The Top Five Rock Artists of the Decade (2000s): NUMBER THREE is Jack White

Originally posted 2010-04-13 14:34:59. Republished by Blog Post Promoter

This is the third in a five part series dedicated to the top five rock artists of the decade, 2000-2009.  The criteria used to determine this list were: (1) Quality of Music, (2) Quantity of Released Material, (3) Diversity of Media, and (4) Roles of Artists/Band Members.  Look for new posts coming soon!

By Chris Moore:

Easily one of the busiest figures in contemporary rock music, Jack White has made it his business to write, record, perform, and produce music every chance he gets.  There is something breathtaking about the apparent ease with which he has transcended genre lines and brought the influences back to his own music.  It is equally impressive to consider how many directions he has been pulled in during this decade, and yet how strong his contributions have been to each of his numerous ventures.

I, for one, wasn’t sure what to make of this straggly-haired ax-grinder when I first heard of him in the wake of the White Stripes’ breakthrough effort Elephant in 2003.  I’ll never forget tuning in (on the advice of a friend) to Late Night with Conan O’Brien during their week-long tenure promoting this aforementioned album.  “Seven Nation Army” may have been overplayed for some, but I loved its gritty, riffy simplicity, punctuated by White’s lead vocals and Meg White’s wonderfully boneheaded drumming.

With each new White Stripes album I’ve heard, I’ve realized more and more the degree to which Jack and Meg — particularly Jack — are experts at finding their comfort zones, then burning them down.  In the Raconteurs, he contributes a very big, very characteristic guitar sound, somehow crafting a new landscape without plagiarizing his White Stripes sound.  And the Dead Weather, his second side project, is something else all together, a sound that White pulls together with his drumming rather than his guitar work.

Taking these three bands into consideration, then throwing in his solo work and other one-off collaborations for good measure, there is simply no way to avoid giving Jack White a respectful — if not awe-filled — nod for his exemplary contemporary rock music created this decade.

BLACK & WHITE & RED ALL OVER

Any music promoter will tell you that it’s not simply the sound of a band that is important, but also their image and general appearance.  Jack and Meg White have excelled with this other half of the equation, always dressing in red, white, and black, as well as seeing to it that their album artwork follows suit.  Their music may draw comparisons to acts of the past like Led Zeppelin, but this is no retro act.  In their continually developing sound, and equally in the way they dress and act, the White Stripes are one of the most interesting bands of the decade.

How to go about describing such a band in a few paragraphs?

I’ll start with words like quirky, bold, frenetic, complex, basic, and that’s just to begin with.  Since 2000’s De Stijl, the White Stripes have released four more albums:  2001’s very promising White Blood Cells, their major label debut Elephant in 2001 (a.k.a. their personal catapult into the pop culture lexicon), 2005’s piano-driven masterpiece Get Behind Me Satan, and most recently, a return to distortion drenched guitar in the riff-laden reveries of 2007’s Icky Thump.  By the time they released their first live CD, Under Great White Northern Lights (2010), the White Stripes had developed quite a catalog to draw from.

That they are able to achieve their sound with just two band members is intriguing.  Granted, Meg White suffered a breakdown that resulted in the cancellation of some tour dates in 2007, but there have been confirmed reports since last year that they are already at work on their seventh album.

A SIDE PROJECT, A SIDE PROJECT FROM THE SIDE PROJECT, AND MORE!

Jack White’s work in the White Stripes is substantial enough to be considered notable, but it is his wide variety of ventures outside the scope of his primary band that cinch his position at the upper part of the contemporary rock music ladder.  His five contributions to the Cold Mountain soundtrack in 2003 suggested that he had more to give than could be satisfied in one band alone.  He has since gone on to produce and play on a laundry list of other albums, including Loretta Lynn’s Van Lear Rose.  More recently, he wrote and recorded an outstanding duet with Alicia Keys for the James Bond film Another Way to Die, the first duet in the Bond series.

With all the writing, performing, and recording White has done since the early nineties, it is interesting to note that his first official “solo” work was released in 2009 — the single “Fly Farm Blues.”

In addition to these one-off efforts, White has joined not one but two side projects.  The first, the Raconteurs, formed in 2005 along with power pop rocker Brendan Benson (sharing guitar duty), bassist Jack Lawrence, and drummer Patrick Keeler.  After their 2006 debut Broken Boy Soldiers, they followed up quickly with the phenomenal Consolers of the Lonely in 2008.  The latter is easily one of the best rock music albums of the decade, and it is an outrage that I passed over it for my Top 50 Albums of the 2000s list.  This is the Jack White music that I am perhaps most drawn to: tight, fully-produced, riff-driven songs with an abundance of crunchy guitars, a rockin’ rhythm section, and catchy leads.

As if that weren’t enough to keep him busy, White co-founded the Dead Weather in 2009 with the Kills’ lead singer Alison Mosshart, guitarist Dean Fertita, and Raconteurs bassist Jack Lawrence.  This is an altogether different venture that features a grungier tone than the Raconteurs or even the White Stripes.  The songs are a bit longer, and could be described as a set of almost-jams.  After I heard their interpretations of Bob Dylan’s “New Pony,” a so-so deep track from 1978’s Street Legal, I was hooked.

In summary, this decade has seen Jack White bring the White Stripes to worldwide rock music fame, form not one but two side groups, release his first single as a solo artist, and contribute to a myriad of other artists’ albums and soundtracks.  At the time of this writing (early 2010), there is a May 11th release date set for the follow-up Dead Weather album, confirmations from White that the White Stripes will be releasing an album in the near future, and whispers of an all-out solo record from the man himself.

Hands down, Jack White is my pick for the number three rock music artist of the 2000s for all the right reasons: the sheer quantity of music produced, his development of a signature guitar sound, and his collaborations with other artists (Dylan, Beck, and more in addition to those mentioned above).  It’s a no-brainer, my friends.

Yes, No, or Maybe So: One-Sentence Reviews of 2009 Albums

Originally posted 2010-03-27 12:30:03. Republished by Blog Post Promoter

(Arranged in ascending order by release date)

With so many albums being released every week, what are they all like?  Which are worth your time?  These one-sentence reviews are the answers to those questions!

Battle Studies – (John Mayer) – MAYBE

(November 17, 2009) – CLICK HERE FOR A FULL REVIEW Review: Battle Studies may not be Mayer’s best work, but as a thoughtfully arranged collection of songs, it’s head and shoulders above Continuum. Top Two Tracks: “Heartbreak Warfare” – “Assassin”

Alter the Ending – (Dashboard Confessional) – MAYBE

(November 10, 2009) Review: About mid-way through, some tracks begin to blend together, but there are some standout songs that are both upbeat and engaging. Top Two Tracks: “Belle of the Boulevard” – “Until Morning”

Sainthood – (Tegan and Sara) – MAYBE

(October 27, 2009) Review: Their best work since So Jealous. Top Two Tracks: “Someday” – “Don’t Rush”

One Fast Move or I’m Gone – (Jay Farrar & Ben Gibbard) – MAYBE

(October 20, 2009) Review: Not a breathtaking masterpiece by any means, but there is a hypnotic quality to the combination of Farrar and Gibbard’s sounds and Jack Kerouac’s words. Top Two Tracks: “These Roads Don’t Move” – “California Zephyr”

The Fountain – (Echo & the Bunnymen) – MAYBE SO

(October 12, 2009) Review: Most reviews have jumped to the extremes, and mine is no exception; The Fountain is an outstanding rock album from a band that most major music magazines have essentially ignored. Top Two Tracks: “Live of a Thousand Crimes” – “Drivetime”

Forget and Not Slow Down – (Relient K) – YES

(October 6, 2009) – CLICK HERE FOR A FULL REVIEW Review: Hands down the best concept album of the year, perhaps the best album of the year overall. Top Two Tracks: “Part of It” – “Sahara”

Backspacer – (Pearl Jam) – YES

(September 20, 2009) – CLICK HERE FOR A FULL REVIEW Review: This is the album that may single-handedly be responsible for my eventual hearing loss – it’s simply too much fun not to listen to at high volumes. Top Two Tracks: “Got Some” – “Speed of Sound”

Levitate – (Bruce Hornsby & the Noise Makers) – NO

(September 15, 2009) Review: I try to avoid comparisons to past work, but this new Hornsby album is just a little too far out from the norm for my tastes. Top Two Tracks: “Space is the Place” – “In the Low Country”

A Brief History of Love – (The Big Pink) – NO, PLEASE, NO!

(September 14, 2009) Review: I’m reminded of the Byrds song “Everybody Gets Burned” – if you have any respect for rock music, steer clear of this album and do your best to never consider this band and the amazing debut release of The Band (to which their name alludes) in the same thought. Top Two Tracks: n/a

Humbug – (Arctic Monkeys) – MAYBE SO

(August 25, 2009) Review: The distance between how little I like early songs like “I Bet You Look Good on the Dancefloor” compared with how much I like this new release is vast; overall, Humbug has a cohesive, infectious, and interesting sound, blending alternative rock/punk stylings with echoes of the Who and the Moody Blues in all the right places. Top Two Tracks: “Crying Lightning” – “Cornerstone”

My Old, Familiar Friend – (Brendan Benson) – MAYBE SO

(August 18, 2009) Review: From “A Whole Lot Better” onward, Benson’s latest release is joyful power pop that borrows generously from the sixties and seventies; it’s a great deal of fun from start to finish. Top Two Tracks: “Garbage Day” – “Misery”

Release – (Sister Hazel) – MAYBE NOT

(August 18, 2009) Review: This album is the perfect choice for background music: it is consistently upbeat without being too frenetic, certainly won’t offend anyone, and yet isn’t likely to inspire or even excite anyone either – the heinous typos in the booklet don’t help their cause. Top Two Tracks: “Vacation Rain” – “Ghost in the Crowd”

Ursa Major – (Third Eye Blind) – MAYBE NOT

(August 17, 2009) Review: There will supposedly be another 3eb release soon titled Ursa Minor, culled from tracks that didn’t make the cut for this album; suffice it to say that Ursa Major gets an “eh” and barely a “Maybe Not” rating with the so-called best songs from their recent sessions, so… Top Two Tracks: “Bonfire” – “Summer Town”

xx – (The xx) – MAYBE SO

(August 17, 2009) Review: This debut release by the xx is a gripping, murky, beautiful collection of songs that won’t fail to draw you in to their world each listen. Top Two Tracks: “VCR” – “Shelter”

The Ruminant Band – (Fruit Bats) – MAYBE SO

(August 4, 2009) Review: Aptly titled after the Fruit Bats took twice as long as usual to release this record, The Ruminant Band is worth all the extra wait time:  still quirky but with a lot more energy, backbeat, and attention to making a great album, rather than just a compilation of songs. Top Two Tracks: “The Ruminant Band” – “Singing Joy to the World”

Strange Cousins From The West – (Clutch) – MAYBE NOT

(July 14, 2009) Review: You’ll have to go back to Blast Tyrant or so if you want original, innovative Clutch; what you’ll find here is confined by the blues parameters the band has imposed on themselves – which is not to say you won’t find largely powerful performances of largely predictably structured songs and a couple true gems. Top Two Tracks: “50,000 Unstoppable Watts” – “Minotaur”

Horehound – (The Dead Weather) – MAYBE SO

(July 14, 2009) Review: The Dead Weather certainly deserve credit for having forged a unique sound and presence – Jack White best described their music as “ferocious” – but the riffing, repetition, and other indulgences can be distracting; overall, as a debut release, Horehound is promising… Top Two Tracks: “I Cut Like A Buffalo” – “Hang You From the Heavens”

Ocean Eyes – (Owl City) – MAYBE

(July 14, 2009) Review: A bit too placid for me, but I can perceive at least part of the reason that this album’s simple, soothing numbers have spread so quickly and been embraced by so many. Top Two Tracks: “Fireflies” – “The Bird and the Worm”

American Central Dust – (Son Volt) – NO

(July 7, 2009) Review: As the title implies, Son Volt’s latest album could have been found buried in a collection of Americana; while it certainly hits high points on certain tracks, the simplicity of the arrangements and even the packaging (no lyrics – really?) confine this album to mediocrity. Top Two Tracks: “No Turning Back” – “Jukebox of Steel”

Leaving Wonderland…in a fit of rage – (Marcy Playground) – MAYBE

(July 7, 2009) – CLICK HERE FOR A FULL REVIEW Review: Overall, Leaving Wonderland hits emotional pay dirt with the theme of losing love and youth to the ravages of time, and yet John Wozniak’s lyrics and arrangements leave much to be desired in terms of depth and artistry. Top Two Tracks: “Gin and Money” – “I Burned the Bed”

Wilco (the album) – (Wilco) – YES

(June 30, 2009) – CLICK HERE FOR A FULL REVIEW Review: An atypically brief release, Wilco (the album) is dominated by a wide range of interesting sounds and ideas all packed into tight tracks that ebb and flow just right; multiple listens are a must. Top Two Tracks: “Wilco (the song)” – “You Never Know”

Big Whiskey & the GrooGrux King (Dave Matthews Band) – MAYBE

(June 2, 2009) Review: “DMB” has produced a very strong album that starts off with focused, expressive tracks yet lags somewhat in the second half’s instrumental, repetitive, and nonsensical indulgences. Top Two Tracks: “Funny The Way It Is” – “Time Bomb”

Secret, Profane, and Sugarcane (Elvis Costello) – MAYBE SO

(June 2, 2009) Review: Finally, a stripped-down recording from a rock artist that doesn’t reek of the urge to “jump on the acoustic train”; Costello’s songs here could just as convincingly  have been recorded a century ago. Top Two Tracks: “Complicated Shadows” – “Sulphur to Sugarcane”

21st Century Breakdown (Green Day) – YES

(May 15, 2009) – CLICK HERE FOR A FULL REVIEW Review: Another concept album of epic proportions from Green Day:  big, in-your-face power chords at some points, acoustic guitar and piano high in the mix at others, and strong vocals all around – a well-executed album from start to finish. Top Two Tracks: “Last Night on Earth” – “East Jesus Nowhere”

Together Through Life (Bob Dylan) – MAYBE SO

(April 28, 2009) – CLICK HERE FOR A FULL REVIEW Review: As per usual, Dylan says it best: “I know my fans will like it; other than that, I have no idea.” Top Two Tracks: “Shake Shake Mama” – “I Feel a Change Comin’ On”

Tinted Windows (Tinted Windows) – NO

(April 21, 2009) Review: I remembered while listening to this that there’s a reason I stopped buying Fountains of Wayne albums since Traffic & Weather, and there’s certainly a reason I’ve never bought Hanson albums. Top Two Tracks: “Back With You” – “Nothing to Me”

Halfway There (Jim Fusco) – YES

(April 7, 2009) – CLICK HERE FOR A FULL REVIEW Review: It’s as if all of Fusco’s previous work was only “halfway there” – combining ambitious vocals, innovative guitar parts, and a track listing that boasts eleven great songs, this is easily one of the great albums of 2009. Top Two Tracks: “I Got You” – “Ruins”

The Hazards of Love (The Decemberists) – MAYBE NOT

(March 24, 2009) Review: The Hazards of Love will keep you guessing and trying to piece it all together, but it may not get a lot of immediate repeat listens based on the quality of individual songs; kudos to the Decemberists if only for keeping the concept of the concept album alive and well! Top Two Tracks: “The Wanting Comes in Waves/Repaid” – “The Hazards of Love 4 (The Drowned)”

No Line On The Horizon (U2) – MAYBE NOT

(March 3, 2009) Review: There’s something to be said for Bono’s energy, but it’s not always enough on this record which fluctuates between moments of mastery and moments of mediocrity. Top Two Tracks: “I’ll Go Crazy If I Don’t Go Crazy Tonight” – “Stand Up Comedy”

Keep It Hid (Dan Auerbach) – MAYBE

(February 10, 2009) Review: Essentially, what you would expect — gritty, bluesy rock with excellent guitar work. Top Two Tracks: “Heartbroken, In Disrepair” – “My Last Mistake”

Working On A Dream (Bruce Springsteen) – MAYBE SO

(January 27, 2009)  –  CLICK HERE FOR A FULL REVIEW Review: The past three Springsteen albums have been exercises in purposeful songwriting, raw acoustic and harmonica work, and upbeat pop/rock respectively — Working On A Dream has it all! Top Two Tracks: “What Love Can Do” – “Life Itself”