“Green Christmas” (Acoustic Christmas Cover)

Originally posted 2008-12-21 23:50:02. Republished by Blog Post Promoter

By Chris Moore:

Well, tonight’s going to be a brief one, and I apologize.  But I made up for it by calling in the big guns — aka one Jim Fusco for additional guitar stylings and harmony vocals — to make this video one my favorites that I’ve done.  It’s certainly the best Christmas video that I’ve recorded.  We had a lot of fun playing it, and I think that comes through on the recording.

I hope you enjoy it!

Oh, yeah, I should probably mention what song it is.  This is “Green Christmas,” one of the holiday originals on the Barenaked Ladies’ Barenaked For the Holidays album.  Second only to “Elf’s Lament” and maybe “Christmastime (Oh Yeah),” this is one of my favorite original tracks on the album.  There’s just the right mix of humor and seriousness on this record, and I think this one leans more toward the serious side.  I especially like the middle part — “Green, cause of everything I miss.  All this missletoe, no kiss…”

Simply put, this was a lot of fun to record.

And it’s certainly not like we haven’t played it before.  It’s been a while, but this song is officially part of our MoU Christmas Chord Book, Part II.  That’s right, we needed multiple chord books to contain the number of songs we learned for our Christmas shows.

The reason this post is so brief is that I remembered and recorded my video much later than I would have liked, and then, Jim and I watched the SNL “Best of Christmas Past” DVD while wrapping our gifts for Christmas.  It felt good to accomplish that while simultaneously watching some great skits — the Matt Foley “motivational speaker” Santa, Alec Baldwin’s “Shvety balls,” Eddie Murphy’s “Mr. Robinson’s neighborhood, and boy does the list go on… — and laughing (a lot!) together.

And, now, it will feel good to sleep…

See you next session!

“Box Full of Letters” (Wilco Cover)

Originally posted 2008-12-18 23:39:11. Republished by Blog Post Promoter

By Chris Moore:

Hello and welcome to yet another all-new Laptop Session at your web blog for a session-a-day, guaranteed through December 31st, 2008. Now, that guarantee is swiftly running out, but don’t fret. We’ll be introducing a new schedule of performances for 2009 that will not only introduce many new types of posts to the blog on a regular basis, but also maintain a steady and prolific stream of new cover song music videos!

But, let’s focus on the present for now…

I had originally intended to record a Christmas song tonight, but I got busy with napping, fast food eating, Christmas shopping, and TNA Impact! viewing, so I decided to pull out my one and only “backup video.” If I haven’t already, I should introduce this video by announcing my desire to record a cover video for at least one song from each Wilco album. I’ve been listening to this band a lot these past several months, picking up their albums one by one as I find them on sale or used. I’ve already recorded a song from their third studio album, Summerteeth, called “How to Fight Loneliness” — that video is posted in the members only area of this blog (scroll down to the bottom to sign in and/or sign up!). Previous to that, I recorded “I Am Trying to Break Your Heart” from their critically acclaimed fourth album Yankee Hotel Foxtrot. This was a great song — easy to learn, fun to memorize the lyrics for the performance, and I even got a compliment from a former student who watched the video!

Last week, I picked up a copy of their subsequent album, A Ghost is Born. Ironically, I’m listening to that album now and — literally the moment I typed the title of the album (!) — I just heard Tweedy singing “a ghost is born…,” which is in the lyrics to the song “Theologians.” I don’t think that A Ghost is Born is as impressive an album as Foxtrot or as rocking and enjoyable an album as Summerteeth, but I’m warming to it. There’s a great deal of experimentation, particularly on the 15-minute penultimate track “Less Than You Think.”

But I’m not quite ready to record a song from that album yet, so I went back to the first Wilco album, A.M., which is the final album that I own thus far. This album was more of a straightforward country rock effort, reminiscent of their predecessor Uncle Tupelo. Tweedy himself doesn’t sound all that impressed with the album, but I think it’s actually the most upbeat of the Wilco albums I own. It’s certainly the best album to listen to in the car!

This is my version of the single from the album, titled “Box Full of Letters.” I don’t know what it is about this song — something about the combination of the guitar hooks, lower lead vocal that resonates, and the catchy chorus — but I love it.

And it puts me one step closer to having recorded one song from each album!

When I return next week, I’ll have three sessions for the week — barring unforeseen difficulties, I’ll be bringing you three holiday-themed songs to finish out the season for me (musically, at least).

Thanks for reading and watching, and don’t forget to hurry back tomorrow and the next day for great videos from Jeff and Jim. They’ll be “slapping yourself in the face to make sure you’re not dreaming” good!

See you next session!

CD Review: Songwriter Sheryl Crow’s New Music is Personal on “Detours”

Originally posted 2008-02-10 21:44:58. Republished by Blog Post Promoter

RATING:  2 / 5 stars

By Chris Moore:

As an album, Detours is certainly not what its title would imply. If anything, this is a further return to form for Sheryl Crow – equal parts acoustic and electric, serious and carefree. At every turn, it surprises and engages and, above all, denies the listener the opportunity to get too comfortable. She is concerned about a series of social issues, yet she does not stop there—she shares some advice for getting back on the right track and, of course, some relevant personal tales.

The songs on this album can essentially be divided into three main categories—topical songs, songs about love and peace, and personal songs. The album kicks off with a selection from the first category, the acoustic-only “God Bless This Mess.” With lines like, “The president…led us as a nation into a war based on lies,” Crow establishes early on that she will not be pulling any punches. Then, if there was any question in the listener’s mind as to whether or not this album would be too simple, she thunders into “Shine Over Babylon,” spewing lines about teachers’ hands being “overrun,” cities “drowning under boiling fountains,” and scavengers handing us “all the junk that should have damned” us. Upon a first listen, I was happy to hear that someone else is very much unhappy with the state of affairs in our nation and in our world. She goes on to address, as the title implies, “Gasoline” and the priorities that some place in parties, reality-TV, and the like in “Motivation.”

If this was her only focus, then Detours may have been quite a downer indeed. However, true to form, Crow compliments her darker songs with an equal helping of tunes calling for us to embrace peace and love. In an almost hippie-esque fashion, she declares “Everybody’s making love ‘cause love is free” and later calls upon us to invoke the refrain, “Peace Be Upon Us” At times, these songs can end in a repetitive manner or come across as too simple, but overall they seem sincere and not so out of place on an album that asks us to strip everything down to the surface, from social issues to romantic relationships. And, if the protest song-undertones of songs like “Out of Our Heads” isn’t your cup of tea, then it is hard to ignore a catchy and upbeat rocker like “Love Is All There Is.” Ringo Starr would be proud.

What really brings this album home for me is the final category of songs, namely the personal tales that inhabit this release. Both the title track and “Make It Go Away (The Radiation Song)” come across as deeply personal and, again, very sincere. Coming on the heels of her recent treatments for cancer, these songs translate as authentic glimpses into her mindset as an individual. For instance, as she explained in a recent interview, detours is a term she uses to describe experiences that force us to reevaluate our priorities and our lives. Physical health isn’t her only concern; on the contrary, the emotions of new love shine through on “Drunk With the Thought of You” and the gloom of love gone wrong can be heard in every breath of “Diamond Ring.” I thought it very fitting of her to put “Lullaby for Wyatt” last in the track listing. After an album’s worth of sorting through the world’s problems and both advocating the importance of and considering the realities of love, she ends with the realization that she loves her son, but “love is letting go.”

When she released C’mon, C’mon in 2002, I had difficulty finding merit in its pop-based sound and mentality, and I wondered what her future albums would be like. It only took a few guitar strums and the first line of track one, “I Know Why,” from her subsequent 2005 album Wildflower to put any concerns out of my mind entirely. Now, Detours has reaffirmed my interest in Crow’s music, if only for its ability to cover so much ground—political, social, interpersonal—in such a sincere manner.

** EDITOR’S NOTE **

The 2 star rating (out of five) was added after the review was written.  This is an album that had very little staying power, and I was admittedly much more enthusiastic about the release than I should have been, most likely due to events in my personal life — i.e. the decision to buy more CD’s in 2008 to really experience a broader range of new music.  I hope you enjoy the album, as I did when I first wrote this review.  However, the rating should act as a warning from a wiser listener.  :-)

“It Don’t Come Easy” (Ringo Starr Cover)

Originally posted 2008-01-26 23:17:59. Republished by Blog Post Promoter

By Chris Moore:

Hello and welcome back to another brand-new Laptop Session! Jim and I have been laughing this week about how funny it is that Ringo has used his classic phrase “it don’t come easy” in at least one song for his past three albums. This is, of course, a reference to his early hit “It Don’t Come Easy,” one of the first solo Beatles singles. I figured, why not go right to the source? So, here I am singing this great Ringo tune!

I just bought his new album, Liverpool 8, last week, and I have really been enjoying it. I was hesitant to buy it, since I had heard that he severed his working relationship with Mark Hudson. However, I was excited to see that Ringo, Hudson, and the Roundheads (Ringo’s studio band) co-wrote all but one of the songs on the album. And it had a lot to live up to — after all, Ringo Rama and Choose Love are great, if underrated, albums. In the end, I have to recommend it, whether you’re a fan of Ringo and/or rock ‘n roll. I’ll certainly be recording a Laptop Session for “If It’s Love That You Want” — track 10 — if not others in the future. And I’m not going to say much more than that about the album, but look for an article from me about Ringo’s and George Harrison’s solo careers in the coming weeks!

As always, thanks so much for listening (and reading)… I hope you enjoy it! Don’t forget to come back to LaptopSessions.com tomorrow for an all-new session from Jeff!