The Top Ten Albums of 2008

Originally posted 2009-07-28 14:08:51. Republished by Blog Post Promoter

For the 2008 “Yes, No, or Maybe So” one-sentence reviews, CLICK HERE!

By Chris Moore:

At long last, here it is…

My top ten list of the best albums of 2008.

Top Ten Albums of 2008

1.  Saturday Nights & Sunday Mornings – The Counting Crows
2.  That Lucky Old Sun – Brian Wilson
3.  Viva La Vida – Coldplay
4.  Accelerate – R.E.M.
5.  Modern Guilt – Beck
6.  Snacktime – Barenaked Ladies
7.  A Hundred Million Suns – Snow Patrol
8.  Consolers of the Lonely – The Raconteurs
9.  The Red Album – Weezer
10. Loyalty to Loyalty – Cold War Kids

Honorable Mention:

Liverpool 8 – Ringo Starr
Momofuku – Elvis Costello

Yes, No, or Maybe So: One-Sentence Reviews of 2008 Albums

Originally posted 2009-07-31 10:50:48. Republished by Blog Post Promoter

(Arranged in alphabetical order by band)

With so many albums being released every week, what are they all like?  Which are worth your time?  These one-sentence reviews are the answers to those questions!

Snacktime (Barenaked Ladies) – MAYBE SO

Review:  Fun and even educational for kids, yet substantive and musically interesting for adults – don’t let this be the one Barenaked Ladies album missing from your shelf!

Top Two Tracks:  “7 8 9” – “Pollywog in a Bog”

Modern Guilt (Beck) – MAYBE SO

Review:  Beck’s unique voice is the anchor of this rock album that successfully integrates both loops and modern effects with the simplest acoustic, electric guitar, and keyboard sounds front and center in the mix.

Top Two Tracks:  “Gamma Ray” – “Modern Guilt”

Way To Normal (Ben Folds) – MAYBE NOT

Review:  While this is a great breakup album with some typically provocative Ben Folds lyrics and strong instrumental work, there are simply too many disposable tracks and a general feeling throughout much of the album that we’ve been here before.

Top Two Tracks:  “Bitch Went Nuts” – “Brainwascht”

That Lucky Old Sun (Brian Wilson) – YES

Review:  This is Wilson’s modern masterpiece for the summer months, offering more punch than a fresh cup of coffee (“Morning Beat”), piano ballads for the ages (“Forever She’ll Be My Surfer Girl” and “Midnight’s Another Day”), and spoken word transition tracks (lyrics by SMiLE collaborator Van Dyke Parks) that won’t disappoint, all in a thoughtfully ordered and nicely blended track listing.

Top Two Tracks:  “Forever She’ll Be My Surfer Girl” – “Live Let Live”

11 (Bryan Adams) – MAYBE NOT

Review:  This is pretty much what you would expect, which doesn’t mean it can’t be great fun – clichéd, cheesy lines notwithstanding.

Top Two Tracks:  “I Ain’t Losin’ the Fight” – “Oxygen”

Loyalty to Loyalty (Cold War Kids) – MAYBE SO

Review:  The Cold War Kids’ breakthrough album (#21 on the Billboard 200) further establishes their strong, unique sound – Willett’s vocals and Russell’s guitar work being their strongest assets, set against the driving force of Maust’s bass and Aveiro’s drums – aside from perhaps a couple disposable tracks, the album is a stand out.

Top Two Tracks:  “Against Privacy” – “Mexican Dogs”

Prospekt’s March EP (Coldplay) – NO

Review:  Okay, Coldplay, it’s time to step up to the plate a la Wilco: release these tracks (only 3 or 4 are really worth the listen, anyway) on the next reissue of Viva La Vida AND offer them as a free download to anyone who has already bought the album; none of this shameful EP garbage for one of the most wildly successful bands in the world!

Top Two Tracks:  “Life in Technicolor II” – “Glass of Water”

Viva La Vida (Coldplay) – YES

Review:  Coldplay has finally hit an album-worthy home run, complete with beautiful instrumental bookends, richly explored thematic elements, big pop-radio worthy singles, and multi-movement tracks; this is the album that will help them begin living up to the hype that has surrounded the band for years.

Top Two Tracks:  “42” – “Violet Hill”

Saturday Nights & Sunday Mornings (Counting Crows) – YES

Review:  The concept album of the year, Saturday Nights & Sunday Mornings’ songs are aptly split between those that address the primal side of human nature, making decisions by instinct and engaging in debauchery, and the more reflective side of the psyche, reconsidering past decisions, experiences, and even dream images in the early light of Sunday morning.

Top Two Tracks:  “Insignificant” – “You Can’t Count On Me”

Momofuku (Elvis Costello) – MAYBE SO

Review:  Named for the inventor of instant ramen noodles, Momofuku may have been recorded at a breakneck pace, but there are some quality songs here: interesting arrangements, heartfelt performances, and of course, clever and poetic lyrics.

Top Two Tracks:  “American Gangster Time” – “Flutter and Wow”

Electric Argument (The Fireman) – NO

Review:  The guise of the Fireman may allow Paul McCartney the opportunity to relax, experiment, and otherwise stretch out, but a fully realized album that lives up to his vastly impressive recent work this is not.

Top Two Tracks:  “Sing the Changes” – “Dance ‘Til We’re High”

Sleep Through the Static (Jack Johnson) – NO

Review:  Filled with peaceful songs recorded in very clear sound quality… that will most likely put you to sleep – not even close to what you would expect from the follow-up to In Between Dreams.

Top Two Tracks:  “What You Thought You Need” – “Go On”

The Glass Passenger (Jack’s Mannequin) – MAYBE NOT

Review:  With their most recent release, Jack’s Mannequin has cracked the top ten of the Billboard 200 and found a bright, clean, and upbeat sound while addressing a number of serious topics; if some of the songs didn’t sound so similar and if McMahon’s vocals didn’t strain and reverberate oddly at times, this would be a great album.

Top Two Tracks:  “Crashin’” – “Bloodshot”

Seeing Things (Jakob Dylan) – MAYBE SO

Review:  Jakob Dylan finds some soothing and rootsy acoustic sounds on his debut solo album… now, let’s just hope he uses it to return with more force and feeling to a full band next time!

Top Two Tracks:  “Valley of the Low Sun” – “War is Kind”

Greenlight (Jeff Copperthite) – MAYBE SO

Review:  The first solo album from one half of the late nineties rock band Quilt, Greenlight is all you could hope for from a debut release – a range of songs that demonstrate Copperthite’s considerable instrumental abilities, including a couple standouts that will make listeners look forward to the next solo release.

Top Two Tracks:  “Home” – “Aware”

Perfectly Clear (Jewel) – MAYBE NOT

Review:  The latest phase for this folk singer turned dance/big band star turned country artist, Perfectly Clear is a well executed country album – nothing less, but not much more.

Top Two Tracks:  “Love is a Garden” – “Till It Feels Like Cheating”

Insides Out (Jordan Zevon) – MAYBE NOT

Review:  Bitingly witty at times, helplessly romantic at others, and always in-your-face realistic, Jordan Zevon’s debut release boasts finely crafted – if predictable – vocals and strong – although standard – instrumentation; he’s on his way to a great album, but hasn’t quite made it this time.

Top Two Tracks:  “The Joke’s On Me” – “Payday”

Mudcrutch (Mudcrutch) – MAYBE SO

Review:  An instantly likeable album with a classic sound that is somehow still unique and infectious, the power of Mudcrutch’s debut release – much like the faded face on its cover – tends to dissipate over time; as with many releases this year, it’s not bad for a start and is perhaps the best debut album (and one of the best new bands) of 2008.

Top Two Tracks:  “Orphan of the Storm” – “Lover of the Bayou”

Home Before Dark (Neil Diamond) – NO

Review:  An album of enjoyable three minute songs… that drag on redundantly for six minutes.

Top Two Tracks:  “Pretty Amazing Grace” – “The Power of Two”

The Slip (Nine Inch Nails) – MAYBE SO

Review:  The landscape of The Slip is that of violence and corruption, but even more acutely of the impact upon and influence of the individual in a society that is taking turns for the worse – add in Trent Reznor’s supplying this album for free online, taking intricate care to provide track (not just album) artwork and typed-in lyrics, and you’ve got a strong release.

Top Two Tracks:  “1,000,000” – “Discipline”

Break Up the Concrete (The Pretenders) – MAYBE NOT

Review:  While there’s nothing particularly remarkable here, Break Up the Concrete is a surprisingly strong release from Chrissie Hynde and company, nicely blending acoustic and electric rock with a rockabilly sensibility peeking through intermittently.

Top Two Tracks:  “Love’s A Mystery” – “The Last Ride”

Accelerate (R.E.M.) – YES

Review:  From the first notes of distorted electric guitar to the final “yeah” voiced by frontman Michael Stipe, Accelerate is a non-stop rock’n roll joy ride punctuated by numerous standout tracks, instrumental moments, and some of the strongest lyrics from Stipe in years; this R.E.M. album more than lives up to what its title implies about the pacing.

Top Two Tracks:  “Living Well is the Best Revenge” – “Supernatural Superserious”

Consolers of the Lonely (The Raconteurs) – MAYBE SO

Review:  For anyone who claims there are no new bands making great rock music, here come the tremendous Raconteurs to tell stories with urgent vocals, infectious guitar licks, plenty of distortion while maintaining a healthy respect for the acoustic guitar, horns, and so much more as traces of classic rock and modern rock are inseparably mixed.

Top Two Tracks:  “Top Yourself” – “Many Shades of Black”

The Bird and the Bee Sides (Relient K) – MAYBE SO

Review:  In and of itself, The Nashville Tennis EP is a generally middle of the road affair with a handful of standout tracks and several disposable songs; however, when combined with The Bird and the Bee Sides, it boasts new material as well as enough rare tracks to fill the gaps in any Relient K fan’s collection – never mind that 13 songs add up to a generous “EP,” clocking in for a total of 26 songs on this single disc release.

Top Two Tracks (“The Bird”):  “At Least We Made It This Far” – “I Just Want You To Know”

Top Two Tracks (“The Bee Sides”):  “Up and Up (Acoustic)” – “Who I Am Hates Who I’ve Been (Acoustic)”

Liverpool 8 (Ringo Starr) – MAYBE SO

Review:  Even though Starr split with longtime collaborator Mark Hudson during the making of Liverpool 8, this album is a worthy addition to his recent catalog, and although it may not be the strongest of the Roundhead records, it’s a must-hear for Ringo and rock fans alike.

Top Two Tracks:  “Liverpool 8” – “If It’s Love That You Want”

Detours (Sheryl Crow) – MAYBE NOT

Review:  This album is a bit of a mess, as some songs (“God Bless This Mess,” “Love is All There Is”) are heartfelt standouts and others (“Love is Free,” “Peace Be Upon Us”) seem phoned-in and generally distract from the great material this album has to offer.

Top Two Tracks:  “Shine Over Babylon” – “Detours”

A Hundred Million Suns (Snow Patrol) – MAYBE SO

Review:  Don’t let the inferior first single “Take Back the City” fool you: A Hundred Million Suns is the long-awaited next step in Snow Patrol’s evolution, offering up much to enjoy hearing and feeling and even more to interpret – and, thankfully, AHMS is a vast improvement over Eyes Open, and a worthy follow-up to Final Straw.

Top Two Tracks:  “Crack the Shutters” – “The Planets Bend Between Us”

The Red Album (Weezer) – MAYBE SO

Review:  The Red Album is something of an enigma – several tracks (“The Greatest Man That Ever Lived,” “Everybody Get Dangerous”) are among the quirkiest, most original and inventive work ever to grace a Weezer release, yet the album gets sidetracked in material that is easy on the ear, but overly simplistic (think “Heart Songs” and “Dreamin’”) – but it’s an interesting one; it is difficult to determine whether the first ever contributions from the other band members provides an exciting boost or simply more confusion to the album.  (And why no “Miss Sweeney” on the main album release?)

Top Two Tracks:  “The Greatest Man That Ever Lived” – “Thought I Knew”

Elvis Costello’s “Live at Hollywood High” (Recorded 1978; Released 2010) – The Weekend Review

Originally posted 2010-01-31 23:37:34. Republished by Blog Post Promoter

By Chris Moore:

RATING:  4 / 5 stars

With all the confidence and cohesion that comes across on Live at Hollywood High, it is difficult to believe that this is a document of a performance that took place only a year after Elvis Costello’s debut album was released.  One might think that a live album recorded so early in an artist’s career would be a study in a live act finding their sound, featuring a young group aspiring to greatness and working out the kinks along the way.

The opposite is true.

It is clear that, by 1978,  Elvis Costello and the Attractions had been working together closely enough to forge a sound all their own, and one that sounds like it had been planned, rehearsed, and perfected over years of live performances.

And yet they were barely a year in at the time of this concert.

There is something compelling about Elvis Costello’s lyrics, dipped in wordplay and soaked with sarcasm.  His vocals here, as on his best work, are unique and striking.  Likewise, his band works as one united front, Pete Thomas acting as the backbone of the operation, keeping a steady beat and  laying down fills wherever appropriate.

I could listen to Thomas drum all day…

Elvis Costello's "Live at Hollywood High"

Elvis Costello's "Live at Hollywood High"

The concert begins with a poignant version of “Accidents Will Happen,” composed of simply a piano and Costello’s lead vocal.  I like the album version of this song, but I absolutely love this live version.

The slow, serious sound of the opening track is no indication of what is to come, which becomes apparent as the second song, “Mystery Dance,” is launched.  Drawing on references to Shakespeare’s Romeo & Juliet and taking sonic cues from blues rock, this song sets the precedent for all the others to come: upbeat, passionate, and infectious.

The highlights are certainly the rockers that come across even better live than they did in the studio, songs like “Lip Service,” “This Year’s Girl,” and “Radio Radio.”  Each of these songs attacks human behavior in modern society, and it is interesting to see how these songs are still relevant at the opening of 2010.

In fact, if Costello were to write the second song again, it might be abbreviated to “This Month’s Girl,” or updated to “Internet, Internet” for the second song.

Overall, their pacing and stage presence is outstanding.  “Stranger in the House” is about as slow as Costello and the Attractions get in this concert, and yet it does not feel like a series of very similar songs played at the same speed.

Although he does not speak all that often, when Costello does address the crowd, it is to good effect.  He knows just how to elicit screams and wild cheers (asking, before playing “This Year’s Girl,” if there are any girls present), and he knows just when to introduce hints of what is to come in the show (announcing at the end of one song that he is about to play “Alison”).  This young Elvis Costello is even more funny and quirky than I would have imagined, dedicating “Living in Paradise” to “all the boys on the track, all the boys in the locker room, all the physical jerks…”

How an artist was able to compile such an impressive set list so early in his career, I will never know.  But, what I do know is that Live at Hollywood High plays as a greatest hits at some times, and as an homage to deep tracks at others.

Analyze these and other factors as much as you care to; the bottom line is this:

Elvis Costello & the Attractions play their hearts out, as though their tenure in the music industry and in the hearts of their fans depend on it.  For me, Costello’s performance functioned in the way all music executives dream of…

…it made me want to buy more of his music!

“Alison” by Elvis Costello – Chords, Tabs, & How to Play

Originally posted 2010-02-01 19:48:54. Republished by Blog Post Promoter

“Alison”
Elvis Costello

Intro:  A   E   A   E

E               A                                           E
Oh, it’s so funny to be seeing you after so long, girl,
E                  A                                                 G#m                  C#m
And with the way you look, I understand that you were not impressed.
A                                          G#m       C#m
But I heard you let that little friend of mine
D                                 B7
Take off your party dress…

A                             G#m        C#m
I’m not going to get too sentimental like those
A                            G#m        C#m
other sticky valentines.
A                                                     G#m           C#m
‘Cause I don’t know if you’ve been loving somebody;
D                             B7
I only know it isn’t mine.

A    E     A              B7         G#m   C#m
Alison, I know this world is killing you…
C#m    A    E    A    B7     E
Oh,      Alison, my aim is true.

Well, I see you’ve got a husband now.
Did he leave your pretty fingers lying in the wedding cake?
You used to hold him right in your hand;
I’ll bet he took all he could take.

Sometimes I wish that I could stop you from talking
When I hear the silly things that you say.
I think somebody better put out the big light,
‘Cause I can’t stand to see you this way

Alison, I know this world is killing you.
Oh, Alison…  My aim is true.

My aim is true. (repeat & fade)

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **