Barenaked Ladies SET LIST – 8/06/2010 at Mohegan Sun, Uncasville, CT

Originally posted 2010-08-07 12:03:57. Republished by Blog Post Promoter

Click HERE to read the review!

1)  “Who Needs Sleep?”
2)  “Old Apartment”
3)  “Falling for the First Time”
4)  Improv 1 – “At Mohegan Sun” rap / “Something Tells Me I’m Into Something Good”
5)  “Every Subway Car” (with Angel Taylor)
6)  “Told You So”
7)  “Easy”
8)  “Eraser”
9)  “Another Heartbreak”
10) “On the Lookout”
11) “Sound of Your Voice” (acoustic)
12) “It’s All Been Done”
13) “Too Little Too Late”
14) “Golden Boy”
15) “You Run Away”
16) “Four Seconds”
17) “Big Bang Theory Theme”
18) “One Week”
19) “Pinch Me”
20) “If I Had $1000000”
21) Improv 2 – “Oh, It’s Magic, You Know” / rap / dance number

22) “Alcohol”
23) “Watching the Northern Lights”
24) “Brian Wilson”

Ben Folds: LIVE IN CONCERT – The Shubert Theater, New Haven, CT (March 28, 2009) – REVIEW

Originally posted 2011-01-17 10:00:42. Republished by Blog Post Promoter

By Jim Fusco:

We now deviate from our regularly scheduled program…

In an unprecedented move, the Laptop Sessions acoustic cover songs music video blog brings you TWO concert reviews in one weekend!  Tonight, I’ll review last night’s Ben Folds concert at the Shubert Theater in New Haven, CT.

There’s so much to say about this concert- really unlike any other Ben Folds experience I’ve had.  For one, he played the entire show (with the exception of a couple of songs in the middle) with a band- something I really haven’t seen before.  Those who know my musical tastes know that having Ben play with a band (rather than just doing the whole show by himself) is definitely preferable.  The songs sounded just like the originals, with the drummer and bassist singing the harmony parts on all the old Ben Folds Five numbers.  There was also another multi-instrumentalist / percussionist and another person I couldn’t see from my vantage point that played keyboards and French horn.

My fiancee and I had a nice night out on the town- the Shubert Theater is in the heart of the city.  And even though the surrounding area is a little…well, not so perfect…the inside of the theater was very nice.  We had GREAT seats, which is funny, because I bought them no more than four days ago online.  We sat in the eighth row on the floor, off to the side a bit.  The tickets were a lean $34.50, plus a TON of taxes and fees that brought them over $45 a piece.

Now, the show Ben Folds put on was great, but getting there wasn’t so much.  He had an opening act- God help me if I could remember the name.  They were okay- kinda quirky and VERY Ben Folds Five-ish.  The problem was that the songs were kind of middle of the road and, more than anything, the songs were WAY too “deep” for an opening act.  I even noted that a couple of the songs had similar lyrics, meaning that the songs came from an album that had a deeper meaning and were meant as part of a bigger picture.  Again, it didn’t really fit well with “opening act”.

They started at about 8:30.  After their set, we waited for about twenty minutes or so, then it was time…

For ANOTHER act to come on first!

This time, it was the “only rock/pop a capella group at Yale” and now I know why.  They were TERRIBLE.  I was embarassed the whole time.  No one there had a good singing voice- the girl they picked to sing the second song of three (who was CLEARLY picked because she was the least “brainiac” looking of them all) couldn’t carry a tune if it was strapped to her back.  They sang two songs no one in the audience never heard of before (complete with two tall Asian guys beat-boxing) and then finished up with a slightly-entertaining version of Ben Folds Five’s “Underground”.  The problem with their version was that no one’s voice was strong enough to really make it sound like the original was sung (the two girls they had singing the chorus were barely audible from the eighth row) and the guy singing lead was annunciating every single word!  It’s not, “And now it has been ten years, I am still won-der-ing who to be.”  You had to be there to get how funny it was, but believe me, it was like a comedy routine.

That was followed by an announcement saying that Ben was coming out with a new album (!!!)…only to get let down by the fact that it’s an album of performances by a capella college groups! Ugh, talk about an album I’ll miss.  I’m almost absolutely certain that this will end up on Chris’ TV stand in the near future, though.

After that act was done…we waited.  And waited.  And waited some more.

Finally, about 9:30 or so, Ben came out on the stage with his band.  The band didn’t really seem into the music all that much, but it’s probably because they were trying to act cool.  Ben was his usual lively self- kicking the piano bench away and singing better than I’ve ever heard him.

He played an interesting set anchored by tracks off his past two albums, “Way to Normal” and “Songs for Silverman”.  He played songs like “Effington”, “Dr. Yang”, and “Free Coffee”, which are NOT some of my favorites.  Although, I do have more respect for “Free Coffee” now because that terrible sound on the piano is actually made by putting empty Altoids boxes on the strings and adding a distortion pedal.  These songs sounded exactly like the recordings.

He also played some better ones from “Way To Normal”, including “Hiroshima” and “Brainwascht”.

His “Songs for Silverman” list included “Bastard”, “Jesusland”, “Sentimental Guy”, and “Landed”.

One thing I noticed about this show was the pre-determined setlist.  He really had it down, like a regular concert.  There was no wasting time after he got on- each song ended, then the next one began about five seconds later, with no introduction.  I mean, he talked enough, though- made a few jokes, had the audience sining (hilariously, at points) on my favorite song, “Not the Same” and “Army”, and seemed very happy.

He looked good, too- not all crazy-haired and everything.  He looked happy and healthy, which is good to see.  His show was an hour and a half, but the encore was only one song (a great one in “Fair”, especially with the band) because he said they ran out of time.  I think the delay from starting the concert may have been from him “dueling pianos” with someone at Toad’s Place in New Haven, which he mentioned a couple times during the show.  I think he came back to the Shubert late!  He had to get a Band-Aid for his finger after playing the piano so hard at Toad’s.  Both Ben and the opening act commented on how great the sound at the Shubert was- said it was the best sound on the tour.  That theater is built for having great acoustics, so I can see why.

It was a great show and everyone left happy.  There were a lot of younger teens there, too, which is nice to see.  Everyone seemed to love the songs off of “Rockin’ the Suburbs” the most, seeing that it was a popular album.  In classic Dylan fashion, he didn’t play his most (and only) famous song, “Brick” or another crowd favorite, “One Angry Dwarf”.  He played a crazy alternate version of “The Bitch Went Nuts”- I never heard it before and the only similarity between the one he released on “Way To Normal” was the title line.  I kinda liked the song he played last night better.

I’ll definitely go see him again next go-around, and I hope he comes out with another album to add even more variety to the setlist.

Barenaked Ladies SET LIST – 11/20/2010 at the Klein Auditorium, Bridgeport CT

Originally posted 2010-11-21 10:43:59. Republished by Blog Post Promoter

By Chris Moore:

CLICK HERE to read the Review!

1)  “Who Needs Sleep”

2)  “The Old Apartment”

3)  “Falling for the First Time”

4)  “Jesse, Ben, and Tommy saw my balls” rap

5)  “Every Subway Car”

6)  “Leave”

7)  “Moonstone”

8)  “Another Heartbreak”

9)  “Maybe Katie”

10)  “Sound of Your Voice” (acoustic)

11)  “It’s All Been Done”

12)  “Too Little Too Late”

13)  “Brian Wilson”

14)  “You Run Away”

15)  “Four Seconds”

16)  “Big Bang Theory Theme”

17)  “One Week”

18)  “Pinch Me”

19)  “If I Had $1,000,000” (w/ “Raisins” by request)

20)  “Magic” Medley (“California Gurls,” etc.)

ENCORE:

21)  “Alcohol”

22)  “Lovers in a Dangerous Time”

23)  “Tonight is the Night I Fell Asleep at the Wheel”

Bob Dylan Summer 2009 REVIEW – New Britain Stadium: Wednesday, 7/15/09

Originally posted 2009-07-16 01:00:18. Republished by Blog Post Promoter

For the Set List, CLICK HERE!

By Chris Moore:

Willie Nelson sounded as good as he ever has, and John Mellencamp brought a tremendous amount of energy to the stage with his talented band (he described them as being built for playing in garages and bars, but they handled a ballpark quite nicely).

But then Bob Dylan broke the roof in and set fire to the place as a parting gift.

(Well, there wasn’t a roof to begin with, but let’s not quabble over details…)

After more than three hours of opening acts and transitions between sets, Dylan came out just after 9pm on Wednesday, July 15th, 2009 at the Rock Cats’ baseball stadium in New Britain, CT.  At the precise moment the lights came up, I also took in my first breath of a suspicious smelling smoke…

Anyway, Dylan kicked off the first two songs on electric guitar, soloing along with his band members.  (There’s a great photo in a recent online Rolling Stone article that looks just like what I saw tonight.)  He added new lines to “Rainy Day Women #12 & 35” — “Everybody must get stoned,” for the layperson — and rollicked through “Stuck Inside of Mobile with the Memphis Blues Again” — a true Fusco-Moore favorite — as if it were a new song on his most recent album.

There’s always something special about seeing Dylan play guitar, but he wasn’t the only one in the band whose skills on the axe were highlighted.  Both of the other guitarists in his Never-Ending Tour band were allowed to bring more of their guitar work into the mix than in past concerts — take the infectious new guitar riff in “Tryin’ To Get To Heaven” or the simple but catchy licks in “Jolene.”  More than once throughout the evening, an acoustic guitar could be heard high in the mix, which has become a rarity in recent years.

By the time Dylan retreated to his keyboard, the momentum had already been established and only continued to build.  He romped through “The Levee’s Gonna Break” and soon after beat out a typically heavy version of “High Water (For Charley Patton).”  Although his set included mid-tempo (“I Feel a Change Comin’ On”) and slower (“When the Deal Goes Down”) songs, Dylan’s predilections certainly lay in the in-your-face, bass-pounding-through-your-chest, guitar-and-harmonica-solos-wailing variety.

That's as close a picture I could get with the police in full force around the ballpark...

That's as close a picture I could get with the police in full force around the ballpark...

Last year was a great show.  But what impressed me this year was just how clear Dylan’s vocals were tonight.  Now, I’m not suggesting a possible vocal cord surgery has occurred to restore him to his Nashville Skyline crooning, but he annunciated each word and clearly showed more respect for the tunes and melodies of his songs than he has in the past decade or more.

For years, I have been defending the gruffness of Dylan’s voice as simply one more of the many voices he has taken on over the years.  However, I have never been able to justify his oftentimes uniform low-to-high singing of each line of every song.

Tonight, with only a couple exceptions, he truly broke that mold all over the place.

Although the show was heavily weighted toward his newer material — 8 of the 14 songs were from his most recent four albums — the crowd seemed to enjoy the concert as much as I did, and although it was difficult to see from the outfield where we were standing, it looked as if most people stayed until almost the very end.  (Why anyone leaves before the encore, I’ll never know.  Dylan by now famously leaves “Like A Rolling Stone” and “All Along The Watchtower” for the additional set.)

I can’t believe it’s over.  It was an excellent concert, made all the better for having someone to go with this year.  Now, I have only to set the timer and wait in anticipation for next year’s Dylan tour schedule.

Until then, I’ll have to be content to continue listening to Together Through Life and revisit Modern Times, Love & Theft, Time Out of Mind, or, as I did on the long ride home through traffic, the Bootleg Series recording of the 1966 Royal Albert Hall electric set with Dylan and the Band (my favorite concert recording of all time)!