“The Voice” (Moody Blues Cover)

Originally posted 2008-01-27 23:00:32. Republished by Blog Post Promoter

By Jim Fusco:

And now, pinch-hitting for an under-the-weather Jeff, is Jim Fusco!  I’m sitting in to bring you yet another great acoustic cover song music video here on the best music blog around: The Laptop Sessions!  Tonight, I bring you one of my favorite songs from the Moody Blues, “The Voice”, from their #1 album, “Long Distance Voyager”.

Actually, this tune is climbing up my all-time favorites list as it has all the criteria for a song I would love: a catchy tune, faster paced, that glorious late 70’s, early 80s sound that’s not too overdone, and a great guitar solo.  Of course, I’ve stripped all of that out in my version here, except for the tune and the tempo, but I think it gives a different take on the song as a whole.  And that’s what you should expect from all of my cover songs- a different take on my favorite songs of all time.  And, if you like the same songs I like, you’re sure to love my original music, as well!  Visit my website at http://jimfusco.com and take a listen!

I actually recorded a full version of this song a few weeks ago, complete with synthesizers! I think it sounds just like the original and was a lot of fun to try recreating the sounds.  There’s something about that synthesizer sound that the Moody Blues used.  They hired Yes keyboardist Pat Moraz and updated their sound for the late 70s.  Of course, they didn’t have Mike Pinder’s mellotron anymore, so they had to have something to replace it.  I know the songs probably sound very “80s” to everyone now (“The Voice” is very heavily based on synthesizers), but to me, the music has worn pretty well.  There are some 80s songs that I can’t even listen to.  The synthesizers sound so fake and dated.  But, the music of the Moody Blues during the Pat Moraz years doesn’t sound embarrassing like those other songs from the same time period (like the synths the Beach Boys used on “Love You”).

But, again, my acoustic cover song versions take away the synthesizers (and everything else, for that matter) and give you the song in its raw form.  I want people to know what the song really sounds like.  It’s interesting, though- you’ll actually hear all of the other parts in your head as you listen to my cover video.

By the way- if you haven’t heard “Long Distance Voyager” yet, please get a copy!  It’s an amazing album and features some of my favorite songs of all time in “The Voice” and “Gemini Dream”.  Plus, there are great contributions from drummer Graeme Edge (“22,000 Days”) and Ray Thomas (“Veteran Cosmic Rocker”).

Okay, look for a new cover song music video from Jeff tomorrow and again on “Original Wednesday”, as no matter the circumstance- you’re getting a Session a Day in ’08!


“Fleeting Thought” (Acoustic Original song by Jeff Copperthite)

Originally posted 2008-06-04 20:48:20. Republished by Blog Post Promoter

By Jeff Copperthite:

I hope you are having a great evening, and thank you for coming on to laptopsessions.com and checking out your Original Wednesday selection. Today I bring you a never-before-heard Jeff Copperthite original song.

The song is called “Fleeting Thought”, and was a song I wrote during the Greenlight writing sessions. No recorded version exists, except for this video. The song is about being unable to control your past, but being able to affect your future.

When I write songs, I almost always use the acoustic guitar to do so. However, before I actually record a song in the studio, the arrangement usually gets changed quite a few times. So while you will probably hear this song in a future album, the arrangement will probably be quite different.

Also, my voice was giving me some problems today, so I was unable to sing this song as well as I usually can. However, the guitar playing came out well, but it does drown out my voice a little bit. Still, the performance is a good one and I am glad I get to bring it to you today.

Come back tomorrow for Jim’s next session, and thank you again for visiting http://laptopsessions.com/!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“Busy Doin’ Nothing” (Beach Boys Cover)

Originally posted 2008-01-22 12:31:45. Republished by Blog Post Promoter

By Jim Fusco:

Back into my favorite domain: the obscure Beach Boys cover songs! Today’s song is by request, and I’ll tell you, it wasn’t easy.

I always loved the acoustic guitar part in “Busy Doin’ Nothing”, especially because there’s not too many acoustic-guitar driven Brian Wilson songs.

But, this song uses some crazy chords, including some that 99.9% of rock songs never use- kind of like old jazz chords.

Needless to say, I learned all these new chords and practiced it over and over again for this cover song music video. That same night, I made this recording. It was actually pretty easy because I knew the words completely by heart (any Beach Boys songs I can sing in my sleep). That’s always the hardest part of the Laptop Sessions- learning the chords to a cover song is easy, but if you forget the order of the verses (see Jeff’s post yesterday), you’re stuck.

About this song: From the Friends album, this tune (I always thought) kind of shows the state of mind Brian Wilson was in during the late 60s. I think after the craziness of SMiLE, he wanted to be at home. This song describes a “day in the life”. Although, I still don’t know why Brian Wilson had a “pocket book”! Reminds me of that Seinfeld episode where Jerry had the pocket-book: “It’s European!”  But seriously, “Busy Doin’ Nothing” doesn’t really sound like any other Beach Boys song.  It has it’s own sound, from the acoustic guitars (that I mentioned earlier) to the flutes.  It has the same bossa nova beat The Beach Boys were into during the Friends sessions, though.  I think The Beach Boys were looking for a way to forge their own niche.  After the SMiLE project broke down, the Beach Boys tried doing psychedelic music on “Smiley Smile”, but to me, it just didn’t work.  I can imagine that they didn’t want to always follow in the (large) footsteps of the Beatles.  At that time, they were working on the White Album and were going back to basics with their sound.  The Beach Boys kind of did that in a way, but they also changed their style.  It became more relaxed.  Beach Boy music was always peppy and fast-paced under the tutelage of Murray Wilson, the Wilson brothers’ father.  Under their own management, the Boys decided to take a more mellow approach.  It didn’t gain them much commercial success for quite a while, but I do look back on this period of albums fondly.

This is a big shout-out to all the Blueboarders (fans of Brian Wilson’s message board on his official website) that always give me encouragement and always want more videos! I have so many great cover song music videos up my sleeve, I can’t wait to release them to the world!  Enjoy tonight’s cover song video in the Beach Boys’ “Busy Doin’ Nothing” here on the Laptop Sessions acoustic cover songs music video blog!

The Weekend Review New Music Report: 2010 Edition

Originally posted 2011-01-17 10:00:06. Republished by Blog Post Promoter

By Chris Moore:

In the past, before the Weekend Review was officially a segment on the Laptop Sessions blog and my articles had the oh-so-clever title of “Music Review” — and I know, I know, “the Weekend Review” isn’t all that much more clever — I have been accused of writing reviews that were positive to a fault.

This may well be true, as I have found it challenging these past couple years to define and refine my voice as a music critic who is also a singer/songwriter.  After all, it has been difficult to find a comfortable middle ground between praising music simply because someone labored over it and pointing out flaws to bring others down a notch.

Being an “amateur” has allowed me the opportunity and relative privacy to hone my craft.

I’ve come a long way from the every-so-often, knee-jerk nature of my early “CD Reviews,” articles that I typed and saved on my computer long before the Fusco-Moore Productions blog — now known as the Laptop Sessions blog — was launched.  I’ve also come a significant way since the aforementioned “Music Reviews.”  And, I’d like to think that I’ve progressed as a writer over the past year of “Weekend Reviews.”

So, this being my fifty-second and final Weekend Review of 2010, I decided to dedicate it to laying out a table of contents of sorts for the fifty-four reviews I’ve written this year (including “Yes, No, Maybe So?” one-sentence reviews).  They’re arranged below in descending order from my one five-star rating down to my handful of one-star reviews.

What it all amounts to is a lot of music from a diverse range of artists that run the genre gamut.  The one common denominator here, the one solid link between all subjects of the Weekend Review, is the presence of the singer/songwriter.  With the exception of a couple of cover song albums, these are albums of original music released in 2010.

The best I can offer as an overall statement for the year’s music is that this was, overall, an excellent year for new music.  The range tended to follow the bell curve (1 five star, 14 four stars, 23 three stars, 13 two stars, and 3 one stars), but this should not undercut the fact that there were fourteen very strong, interesting, entertaining albums released this year.

In all fairness, what the year was lacking was any albums that really blew everything else out of the water.  Although several have argued this point with me, I do not hesitate a moment to give All in Good Time (BnL) the full five-star nod.  That being said, I do not consider it their best album, not by a long shot.

So, where does that leave us?

In my opinion, it leaves 2010 as a very strong year with at least fifteen strong reasons to buy new albums, but it also leaves a gap for those attuned to and awaiting the next, best classic albums for the ages.

I hope you’ll check back for my final post (at least for a while) on the blog tomorrow and that you’ll consider checking some of these albums out while they’re still available on the ever-increasingly trend- and contempo-centric CD shelves.

54 New Albums, 2010: Arranged in descending order of star ranking (out of 5).

All in Good Time (Barenaked Ladies) – 5 stars
Bad Books (Bad Books) – 4.5 stars
Be in Love (Locksley) – 4 stars
Broken Bells (Broken Bells) – 4 stars
Heaven is Whenever (The Hold Steady) – 4 stars
Kaleidoscope Heart (Sara Bareilles) – 4 stars
Lonely Avenue (Ben Folds & Nick Hornby) – 4 stars
Mines (Menomena) – 4 stars
Mojo (Tom Petty & the Heartbreakers) – 4 stars (4.5 w/o “Candy” & “Takin’ My Time”)
Night Work – (Scissor Sisters) – 4 stars
Sea of Cowards (The Dead Weather) – 4 stars
Suburba – House of Heroes – 4 stars
The Grand Theatre Volume One (Old 97’s) – 4 stars
The Suburbs (Arcade Fire) – 4 stars
Volume Two (She & Him) – 4 stars
A Postcard from California (Al Jardine) – 3.5 stars
A Singer Must Die (Steven Page with the Art of Time Ensemble) – 3.5 stars
American Slang (The Gaslight Anthem) – 3 stars
American VI: Ain’t No Grave (Johnny Cash) – 3 stars
As I Call You Down (Fistful of Mercy) – 3.5 stars
Brian Wilson Reimagines Gershwin (Brian Wilson) – 3.5 stars
Brothers (The Black Keys) – 3.5 stars
Dark Night of the Soul (Danger Mouse & Sparklehorse) – 3.5 stars
Death to False Metal (Weezer) – 3 stars
Destroyer of the Void – (Blitzen Trapper) – 3.5 stars
Easy Wonderful (Guster) – 3 stars
Everything Under the Sun (Jukebox the Ghost) – 3.5 stars
High Violet (The National) – 3.5 stars
How to Destroy Angels (How to Destroy Angels) – 3 stars
Hurley (Weezer) – 3.5 stars
Light You Up (Shawn Mullins) – 3 stars
Lo-Fi for the Dividing Nights (Broken Social Scene) – 3 stars
Page One (Steven Page) – 3.5 stars
Sigh No More (Mumford & Sons) – 3.5 stars
Something for the Rest of Us (Goo Goo Dolls) – 3.5 stars
Stone Temple Pilots (Stone Temple Pilots) – 3.5 stars
To The Sea (Jack Johnson) – 3 stars
Transference (Spoon) – 3.5 stars
Court Yard Hounds (Court Yard Hounds) – 2.5 stars
Crazy for You (Best Coast) – 2.5 stars
Eureka (Rooney) – 2 stars
Everything Comes and Goes (Michelle Branch) – 2 stars
Familial (Philip Selway) – 2.5 stars
Forgiveness Rock Record (Broken Social Scene) – 2 stars
Heligoland (Massive Attack) – 2 stars
Infinite Arms (Band of Horses) – 2 stars
National Ransom (Elvis Costello) – 2 stars
Realism (Magnetic Fields) – 2.5 stars
Women & Country (Jakob Dylan) – 2.5 stars
Write About Love (Belle & Sebastian) – 2.5 stars
Y Not (Ringo Starr) – 2.5 stars
100 Miles from Memphis (Sheryl Crow) – 1.5 stars
Clapton (Eric Clapton) – 1 star
Interpol (Interpol) – 1 star