“Far, Far Away” by Wilco – Chords, Tabs, & How to Play

Originally posted 2009-12-26 12:00:57. Republished by Blog Post Promoter

“Far, Far Away”
Wilco

G                                     Bm
Far, far away from those city lights,
Em                         Bm                    Bm – Bbm – Am
Might be shining on you tonight.
Am                        C
Far, far away from you.
C         G            Em      C          G
On the dark side of the moon.

G                                  Bm
I long to hold you in my arms and sway,
Em                           Bm        Bm – Bbm – Am
Kiss and ride on the CTA.
Am                          C
I need to see you tonight,
C              G                    Em – C – Am
And those bright lights.
Oh, I know it’s right.
Deep in my heart,
Am   G                         Em – C – G
I’ll     know it’s right.

INSTRUMENTAL:
G – Bm
Em – Bm  (Bm – Bbm – Am)
Am – C
G – Em – C – Am
G – Em – C – G

By the bed, by the light that you read by,
By the time that I get home to say goodnight.
I need to see you again
On the dark side, my friend.

G – Em – C – G

G                                 Em – C – G
On the dark side…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“When Love Comes to Town” (U2 & B.B. King Cover)

Originally posted 2009-03-02 21:36:54. Republished by Blog Post Promoter

For U2 chords and lyrics, CLICK HERE!   /   For B.B. King chords and lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to a brand new week.  Thanks for spending a little bit of it here on the Laptop Sessions music video blog with the latest edition of “Chris Moore Monday.”  No one understands the pressure I’m under!  I mean, there’s a lot riding on this video — if I’m good, I’m helping your week get off on the right foot.  If I’m not so good, then…  Well, let’s not even consider that option.

For tonight’s selection, I’m doing something that I’ve only done once before…

…make an enjoyable recording!  No, I’m just kidding.  (Not about the “enjoyable” part, I hope…)

This is only the second time that I’ve recorded a song by not only one but two artists whose work I’ve never played before.  Tonight’s subjects?  U2 and B.B. King.  (Jeff has already recorded U2, but B.B. King is a new addition to the blog.)  Why, you may ask?  Well, the big “New Music Tuesday” release of tomorrow, March 3rd, is No Line on the Horizon, U2’s first new studio album in five years.  It’s already making waves, having received a five-star rating from Rolling Stone magazine.  Now, I’m not often one to agree with Rolling Stone, but I am very curious about this album.  After all, Rolling Stone has never given U2 the five star salute.  Bono and company have come close, earning 4.5 stars for 1991’s Achtung, Baby, but this is the first time they’ve received 5 stars for an original studio release.

To be fair, this isn’t their first 5 out of 5 star experience — the band’s re-release of The Joshua Tree was granted 5 stars.  I just listened to that album last night for the first time, and although I wouldn’t give it five stars, I very much enjoyed it.  The first three tracks are a veritable U2 greatest hits, and there are several deep cuts that are great songs.

So, tomorrow is a new music Tuesday to look forward to.  To hold you over, I’ve gone back into the U2 catalog and hauled out an oldie but goodie.  “When Love Comes to Town” was originally released in 1988 on Rattle and Hum (a title that is taken from lyrics in the song “Bullet the Blue Sky,” from The Joshua Tree).  This is a song I have always loved — there’s such an energy between Bono and King’s vocals and the addition of King’s guitar to the instrumental mix.  I have always felt that the song had a timeless feel, and I would have loved to hear someone like Johnny Cash record a version of it.  So, for my cover song music video version tonight, I’ve slowed it down a bit and taken it down an octave (which is convenient, since my vocal chords are no match for Bono’s typical soaring range!).

The result?

Just like I thought, this song has such a classic feel to it that it lends itself to a stripped-down acoustic arrangement.  Still, my version is no match for the energy, emotion, and rocking presence of the studio version!  (And I can’t quite figure out what “catch that flame” means…  I sing “catch that plane,” which is what I’ve always thought he said, but the official U2 lyrics page says “flame.”  Oh, well…)

I hope you enjoy this U2 cover, and I hope it tides you over until tomorrow’s release of No Line on the Horizon.  Until then and until an all-new Jim Fusco Tuesday…

See you next session!

“Please, Mrs. Henry” by Bob Dylan – Chords, Tabs, & How to Play

Originally posted 2009-04-27 19:36:35. Republished by Blog Post Promoter

“Please, Mrs. Henry”
Bob Dylan

C#                                                               F#
Well, I’ve already had two beers, and I’m ready for the broom.
C#                                              F#
Please, Mrs. Henry, won’t you take me to my room?
C#                                                G#
I’m a good ol’ boy, but I’ve been sniffin’ too many eggs,
F#                                               C#
Talkin’ to too many people, drinkin’ too many kegs.

C#
Please, Missus Henry, Missus Henry, please!
F#
Please, Missus Henry, Missus Henry, please!
C#
I’m down on my knees, and I ain’t got a dime…

Well, I’m groanin’ in a hallway, pretty soon I’ll be mad.
Please, Mrs. Henry, won’t you take me to your dad?
I can drink like a fish; I can crawl like a snake.
I can bite like a turkey; I can slam like a drake.

Please, Missus Henry, Missus Henry, please!
Please, Missus Henry, Missus Henry, please!
I’m down on my knees, and I ain’t got a dime…

Now, don’t crowd me, lady, or I’ll fill up your shoe.
I’m a sweet bourbon daddy, and tonight I am blue.
I’m a thousand years old, and I’m a gorgeous bomb.
I’m T-boned and punctured, but I’m known to be calm.

Please, Missus Henry, Missus Henry, please!
Please, Missus Henry, Missus Henry, please!
I’m down on my knees, and I ain’t got a dime…

Now, I’m startin’ to drain; my stool’s gonna squeak.
If I walk too much farther, my crane’s gonna leak.
Look, Mrs. Henry, there’s only so much I can do.
Why don’t you look my way and pump me a few?

Please, Missus Henry, Missus Henry, please!
Please, Missus Henry, Missus Henry, please!
I’m down on my knees, and I ain’t got a dime…

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

In Search of the Perfect Acoutic Guitar…

Originally posted 2010-04-16 00:55:30. Republished by Blog Post Promoter

By Jim Fusco:

A little over two weeks ago, I got the urge.  On a chance visit to Guitar Center in Manchester, CT (while my wife shopped at the Christmas Tree Shop), I began getting that familiar, “I really wanna buy a guitar” feeling.  I started to think about my fellow “Traveling Acai Berries” member, Steve, who has a beautiful (and beautiful-sounding) Martin D16-RGT acoustic guitar.  I remember playing it and noticing how well it sounded.  Every fret was in tune.  I didn’t have to try so hard to make it sound great.  Plus, it had some nice volume without having to strum very hard.

So, I thought about the idea of actually purchasing a Martin guitar.  I mean, I was always a nay-sayer.  I remember countless conversations with my brother, saying, “Oh, Martins are overpriced- there’s no way they can sound THAT good to justify being over a thousand dollars!”

Then, I played Steve’s guitar.  It was magical.  I knew I had to have one someday.  Little did I know that day would be now!

So, the bug was in my mind.  I began doing some research and honed-in on a few models.  I decided right off the bat that I wanted an all solid wood guitar.  To me, there’s no other way.  I actually didn’t even want Steve’s same model because of its Micarta (synthetic) fretboard.  Not to say that it’s a bad thing- I mean, it’ll NEVER wear down- but, to me, I really wanted an instrument I could hand down for generations.

You see, Martin guitars have been around since 1833 and have been produced (the all-wood ones, at least) in Nazareth, PA for over 175 years.  That’s pretty incredible, especially considering that, after all this time, it’s STILL a family-run business!  When you buy a high-quality Martin, you keep it for life (it has a lifetime warranty, too) and it only gets better (and even more valuable) with age.

So, my search brought up a few potential models, including the DSR, the D-15 Mahogany, and the DSM.  These guitars are all “custom” because they were made for major guitar retailer Guitar Center.  So, they’re not the standard Martin models, but they do offer a significant savings.

Which brings me to my next point: Yes, I gave myself a budget on this, but I really didn’t want to limit myself budget-wise.  I mean, I set out to buy the best acoustic guitar I could possibly purchase- one that sounded great.  I wanted the best acoustic money could buy.  But, I ended up saving a lot of money only because “the best” to me didn’t include a ton of pearl inlays and fancy appointments.  I think it’s true that, with Martins, they stop sounding better at a certain point…and then just start looking better.  Sure, I could’ve gotten one with the perfect cut of wood on the top (no “bear claws”, as they say), but that doesn’t make the sound any better now, does it?

So, I went to a couple stores to try things out.  I played the highest of the high end Martins, including the famed HD-28 and the Eric Clapton signature edition, which actually contained his signature inside the guitar!  But, I didn’t love the sound.  They sounded too muted to me.  They certainly didn’t have the booming, yet sparklingly clear, tones that Steve’s model had.

So, I had to do more research.  I learned that I was looking for a guitar with a spruce top and rosewood back and sides for the tone I liked.  But, I wanted to get a mahogany neck, because I simply can’t resist that intoxicating mahogany smell.  I also decided that I wanted a guitar with an ebony fretboard, because it was the kind of fretboard they used on the highest-end Martins.

I ended up finding the Martin DSR, which had everything I wanted except for the fretboard.  I could’ve lived with that.  But, the guitar had a satin finish to it.  It looked okay (other than the tacky white binding) and was LOUD- a big plus.  I came to the conclusion that the glossy coat was what was holding the other guitars back from being as loud as they could be.  Then, I started thinking about the fact that I want this instrument to be the be-all end-all acoustic guitar.  Am I really going to hand-down a guitar that didn’t have full-body gloss and that had a lower-end fretboard?  I mean, the guitar was about $1000, but I still felt that I would be taking the low road.

So, I got pretty disheartened and kept searching.  I spoke to my brother Mike, who then told me to expand my horizons.  Martin isn’t the only high-end acoustic guitar company, you know.  So, I seriously considered Taylor (so many famous people play them) and Larivee (a Canadian company that Ed Robertson of Barenaked Ladies uses).  But, stores around here don’t sell Larivee and I’ve never heard or played one in person.  And, I tried a couple of Taylors that were around $1,000 and they didn’t trill me.  To me, they played like every other guitar I’ve tried.

And then, in my search through literally hundreds of pages of online forums and articles, I came across one post that mentioned the Martin MMV.  It’s a model, originally made in 2005 (thus “MMV”) for Guitar Center.  It featured EVERYTHING I wanted in the guitar: glossy, Sitka spruce top, East Indian Rosewood back and sides, and the elusive ebony wood fretboard!  It had that same white binding, but I felt a lot better when I realize that the famed HD-28 had the same binding and looked very nice when glossy.  I was so excited, but realized that I would have to buy this sight-unseen.

So, I did as much research on the guitar as I could.  I literally read every webpage I could find about it.  I wanted to buy it on eBay, but really wanted that Martin Lifetime (yes, LIFETIME) warranty, so I decided to buy it new.  I finally found a 15% off coupon from a reputable site, which was good because this model (at Guitar Center, at least) was a full $500 more than the other models I was looking at.

Let me just say how much I love and appreciate my supportive wife, Becky, for understanding that I need such comfort items as these after working all day and night for the past year and a half!

Back to the story: I even got the guy to throw in six sets of Martin strings!

The guitar came in on Tuesday and I couldn’t be happier with it.  It’s LOUD and sounds amazing.  It also smells wonderful.  It came with a hard shell case, too.  I realize that even higher-end Martins use “choice woods” and other classy appointments, but I truly believe that this model sounded better in my ears.  It’s not the flashiest guitar, but I think it’s the highest quality and best sounding Martin before you just start paying for visual upgrades.  I will be proud of this guitar for the rest of my life and will be proud to hand it down someday.  But, they may have to pry it out of my cold, dead hands. :-)

I hope this guitar will further excite me to play music and inspire me to continue writing new songs.  I look forward to playing it all the time now and feel like I finally have an acoustic guitar that brings me to the next level.  I’m glad to be a Martin owner, too.  I join some pretty good company there.

So, again, this may not be the perfect overall guitar, but to me, it certainly is.  The sound, the look, the prestige- they all fit me like a glove.  I hope it will be the last acoustic guitar I’ll ever need to buy.  Of course, that just leaves me more room for my growing electric guitar collection!

Stay tuned- next week I bust-out the Martin MMV for my first Laptop Session acoustic cover song music video!  See you then.