“Transitions” (Original Wednesday Acoustic Song by Chris Moore)

Originally posted 2009-02-18 23:41:16. Republished by Blog Post Promoter

By Chris Moore:

Hello and welcome to my first Original Wednesday since Christmas Eve!  This is an exciting week for me, as I’m off from work.  There have been plenty of things to keep me busy — really, too many to list — but I woke up this morning and, despite the work I should be doing, I decided to work out this song and record it for tonight’s session.

The song is called “Transitions” and this is a Laptop Sessions world premiere.  It may make it to my next album, it may not…  Only time will tell!  I hope you like it.  This is the first fully recorded version of it, so it’s a demo of sorts.  It’s not perfectly arranged yet, to be sure, but I’m pretty happy with the overall structure of it.  Some of the words may change, some of the rough edges will be smoothed out, but this is your sneak peak at the first complete version of it.  I messed around with the harmonica even after I finished recording this video, and I have to say that this song has (and/or will have) one of my favorite harmonica parts that I’ve written in a very long time.  It’s a very deliberate aspect, but not so note-for-note that it sounds scripted.

Outside of writing and recording this song, I’ve been busy during my February break with some grading for my classes, jury duty yesterday (I was released after “a day’s service”), preparing logs for my BEST portfolio, reading three things (Agatha Christie’s Murder on the Orient Express, The Complete Idiot’s Guide to Pro Wrestling, and the 40-page booklet to the Sam Jones film I Am Trying to Break Your Heart), and listening to several albums, including MoU’s Homestead’s Revenge (I think “Worlds Apart” is my favorite song we’ve ever done!), Pearl Jam’s Binaural, and Dan Auerbach’s Keep It Hid.  Oh, and I can’t forget to mention my favorite playlist that I referred to in Monday’s post — the “Albums of 2008” iTunes playlist.  Good stuff all around…

We’ve gotten a decent number of views to the blog for the chords and cover video of Dan Auerbach’s “My Last Mistake.”  That’s exciting because I wasn’t sure what to expect with this fairly obscure song choice.  It’s all the more incentive for me to keep on top of new rock music, bringing whatever I can to the blog as my contribution to this, the best acoustic cover song blog in the universe!  No kidding!

Okay, that’s it for me for this week.  But, even as I write that, I’ll be back to choose and post a Guest Session for Friday.  We’re accepting submissions every day, so don’t wait — record a video on YouTube and send the link to us today with an interesting description.

See you next session!

“Black” (Pearl Jam Cover)

Originally posted 2008-05-23 21:15:13. Republished by Blog Post Promoter

By Jeff Copperthite:

Good evening! Welcome to your Friday installment of The Laptop Sessions. I hope you are ready to celebrate a three-day weekend, and plan on seeing family, friends, and perhaps enjoy a nice cookout or two in the process.

Meanwhile, I get to bring to you one of my favorite songs. It’s Pearl Jam tonight with a song from their first album Ten. Track #5 is Black from that album and that is the song I bring to you tonight.

It has a great background electric guitar and Eddie Vedder sings a wonderful vocal melody in the entire song. Vedder is known to go in between styles back and forth and this song showcases that talent of his. From the soft verses to the emotional outro of the song, I attempt to emulate what Eddie can do. I think I do a good job, but then again i’m no Eddie Vedder. I’ll let you be the judge of that.

Also, this song translates wonderfully to acoustic guitar, and I substitute a minor change in the guitar part at the end of the song instead of the vocal “do do doo doo do do dooo” that the recording has. And as with all songs that fade out, I picked the chord that sounded best to end on and went with that.

I want to thank all of you for visiting, commenting, rating, and subscribing. This is among the sessions I am most proud of.

Stay tuned tomorrow for Jim’s latest session, then come Sunday we bring another special week of songs to you. You’ll have to check out Chris’s session on Sunday to find out just what that is!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

The Weekend Review New Music Report: 2010 Edition

Originally posted 2011-01-17 10:00:06. Republished by Blog Post Promoter

By Chris Moore:

In the past, before the Weekend Review was officially a segment on the Laptop Sessions blog and my articles had the oh-so-clever title of “Music Review” — and I know, I know, “the Weekend Review” isn’t all that much more clever — I have been accused of writing reviews that were positive to a fault.

This may well be true, as I have found it challenging these past couple years to define and refine my voice as a music critic who is also a singer/songwriter.  After all, it has been difficult to find a comfortable middle ground between praising music simply because someone labored over it and pointing out flaws to bring others down a notch.

Being an “amateur” has allowed me the opportunity and relative privacy to hone my craft.

I’ve come a long way from the every-so-often, knee-jerk nature of my early “CD Reviews,” articles that I typed and saved on my computer long before the Fusco-Moore Productions blog — now known as the Laptop Sessions blog — was launched.  I’ve also come a significant way since the aforementioned “Music Reviews.”  And, I’d like to think that I’ve progressed as a writer over the past year of “Weekend Reviews.”

So, this being my fifty-second and final Weekend Review of 2010, I decided to dedicate it to laying out a table of contents of sorts for the fifty-four reviews I’ve written this year (including “Yes, No, Maybe So?” one-sentence reviews).  They’re arranged below in descending order from my one five-star rating down to my handful of one-star reviews.

What it all amounts to is a lot of music from a diverse range of artists that run the genre gamut.  The one common denominator here, the one solid link between all subjects of the Weekend Review, is the presence of the singer/songwriter.  With the exception of a couple of cover song albums, these are albums of original music released in 2010.

The best I can offer as an overall statement for the year’s music is that this was, overall, an excellent year for new music.  The range tended to follow the bell curve (1 five star, 14 four stars, 23 three stars, 13 two stars, and 3 one stars), but this should not undercut the fact that there were fourteen very strong, interesting, entertaining albums released this year.

In all fairness, what the year was lacking was any albums that really blew everything else out of the water.  Although several have argued this point with me, I do not hesitate a moment to give All in Good Time (BnL) the full five-star nod.  That being said, I do not consider it their best album, not by a long shot.

So, where does that leave us?

In my opinion, it leaves 2010 as a very strong year with at least fifteen strong reasons to buy new albums, but it also leaves a gap for those attuned to and awaiting the next, best classic albums for the ages.

I hope you’ll check back for my final post (at least for a while) on the blog tomorrow and that you’ll consider checking some of these albums out while they’re still available on the ever-increasingly trend- and contempo-centric CD shelves.

54 New Albums, 2010: Arranged in descending order of star ranking (out of 5).

All in Good Time (Barenaked Ladies) – 5 stars
Bad Books (Bad Books) – 4.5 stars
Be in Love (Locksley) – 4 stars
Broken Bells (Broken Bells) – 4 stars
Heaven is Whenever (The Hold Steady) – 4 stars
Kaleidoscope Heart (Sara Bareilles) – 4 stars
Lonely Avenue (Ben Folds & Nick Hornby) – 4 stars
Mines (Menomena) – 4 stars
Mojo (Tom Petty & the Heartbreakers) – 4 stars (4.5 w/o “Candy” & “Takin’ My Time”)
Night Work – (Scissor Sisters) – 4 stars
Sea of Cowards (The Dead Weather) – 4 stars
Suburba – House of Heroes – 4 stars
The Grand Theatre Volume One (Old 97’s) – 4 stars
The Suburbs (Arcade Fire) – 4 stars
Volume Two (She & Him) – 4 stars
A Postcard from California (Al Jardine) – 3.5 stars
A Singer Must Die (Steven Page with the Art of Time Ensemble) – 3.5 stars
American Slang (The Gaslight Anthem) – 3 stars
American VI: Ain’t No Grave (Johnny Cash) – 3 stars
As I Call You Down (Fistful of Mercy) – 3.5 stars
Brian Wilson Reimagines Gershwin (Brian Wilson) – 3.5 stars
Brothers (The Black Keys) – 3.5 stars
Dark Night of the Soul (Danger Mouse & Sparklehorse) – 3.5 stars
Death to False Metal (Weezer) – 3 stars
Destroyer of the Void – (Blitzen Trapper) – 3.5 stars
Easy Wonderful (Guster) – 3 stars
Everything Under the Sun (Jukebox the Ghost) – 3.5 stars
High Violet (The National) – 3.5 stars
How to Destroy Angels (How to Destroy Angels) – 3 stars
Hurley (Weezer) – 3.5 stars
Light You Up (Shawn Mullins) – 3 stars
Lo-Fi for the Dividing Nights (Broken Social Scene) – 3 stars
Page One (Steven Page) – 3.5 stars
Sigh No More (Mumford & Sons) – 3.5 stars
Something for the Rest of Us (Goo Goo Dolls) – 3.5 stars
Stone Temple Pilots (Stone Temple Pilots) – 3.5 stars
To The Sea (Jack Johnson) – 3 stars
Transference (Spoon) – 3.5 stars
Court Yard Hounds (Court Yard Hounds) – 2.5 stars
Crazy for You (Best Coast) – 2.5 stars
Eureka (Rooney) – 2 stars
Everything Comes and Goes (Michelle Branch) – 2 stars
Familial (Philip Selway) – 2.5 stars
Forgiveness Rock Record (Broken Social Scene) – 2 stars
Heligoland (Massive Attack) – 2 stars
Infinite Arms (Band of Horses) – 2 stars
National Ransom (Elvis Costello) – 2 stars
Realism (Magnetic Fields) – 2.5 stars
Women & Country (Jakob Dylan) – 2.5 stars
Write About Love (Belle & Sebastian) – 2.5 stars
Y Not (Ringo Starr) – 2.5 stars
100 Miles from Memphis (Sheryl Crow) – 1.5 stars
Clapton (Eric Clapton) – 1 star
Interpol (Interpol) – 1 star

“Box Full of Letters” (Wilco Cover)

Originally posted 2008-12-18 23:39:11. Republished by Blog Post Promoter

By Chris Moore:

Hello and welcome to yet another all-new Laptop Session at your web blog for a session-a-day, guaranteed through December 31st, 2008. Now, that guarantee is swiftly running out, but don’t fret. We’ll be introducing a new schedule of performances for 2009 that will not only introduce many new types of posts to the blog on a regular basis, but also maintain a steady and prolific stream of new cover song music videos!

But, let’s focus on the present for now…

I had originally intended to record a Christmas song tonight, but I got busy with napping, fast food eating, Christmas shopping, and TNA Impact! viewing, so I decided to pull out my one and only “backup video.” If I haven’t already, I should introduce this video by announcing my desire to record a cover video for at least one song from each Wilco album. I’ve been listening to this band a lot these past several months, picking up their albums one by one as I find them on sale or used. I’ve already recorded a song from their third studio album, Summerteeth, called “How to Fight Loneliness” — that video is posted in the members only area of this blog (scroll down to the bottom to sign in and/or sign up!). Previous to that, I recorded “I Am Trying to Break Your Heart” from their critically acclaimed fourth album Yankee Hotel Foxtrot. This was a great song — easy to learn, fun to memorize the lyrics for the performance, and I even got a compliment from a former student who watched the video!

Last week, I picked up a copy of their subsequent album, A Ghost is Born. Ironically, I’m listening to that album now and — literally the moment I typed the title of the album (!) — I just heard Tweedy singing “a ghost is born…,” which is in the lyrics to the song “Theologians.” I don’t think that A Ghost is Born is as impressive an album as Foxtrot or as rocking and enjoyable an album as Summerteeth, but I’m warming to it. There’s a great deal of experimentation, particularly on the 15-minute penultimate track “Less Than You Think.”

But I’m not quite ready to record a song from that album yet, so I went back to the first Wilco album, A.M., which is the final album that I own thus far. This album was more of a straightforward country rock effort, reminiscent of their predecessor Uncle Tupelo. Tweedy himself doesn’t sound all that impressed with the album, but I think it’s actually the most upbeat of the Wilco albums I own. It’s certainly the best album to listen to in the car!

This is my version of the single from the album, titled “Box Full of Letters.” I don’t know what it is about this song — something about the combination of the guitar hooks, lower lead vocal that resonates, and the catchy chorus — but I love it.

And it puts me one step closer to having recorded one song from each album!

When I return next week, I’ll have three sessions for the week — barring unforeseen difficulties, I’ll be bringing you three holiday-themed songs to finish out the season for me (musically, at least).

Thanks for reading and watching, and don’t forget to hurry back tomorrow and the next day for great videos from Jeff and Jim. They’ll be “slapping yourself in the face to make sure you’re not dreaming” good!

See you next session!