“Box Full of Letters” (Wilco Cover)

Originally posted 2008-12-18 23:39:11. Republished by Blog Post Promoter

By Chris Moore:

Hello and welcome to yet another all-new Laptop Session at your web blog for a session-a-day, guaranteed through December 31st, 2008. Now, that guarantee is swiftly running out, but don’t fret. We’ll be introducing a new schedule of performances for 2009 that will not only introduce many new types of posts to the blog on a regular basis, but also maintain a steady and prolific stream of new cover song music videos!

But, let’s focus on the present for now…

I had originally intended to record a Christmas song tonight, but I got busy with napping, fast food eating, Christmas shopping, and TNA Impact! viewing, so I decided to pull out my one and only “backup video.” If I haven’t already, I should introduce this video by announcing my desire to record a cover video for at least one song from each Wilco album. I’ve been listening to this band a lot these past several months, picking up their albums one by one as I find them on sale or used. I’ve already recorded a song from their third studio album, Summerteeth, called “How to Fight Loneliness” — that video is posted in the members only area of this blog (scroll down to the bottom to sign in and/or sign up!). Previous to that, I recorded “I Am Trying to Break Your Heart” from their critically acclaimed fourth album Yankee Hotel Foxtrot. This was a great song — easy to learn, fun to memorize the lyrics for the performance, and I even got a compliment from a former student who watched the video!

Last week, I picked up a copy of their subsequent album, A Ghost is Born. Ironically, I’m listening to that album now and — literally the moment I typed the title of the album (!) — I just heard Tweedy singing “a ghost is born…,” which is in the lyrics to the song “Theologians.” I don’t think that A Ghost is Born is as impressive an album as Foxtrot or as rocking and enjoyable an album as Summerteeth, but I’m warming to it. There’s a great deal of experimentation, particularly on the 15-minute penultimate track “Less Than You Think.”

But I’m not quite ready to record a song from that album yet, so I went back to the first Wilco album, A.M., which is the final album that I own thus far. This album was more of a straightforward country rock effort, reminiscent of their predecessor Uncle Tupelo. Tweedy himself doesn’t sound all that impressed with the album, but I think it’s actually the most upbeat of the Wilco albums I own. It’s certainly the best album to listen to in the car!

This is my version of the single from the album, titled “Box Full of Letters.” I don’t know what it is about this song — something about the combination of the guitar hooks, lower lead vocal that resonates, and the catchy chorus — but I love it.

And it puts me one step closer to having recorded one song from each album!

When I return next week, I’ll have three sessions for the week — barring unforeseen difficulties, I’ll be bringing you three holiday-themed songs to finish out the season for me (musically, at least).

Thanks for reading and watching, and don’t forget to hurry back tomorrow and the next day for great videos from Jeff and Jim. They’ll be “slapping yourself in the face to make sure you’re not dreaming” good!

See you next session!

“Broken” (Jack Johnson Cover music video)

Originally posted 2009-11-02 23:51:05. Republished by Blog Post Promoter

For Jack Johnson chords & lyrics, CLICK HERE!

By Chris Moore:

The best part about contributing to this blog is that, every so often, all the pieces fall together at just the right time.  For example, I still have the remnants of a cough that just doesn’t seem to want to leave me entirely, yet I really wanted to record a new video for tonight.  Meanwhile, over the weekend, I was listening to Jack Johnson on shuffle when this song — “Broken” from his Sing-a-Longs and Lullabies from Curious George soundtrack CD — and immediately felt the urge to learn and record it.

Fortunately, the register is fairly low and the chords are very simple, so this was a joy to lay down as a session.

Of course, every cover song music video is not without its challenges when it involves me…

The only difficult aspect of this song is that, although I’ve heard it dozens of times and could sing along to the chorus in my sleep, I really don’t know the verse.  Thus, I put “Broken” on repeat in my car on the way home.  After listening to it seven or eight times straight, I didn’t seem to be much closer to nailing the lyrics.  Still, I soldiered on — I typed up the lyrics from the booklet and practiced a few times to the music.  Finally, I practiced a few times on my own before I hit the “record” button.

And, a few takes later, you have a session to watch!

The reason I was listening to Jack Johnson in the first place was that Mike showed Jim and I his copy of En Concert, the new live CD/DVD, this past Thursday at wrestling.  Based on my disappointment at his last record, I hadn’t purchased the CD myself, but Mike had nothing but great things to say about it, so it’s only a matter of time before I find my way back to the “J” section of my local Newbury Comics store…

Speaking of new music, I am wildly curious about tomorrow’s new Weezer release.  The title alone has caused some controversy.  Based on a recommendation from The Office actor Rainn Wilson (who plays Dwight Schrute), Rivers Cuomo and company titled their latest studio album Raditude.  I’ve heard the first track, “(If You’re Wondering If I Want You To) I Want You To” and it may be cheesy, but it sounds great and it’s fun to listen to.  That being said, the other titles on the album alone are enough to make one question what Raditude will be like — tracks like “I’m Your Daddy” and “Girl Got Hot.”

All I will say for now is that The Red Album seemed very weird at first, and it quickly grew on me.  I was just listening to it this weekend, in fact, and realizing that it is truly one of my favorite Weezer releases.  I can’t imagine that this new album will be up to that level, but I have promised myself that I will reserve judgment until after I’ve heard it a few times.  Based on their incredible catalog alone, Weezer really does deserve the benefit of the doubt.

More on that next time…

And that about does it for me, at least for now.  This week is crazy for me, as my grades are due this Friday.  In addition, I have meetings today and now Thursday, a full day of professional development (i.e. no time to grade) tomorrow, and I’m monitoring the selling of tickets at the drama production on Thursday, Friday, and Saturday.  Add in some wrestling on Thursday night and a whole lot a gradin’ goin’ on, and I’ve got one busy week!  I am looking forward to the weekend, as I’ll be completing a swap with my former student Geoff — some Ben Folds for some Tom Waits.  It’s bound to give me some more interesting listening and perhaps some more interesting Laptop Sessions songs…

See you next session!

“Working On A Dream” by Bruce Springsteen – Chords, Tabs, and How to Play

Originally posted 2009-02-01 18:59:15. Republished by Blog Post Promoter

“Working On A Dream”
Bruce Springsteen

(Capo 5)

G
Out here the nights are long, the days are lonely.

I think of you, and I’m working on a

D

dream…

I’m working on a

G

dream.

The cards I’ve drawn’s a rough hand, darlin’ —
I straighten my back, and I’m working on a dream…
I’m working on a dream.

G                           C                                            G
I’m working on a dream, though it feels so far away.
G                           C                                                          D
I’m working on a dream, and I know it will be mine some day.

Rain pourin’ down, I swing my hammer.
My hands are rough from working on a dream…
I’m working on a dream.

I’m working on a dream, though trouble can feel like it’s here to stay.
I’m working on a dream; our love will chase the trouble away.

I’m working on a dream, though it can feel so far away.
I’m working on a dream, and our love will make it real some day.

Sunrise come, I climb the ladder.
The new day breaks, and I’m working on a dream…
I’m working on a dream.
I’m working on a dream…
I’m working on a dream.

I’m working on a dream, though it can feel so far away.
I’m working on a dream, and our love will make it real some day.

I’m working on a dream, though it can feel so far away.
I’m working on a dream, and our love will make it real some day.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

The Deep Racks Report: “A.M.”

Originally posted 2009-02-21 20:20:16. Republished by Blog Post Promoter

By Chris Moore:

We’ve all heard the term “deep track,” used to refer to songs that do not receive much (or any) commercial radio airplay.  This series is dedicated to going deep into the CD racks to bring you brief but focused reports on ALBUMS that have not received as much commercial or critical attention as they should.

RELATED LAPTOP SESSIONS:  Chris – “Box Full of Letters”

A.M. by Wilco

This is an album that seems to get universally hated on.  It is Wilco’s first album, released in 1995 following the breakup of the alt.country band Uncle Tupelo.  All of Tupelo’s members except Jay Farrar became Wilco and proceeded to record an album of songs that sound very similar to Tupelo’s work with one significant difference — they sound somewhat more together, less raw than your average Uncle Tupelo tracks.

Reception?  Well, fans and critics alike appear to have agreed that Jay Farrar’s new band, Son Volt, released a superior debut album.  To be fair, I have only heard selected tracks from the Son Volt release and I do understand the inevitability of comparisons between Son Volt and Wilco.  Still, I haven’t been overly impressed with what I’ve heard from Son Volt.  (Please, send your letters and complaints care of Chris at Laptop Sessions!)  Yes, A.M. is a pretty simple rock record.  No, songs like “I Must Be High” and “Passenger Side” aren’t going to win any lyrical accolades with lines like “You’re pissed that you missed the very last kiss” and “You’re gonna make me spill my beer if you don’t learn how to steer,” respectively.  Even Jeff Tweedy expressed disatisfaction with the straightforwardness of the record, and he was among the first to suggest that this was Wilco “treading some water with a perceived audience.”

Okay, but it’s a fun record!  Anyone who is familiar with Wilco’s catalog now knows that, from the second album on, the band became progressively more experimental and interested in making great records.  A.M. is breath of fresh rock’n roll air!  Not until 2007’s Sky Blue Sky would their sound be as compositionally straightforward again, and as much as I love all the albums in between, isn’t the cliche “variety is the spice of life”?  I never skip these tracks when they come up on random and I continue to be drawn in by tracks like the catchy “Box Full of Letters,” the heart-breaking “Should’ve Been in Love,” and the haunting “Dash 7.”  (I’m excited that I finally figured out that “Dash 7” refers to, as Wikipedia states, “The de Havilland Canada DHC-7 [airplane], popularly known as the Dash 7.”)

So, contrary to the press it received, I would highly recommend you pick up a copy of A.M. today.  It’s not their best album, but who cares?  And please, for crying out loud, ignore the genre nonsense altogether — alt.country, country rock, rock’n roll, alternative rock??? — and just enjoy the music!