton – masquerading as his latest solo album.  So, when it comes to albums of this ilk, I approach with caution.  In this case, it is not so much that McCartney’s Kisses on the Bottom is a bad album.  It clearly is a very well-thought-out, passionately rendered record.  And yet, on the heels of a string of masterful solo releases – Chaos & Creation in the Backyard (2005) and Memory Almost Full (2007) being probably the best of his career – this collection of traditional pop could do little else than fall short after five years without a new McCartney album.  For what they are, the songs are really done quite well.  It is clear from interviews with McCartney and his producer Tommy LiPuma that this was a labor of love, and it was even revealed that he held off on this project out of desire to avoid any allegations of jumping on the covers train (he even referenced Stewart’s Songbook series).  In the end, the clear standout is “My Valentine,” which just so happens to be one of two McCartney originals on the record.  Coincidence?  I think not.  He has referenced his next album as being along the same vein as the Foo Fighters’ analog, garage rock Wasting Light (2011), so I and others like me can rest easy on that.

 

 

 

Deep Space [EP] (Eisley)

Producer: Eisley

Released: February 14, 2012

Rating:  2.5 / 5 stars

Top Two Tracks: “Lights Out” & “Laugh It Off”

This pretty much fits the archetype of the EP: not bad, not great, just a little something to fill the silence between records.  If you enjoyed last year’s outstanding The Valley, then you’ll most likely enjoy Deep Space [EP].  Or, you could save yourself the five bucks and return to The Valley for more songs and a more fulfilling experience.

 

 

 

 

Sounds from Nowheresville (The Ting Tings)

Producer: Jules De Martino

Released: February 24, 2012

Rating:  4 / 5 stars

Top Two Tracks: “Hang It Up” & “Guggenheim”

Don’t let the modern production qualities fool you: there is more here than the extensive list of “engineers” and “mixers” in the credits would have you believe.  The critics have called the Ting Tings out for this and any number of other criticisms: the album is too short, too frivolous, inane, etc.  What they have missed – and what most tracks on Sounds from Nowheresville have to offer – is energy and ambition, subtle touches in the harmonies beyond what is more readily apparent in the synthesized sounds, not to mention the centrality of Katie White’s guitar (yes, that is a real instrument in the mix and it is the female lead singer playing it; if only for that, I have reason to respect this album).  “Hit Me Down Sonny” and “Hang It Up” are as bright, cool, and catchy as you would expect, and yet other tracks like the passionately delivered “Guggenheim” and the tender, acoustic-based “Day to Day” and “Help” express the range the band has to offer.  While this is definitely not a development I would have expected, I have to admit that the Ting Tings have put out one of what will probably be the best albums of the year.

 

 

 

Rooms Filled With Light (Fanfarlo)

Released: February 28, 2012

Rating:  3.5 / 5 stars

Top Two Tracks: “Shiny Things” & “Lenslife”

On Rooms Filled With Light, Fanfarlo have done a nice job of bringing a certain bright quality to the domain of oft-introspective synthesized music.  Aside from channeling a bit too much Ric Ocasek in his vocals at times, Simon Balthazar and company have recorded and sequenced a cohesive and purposeful record that boasts elements of artistic intention while maintaining pop-ready hooks, riffs, and overall production quality.

“Great Day” (Paul McCartney Cover)

Originally posted 2008-03-16 16:08:30. Republished by Blog Post Promoter

By Jim Fusco:

Welcome to your Sunday edition of the Laptop Sessions!

Today, I bring you a tune that I covered on my album “That’s All Folks” called “Great Day” by Paul McCartney. It closes out his 1997 album “Flaming Pie”, one of my all-time favorites.  That album, “That’s All Folks”, came about because I had purchased my first good acoustic guitar.  That guitar meant everything to me- it sounded great, played great, and made me feel like a real musician.  I didn’t even really know how to play too well when I bought it.  So, I learned how to play a bunch of songs I was listening to at the time.  That taught me more chords, which turned me into a better player.  And, at the time, I was going through a HUGE Paul McCartney phase.  They had just released “Wingspan” with all of Wings’ greatest hits.  I know those songs probably grate on people after all this time, but they were all new to me- and I fell for it pretty hard.  We were also listening, as a family, to Paul’s albums from the 90s quite a bit.  The first real song I learned how to play (and played it for my parents) was, of all things, “Hope of Deliverance” by Paul McCartney off of the “Off the Ground” album from the early 90s.  I guess you could say that Paul McCartney’s songs really taught me how to play.  And when it comes to rock musicians, you can’t get a much better tutor than him.

This is the perfect acoustic song and gives quite a vocal workout, which you wouldn’t expect in such a simple song.  I decided to do this acoustic cover song on my nylon-string classical acoustic guitar, as it gave me the opportunity to be more expressive in my performance.  This song is very soulful, which you wouldn’t really expect from the lyrics.  I kind of dumbed-down the guitar picking riff throughout because that’s not really my thing.  I’m a strummer and a soloist, but can’t do the flat-picking thing too well.  Paul McCartney, the phenom that he is, is proficient at almost anything, musically.  The man is one of the best bass players of all time, he can play the drums, sing (obviously), write songs, and play any guitar part you throw in front of him.  Oh, and he’s written some of the most famous rock songs of all time on the piano, as well.  That’s a pretty impressive life, for sure!

I hope you all enjoy today’s Session, as I’ll be back on Wednesday with a “political” original song- don’t miss it!