Wilco Summer 2009 REVIEW – Wappingers Falls, NY: Saturday, 7/18/2009

Originally posted 2009-07-19 02:14:31. Republished by Blog Post Promoter

For the Set List, CLICK HERE!

By Chris Moore:

As you walk in the gates at a Wilco concert this summer, your ticket is scanned and you are handed a free tour program.

That’s right; I said “FREE.”

And this is no cheap artifact thrown together for the sake of it.  This is a 34 page program, printed and bound as professionally as any other band’s tour program for which you would probably spend in the ballpark (pun intended) of $15 to $20.  Inside, you’ll find exclusive band photographs, the “Wilco Top 5-a-go-go” (a set of “Top 5” lists from the band members), interviews with Jeff Tweedy and Derek Welch (who designed the Wilco toys and the Nudie suits you see in the artwork for the new album), reproduced handwritten lyrics for “Country Disappeared,” a brief word from Glenn Kotche about a custom aspect of his drumset, a scorecard listing all the Wilco songs across the x-axis and all the locations for the summer tour down the y-axis, cartoons, and more…

I think you get the idea.

Although I didn’t know it when I entered the gates Saturday at Dutchess Stadium in Wappingers Falls for my first Wilco concert, this is precisely the type of show the band was about to put on: one jam-packed with more effort, creative energy, and ability to impress than I ever thought possible.

Over two and a half hours — and that’s AFTER Conor Oberst and the Mystic Valley Band left the stage — Wilco played a full set with two encores that added up to 29 songs.  The band entered by simply strolling through a gate on the first base line, walking across the outfield, and running up the steps to launch immediately into a rocking version of “Wilco (the song),” the opening track from their new album.

Throughout the night, Jeff Tweedy and the boys of Wilco played predominantly from their most recent four albums (Yankee Hotel Foxtrot, A Ghost is Born, Sky Blue Sky, and Wilco (the album) – six songs a piece, except for Sky Blue Sky‘s five), but they also played three songs from their third album Summerteeth and dusted off one each from their 1995 debut album A.M. (CLICK HERE to read a review of A.M.), its 1996 followup Being There, and the first Mermaid Avenue.

The first 22 songs — the main set — came at a rapid pace, as the band members somehow maintained the same soaring level of enthusiasm for recreating some of their best songs, as well as some deeper album cuts, onstage with either note-for-note perfection compared to the studio versions (“I Am Trying to Break Your Heart,” “Shot in the Arm,” & “Walken”) or by introducing interesting new rythyms, riffs, and other interesting aspects to their interpretations (“War on War,” “Too Far Apart,” & the by-now-classic concert version of “I’m the Man Who Loves You”).

Throughout the night, Tweedy interacted with the crowd in his characteristic way, the night’s main topics being the mosquitoes that were swarming the stage — “Does anyone have any DEET?” he asked — and the glow sticks that were being tossed around amongst the audience members at the foot of the stage — he mimed a set of “try to hit me, I dare you!” arm motions during one song, causing a volley of glow sticks to shower the stage, showing off the audience’s profoundly poor coordination.

“You guys have really bad aim,” Tweedy laughed at the end of the song.  That prompted a few more glow sticks to be launched in his direction, but he managed to duck each of them.

The first encore only included two songs, but it stretched on for more than twenty minutes.  The first song, “Poor Places,” was a heartfelt rendition of Yankee Hotel Foxtrot‘s penultimate track.  It was followed by a scorching, more than full-length version of A Ghost is Born‘s “Spiders (Kidsmoke).”  The latter is one of the songs that showed off the considerable talent and electric stylings of the three guitarists — Tweedy, the incredible Nels Cline (who truly brought a distinctive guitar style to the band when he joined in early 2004), and Pat Sansone (who was really unleashed in the second encore when he engaged in a volley of solos that passed between him and Cline as though they were firing automatic weapons).

The encore ended with Tweedy calling for the audience to clap to the beat, raising their arms above their heads.  As the instrumentation dropped away, he issued a challenge; apparently, the Brooklyn, New York crowd at Keyspan Park couldn’t keep up the beat after the band stopped playing.  Instead, they sped up rapidly.

For a brief moment after they stopped playing, I thought this crowd would fare better… but it was not to be so.  The members of Wilco motioned for the crowd to slow down and Tweedy started laughing as they went back to their instruments for the final riff of “Spiders.”

“You guys were good,” he politely exaggerated after the song ended.

When they left the stage for the second time, I thought for certain that the show had ended.  After all, they had played 24 songs and it had been two hours since they took the stage at 8:30pm.

And yet they still returned for more!

The second encore kicked off with an upbeat rendition of “The Late Greats” that had the entire crowd moving — from foot-tapping to full-out dancing — and smiling.  Next came the first single off the new album, “You Never Know,” complete with note-for-note perfect George Harrison-esque slide guitar by Cline.

“You have time for a couple more?” Tweedy asked, to which he received the deafening screams of the crowd.

When they kick-started “Heavy Metal Drummer,” you would have thought this was Lynyrd Skynyrd about to play “Freebird” for the response that issued forth from the audience.  They played a great version, but nothing could have prepared me for their interpretation of “Hoodoo Voodoo.”  With lyrics that Woody Guthrie wrote for his children but was never able to record, this track appeared as one of the Tweedy leads on Mermaid Avenue. I’ve always liked this song, but I’ve never loved it the way I did for those five minutes they played it, complete with a new driving guitar riff, pitch-perfect vocals by Tweedy as though we were in the studio with him back in 1998, and outstanding guitar work by Cline and Sansone.

Even though Tweedy had only asked the crowd if they had time for “a couple more,” Wilco launched into one final song.  By this time, the concert had to end at some point.  “I’m A Wheel” was just as good a song to close with as any that remained unplayed from their catalog.

As the song ended, Tweedy said a brief farewell, and Wilco turned on the crowd and exited from whence they had come.

Walking to my car, I realized that this is a fifteen year old band that is somehow in their prime now.  I’m so accustomed to seeing bands that have been playing for decades, that I forget sometimes that it is a different experience to attend the concert of a band that still has something to prove to history — namely that they deserve a place in the memories of rock music fans for all time.  I entered Dutchess stadium a big fan of the band, but tonight, Wilco had me convinced that they deserve that aforementioned place.

All in all, this was by far the best $42 I have ever spent.  If you have the opportunity, get out there and see this band at the peak of their game (ballpark pun, this time, NOT intended…).

“Detours” (Sheryl Crow Cover)

Originally posted 2008-05-31 03:38:08. Republished by Blog Post Promoter

By Chris Moore:

Hello and welcome to the final day of “Title Track Week” here at http://LaptopSessions.com ! This acoustic cover was inspired by the new rock music on Sheryl Crow’s February 2008 album Detours. The beauty of this week is that I don’t even need to mention what the song title is…

This was both a challenge, since Crow’s range is just a wee bit higher than mine, but also a lot of fun, since she is one of my favorite songwriters! I’m looking forward to hearing an unplugged version by her sometime in the future — maybe live in concert, as she’s one of the few artists still on my “must see” list. (I just crossed the Wallflowers off my list last month when I saw them at Foxwoods!).

To be honest, this isn’t even my favorite album of hers (that distinction probably goes to 2005’s Wildflower), but I’m a sucker for acoustic guitar music! And this is one of those albums that you can just imagine how the song must have originated as simple acoustic music, just a songwriter and her guitar.

Without further ado, here’s my video, and I hope you’ll come on back to http://LaptopSessions.com for an all-new video blog from Jeff Copperthite tomorrow!

See you next session!



“I Shall Be Released” (Bob Dylan Cover)

Originally posted 2008-06-09 23:11:01. Republished by Blog Post Promoter

By Chris Moore:

Thanks for getting your daily dose of acoustic guitar music at http://LaptopSessions.com today! It only seemed appropriate to start off the work week with a song titled “I Shall Be Released”… This is a cover song originally written by Bob Dylan. Although he never officially released his version on an album, it’s available on the Biograph boxset and on The Essential Bob Dylan. Probably the most polished version is on the Band’s superb 1968 album Music from Big Pink.

I haven’t recorded a Dylan song in a while, so I figured I could sneak yet another one into my list of Laptop Sessions. It was really fun to do and I would have kept my first take if I wasn’t such a perfectionist…

Don’t forget to come back tomorrow for an all-new cover song and free music video from our very own Jeff Copperthite…

See you next session!


“I Need You” (America Cover)

Originally posted 2011-12-09 00:45:09. Republished by Blog Post Promoter

By Jim Fusco:

Welcome everyone to another edition of the Laptop Sessions with me, Jim Fusco!  It feels like these two-week spans between my acoustic cover song music videos fly-by each time.  It’s already the second week of December and Christmastime is going by like a shot.  This year, I’ll be bringing you one Christmas song music video that I recorded on piano.  But, that will have to wait until next time.

Tonight, I bring you the second in my two-part series of songs titled, “I Need You”. :-)  The first was the cover video I did two weeks ago, “I Need You” by the Beatles.  I’ve always loved that George Harrison song and it’s about time I got to make an acoustic video version of it here for the music blog.  As I mentioned on that post, I think the band America, and specifically Gerry Beckley- the writer of today’s song- were heavily influenced by the Beatles.  In fact, in each concert performance (and I’ve seen them about 15 times now) they play a Beatles song.  They say that it was the music that made them want to become rock musicians and songwriters.

Now, I’ve also hypothesized that Gerry Beckley made a nod to George Harrison’s “I Need You” in his song by the same title.  I can hear a similarity in the chord progression, especially at the end of the song when it goes to that minor chord.  It’s such an interesting change and both songs feature it (though Harrison’s goes to an F#m and Beckley’s goes to an Em7).  It would be such an honor if Gerry Beckley himself ever read this blog post and commented on my theory.

America’s “I Need You”, off of their first (self-titled) album, was one of the songs that got me into the group’s music.  Other Beckley songs like “To Each His Own” and “Only In Your Heart” are personal favorites, as well.  I always gravitated to Beckley’s songwriting, as I can tell the clear Beatles and Beach Boys influences.  After a show of theirs I attended, the band signed autographs.  I brought in my copy of Beckley, Lamm, and Wilson’s “Like A Brother” CD and Gerry was surprised that I had it.  I loved that album, especially because we got to hear some great Carl Wilson songs.  He told me that he spoke at Carl’s funeral and that he was a very, very close friend.  To me, that’s amazing- growing up and listening to your favorite group…and then becoming a musician and eventually friends with one of the members.  To me, this made sense, as Carl Wilson was the youngest Beach Boy, more Beckley’s age.

In the studio version of “I Need You”, you hear a great acoustic 12-string guitar over the piano.  For my Laptop Sessions cover version, I took a rare seat at the piano and stripped this song down to its basic elements.  And when you just sit back and listen to the words, you realize how great of a song it really is.  Beckley wrote this song right out of high school and you can tell- going away from all of your friends (like he talked about in “To Each His Own”) is really tough, and the emotions that you feel for people in high school feel like they’re SO important.  I remember feeling that I’d be alone forever if a relationship didn’t work out back in high school.  If only I could give myself some late-20s wisdom. :-)

I hope you enjoy tonight’s “I Need You” piano cover song music video.  I’ll be back with a Christmas song music video for you in a couple of weeks, so I hope you’ll stay tuned!  In the meantime, get that shopping done (without getting too stressed) and we’ll see you back here on the music blog!