Best Remasters / Reissues of 2012: A Weekend Review Special Edition

Originally posted 2013-02-10 15:00:07. Republished by Blog Post Promoter

By Chris Moore:

The BEST REMASTERS / REISSUES of 2012

 

While certainly not the only remaster or reissue of the year, for my money, there is only one true standout: the beautifully arranged and packaged box set version of R.E.M.’s classic 1987 album, Document, perhaps most famous for its singles “The One I Love” and “It’s the End of the World As We Know It (And I Feel Fine).” 

 

Document – R.E.M. (1987, 2012)

Best Covers of 2012: A Weekend Review Special Edition

Originally posted 2013-02-11 10:57:18. Republished by Blog Post Promoter

By Chris Moore:

The BEST COVER SONGS of 2012

 

As I have previously written about, covers are typically of little interest to me (which is, of course, ironic when considering the large number I have played over the years).  Of course, I typically end up hearing a few that stand out, and this year, they were almost all on the Amnesty International charity album Chimes of Freedom.  Sadly, though the compilation included over seventy songs from a vast range of artists, there were only a handful worthy of recognition.  My favorite cover song of the year, however, is the one unearthed on the soundtrack to the Martin Scorcese documentary based on George Harrison’s life: it is Harrison’s cover of his friend Bob Dylan’s song “Mama You’ve Been On My Mind.”  It is a stripped down, acoustic cover, but it is brilliant and the beauty radiates warmly from this simple yet nuanced performance.

 

1)  “Mama You’ve Been On My Mind” – George Harrison

2)  “One Too Many Mornings” – Johnny Cash, Bob Dylan, and the Avett Brothers

3)  “You Ain’t Goin’ Nowhere” – Brett Dennen

4)  “Mr. Tambourine Man” – Jack’s Mannequin

5)  “Ring Them Bells” – Natasha Bedingfield

 

Honorable Mention:

“Ballad of Hollis Brown” – Rise Against

Best Albums of 2012: A Weekend Review Special Edition

Originally posted 2013-02-12 10:40:08. Republished by Blog Post Promoter

By Chris Moore:

 

The TOP TWENTY ALBUMS of 2012

 

I ask myself year to year why I continue to make “best music of the year” lists.  The only answer that I consistently return with is that watching the Grammys and reading Rolling Stone, I observe that the best music being made each year is not properly represented on the screen and in the pages of the mainstream.  Thus, this is my small gesture of thanks to those who, year in and year out, continue to entertain me as a listener, inspire me as a singer/songwriter, and enrich my experience as a human being.  Below, you’ll find my picks for the top twenty albums of 2012.  If you’ve missed any, I hope you’ll consider checking them out.  As always, I’d love to hear your feedback or additions you would make to this list, so please consider adding to the conversation below.  After all, what greater joy is there than engaging in debate and sharing in the admiration of our favorite music?   

 

1)  That’s Why God Made the Radio – The Beach Boys

2)  The Sound of the Life of the Mind – Ben Folds Five

3)  Tempest – Bob Dylan

4)  Magic Hour – Scissor Sisters

5)  Moms – Menomena

6)  The Idler Wheel… – Fiona Apple

7)  Glad All Over – The Wallflowers

8)  Safe Travels – Jukebox the Ghost

9)  Those Around Us – Jim Fusco

10) Go Fly A Kite – Ben Kweller

 

11) Harakiri – Serj Tankian

12) Ten Stories – mewithoutYou

13) King Animal – Soundgarden

14) Port of Morrow – The Shins

15) Blunderbuss – Jack White

16) Rize of the Fenix – Tenacious D

17) Rooms Filled With Light – Fanfarlo

18) II – Bad Books

19) The Next Logical Progression – Gift of Gab

20) Sounds from Nowheresville – The Ting Tings

 

Honorable Mention:

Old Ideas – Leonard Cohen

Clear Heart Full Eyes – Craig Finn

The Circle in the Square – Flobots

thefearofmissingout – thenewno2

Best Packaging of 2012: A Weekend Review Special Edition

By Chris Moore:

The BEST PACKAGING of 2012

 

For this year, I’ll reserve my perennial rant on the decay of the album as an art form and the loss that is represented by the turn to digital delivery of music.  Instead, I’ll take this opportunity to point out three special albums this year that embraced the possibilities that are available for expanding the vision of the album to a more total view, including the physical representation of the themes and images of the music and lyrics.  The highlight of the year was Fiona Apple’s The Idler Wheel…, which presents drawings and handwritten lyrics which give the sense of flipping through a writer’s notebook.   Go Fly A Kite can be  fitted into place as a 3-D diorama, which is unique at the very least, not to mention that the lyrics include chords.  Finally, The Sound of the Life of the Mind is brilliantly designed, but for the fact that far too much space is taken up by names of fans who bought into the project as sponsors, particularly considering that there are no lyrics in the CD version, which is a shame based on how artful they are.

 

1)  The Idler Wheel… – Fiona Apple

2)  Go Fly A Kite – Ben Kweller

3)  The Sound of the Life of the Mind – Ben Folds Five