“Folsom Prison Blues” (Cover by Chris Moore)

Originally posted 2007-11-18 00:49:37. Republished by Blog Post Promoter

By Chris Moore:

I’ve always loved this Johnny Cash song; his songs often remind me of my grandfather and father and of my youth. That being said, no, I have never shot a man nor can I personally relate to this song. But, that being said, Jim was reminded today of another Johnny Cash performance that utilized the same chords, so thus there is a little surprise in the middle for all you Fusco-Moore fans out there…

“All The Days” (Original Music by Indie Songwriter Chris Moore)

Originally posted 2008-09-10 22:15:15. Republished by Blog Post Promoter

By Chris Moore:

Hello and welcome to my favorite day, a day that comes only once every three weeks for we songwriters of the Fusco-Moore Productions music blog…  Original Wednesday!  Today, I took a trip down memory lane to my last solo release before joining the band MoU (Masters of the Universe with Jim Fusco, Mike Fusco, Becky Daly, and Cliff Huizenga).  Today, I recorded “All the Days,” the penultimate track off my EP Love Out of Fashion.  (Using “penultimate” in my post is my answer to Jim using — honest to God — the word “leviathan” properly and casually in a conversation the other day.  I didn’t even know how to pronounce the word… :-))

This was the first time I really experimented with such recording techniques as lead vocal doubletracking and sound effects such as my ZOOM guitar pedal.  I have a lot of fond memories of rushing home after school or work during the summer to record this album in the basement of my parents’ home.  I finally felt like I had mastered the computer program I used to record at the time, and I can’t count the number of mix CDs I made.  Each time I would finish the recording of tracks for a song, I would burn a CD and listen to it in my car wherever I went — to work, to school, to the store.  I’ve written on the blog here before about pulling over late at night to listen to the songs as loud as the volume would go, making mental notes of changes I would make to the final mix the next chance I got.  Lots of fond memories.

My only regret, particularly on a track like “All the Days” that I felt had a lot of promise, is that I didn’t have a way to record drums.  It’s a well-known fact that a drumbeat never hurts, especially when it comes to my playing…  It was as a result of this regret that I’ve made the resolution to never record another album unless a drummer is available and raring to go.

So, I hope you enjoy this little trip down memory lane for me; I probably haven’t played this track since I recorded it.  Well, that’s not true — I think I’ve played it once or twice, but over several years…

Oh, and I hope you’ll take a listen to the recorded version so you’ll understand why this music video starts differently from any other cover song session I’ve recorded.

Okay, that’s all for me.  Don’t forget to hurry back tomorrow for another all-new acoustic rock cover song session from Jeff.  And now, I should check on the Mets who were winning by a lot earlier, then tied, and just pulled ahead…  (Come on, Mets!!)

See you next session!

The TOP TWENTY ALBUMS of 2011 (The Year-End Awards)

Originally posted 2012-02-05 02:00:04. Republished by Blog Post Promoter

By Chris Moore:

It is the best and truest mark of artistry in the music industry, and sales are no indication of significance.  Sequencing and thematic continuity, sonic experimentation within a basic set of familiar parameters, a healthy range of types and topics: these are the standards by which to judge an album.

The album.

It ascended into an art form in the mid-sixties under the careful work of artists like the Beatles, Bob Dylan, and the Beach Boys.  It was taken to new heights with the experimentation of later bands, from the concept albums of the Moody Blues to the spin-off success of artists like Bruce Springsteen.  The album – and rock in general – saw a rebirth in the nineties, with the work of those like Weezer, the Wallflowers, the Barenaked Ladies, and a slew of others who led a surge of excellent rock music.

These days, the album has faced a crossroads.  Specifically, with the advent and surge of digital sales, the physical formats of music are on the chopping block.  Still, with the rise of vinyl sales even as CD sales continue to decline, there is hope yet.  And, contrary to an army of naysayers, there are still excellent albums being made.  This year, as with the past several years that I have been tuned into a vast array of albums, I would say there are about five albums that will undoubtedly stand the test of time and compete for top spots when I eventually get around to my Best Albums of All Time list.  Which, at this point, might have to wait until I hit retirement.

But, for the moment, you have my Best Albums of 2011 list, and if you’re interested in reading more about any of these albums, you can access my Weekend Review report (including star rating, production info, and a full review) by simply searching the album title and band name in the search bar above.  And, of course, if you see reason for disagreement or any gaps in my list, it’s up to you to leave comments below.

1)  The Whole Love (Wilco)

2)  The King is Dead (The Decemberists)

3)  Last Night on Earth (Noah & the Whale)

4)  Wasting Light (Foo Fighters)

5)  Bad As Me (Tom Waits)

6)  Unfortunate Casino (Gerry Beckley)

7)  The King of Limbs (Radiohead)

8)  Yuck (Yuck)

9)  Lasers (Lupe Fiasco)

10) W H O K I L L (The Tune-Yards)

11) The Graduation Ceremony (Joseph Arthur)

12) Vol. 2: High and Inside (The Baseball Project)

13) Collapse Into Now (R.E.M.)

14) Move Like This (The Cars)

15) The Valley (Eisley)

16) Cloud Maintenance (Kevin Hearn)

17) I’m With You (Red Hot Chili Peppers)

18) Alpocalypse (Weird Al Yankovic)

19) No Color (The Dodos)

20) Nighty Night (8in8)

 

Honorable Mention:

The Way It Was (Parachute)

The Dreamer, The Believer (Common)

“Please Stay” (Indie Music by Songwriter Chris Moore)

Originally posted 2008-03-05 19:06:11. Republished by Blog Post Promoter

By Chris Moore:

Welcome back for an all-new recording on LaptopSessions.com! If you’ve been here before, then you probably know that today is “Original Wednesday,” and it’s my pleasure to bring you one of my favorite songs I’ve ever written, titled “Please Stay.”

I wrote this song a while back as a contribution for Masters of the Universe. My bandmate, Jim Fusco, helped me refine the chord structure and added in an incredible duo of guitar solos — that’s right, two distinct solos in one song! (If MoU ever releases Homestead’s Revenge, the fully-produced version will be on it.)

Of course, this is an acoustic performance, and you’ll hear the rarely-used third verse that replaces the second solo. I’ve never been entirely happy with the third verse, so I’ve amended it a bit for this recording. Without further ado, “Please Stay”!

P.S. Don’t forget to check back tomorrow for an all-new Laptop Session by Jeff!