“Lost!” (Coldplay Cover)

Originally posted 2008-08-12 18:47:38. Republished by Blog Post Promoter

By Jeff Copperthite:

Good evening, and welcome to your Tuesday edition of The Laptop Sessions. It’s Jeff today bringing you another great acoustic cover video. We’re continuing to roll along with session-a-day in the middle of August.

It feels weird to bring you an acoustic cover video that isn’t from Pink Floyd, after nearly two weeks of the Pink Floyd Hat Trick. I hope you enjoyed those, but I also hope you’re ready for another familiar band here at the Sessions.

The band today is Coldplay, and I am covering my first song from the album “Viva La Vida”. The song is “Lost!”, which isn’t really an acoustic song. It has a rock beat with an organ playing the main chords. There is a guitar solo (what song isn’t complete without one) and there are a couple of electric guitar riffs in the recording. I love this song because of its infectious chorus (“Oh and I’m just waiting ’till the shine wears off”) and its straightforward chord progression. It is cool to here this song with the acoustic treatment, because neither recording that I have heard of this song (the piano and album versions) has an acoustic guitar.

You’ll notice the unusual background – I recorded this song in our hotel room in Vermont. So if you’re in the VT area listening to this, it could’ve been recorded down the street from you. On that note, the acoustics are not that great, and I didn’t want to play louder than usual because I didn’t want to attract too much attention from the neighbors.

Well, i’ll see you again on Friday, and I know you’ll come back to hear another original song for Original Wednesday, here on laptopsessions.com – the best acoustic cover video blog on the internet!!!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“You’ve Got To Hide Your Love Away” (The Beatles Cover)

Originally posted 2008-09-05 22:24:27. Republished by Blog Post Promoter

By Jeff Copperthite:

Good evening and I hope your weekend is off to a good start.  It’s Where-the-heck-is-Jeff Copperthite here today to bring you the latest installment of the Laptop Sessions, another in our series of Beatles cover songs, and session cover song music video #90 overall.

I am continuing to delve into the libraries of previously covered bands, and I have always enjoyed todays song a lot.  It really is amazing just how many Beatles’ songs I know and am familiar with.  Of that huge library, this is probably my favorite.

“You’ve got to hide your love away” is from the Beatles’ album “Help!” and it’s extremely incorrect Semaphore album cover.  You may also be familiar with the cover version of this song by Eddie Vedder.  And while that is a good version, it’s hard to beat the original.

You will notice a singing style that i’m not used too, and I feel it is quite effective.  Lately I have been hearing great things about my most recent video, and that my ability to sing on video has taken a lot of leaps.  i’m glad you think so!  Thank you for all your support.

Also, i’m nearing 39K views, and while I fell about 2K short of my 40K goal by the end of August, I still did quite well and I am very proud of how we are doing.  No reason we can’t continue to increase our views per day.1

I hope you enjoy today’s session, and return tomorrow for another great song cover by Jim Fusco!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and origianal music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“Better Man” (Pearl Jam Cover)

Originally posted 2008-08-30 22:05:27. Republished by Blog Post Promoter

By Jeff Copperthite:

Good evening to you all! It’s Jeff Copperthite returning for another Saturday night fever edition of The Laptop Sessions! I’m back to school this week, and i’m sure if you are a student, or have children who are students, I feel your pain. Except mine is the “I have to get back into teaching mode” pain.

However, session-a-day must go on! We are nearing September, which means 2/3 of the year is nearly complete since we started this project. And not a day goes by that Jim, Chris, and myself mutter under our breath “What was Chris thinking?”.

But it will all be worth it – it already all is. That’s because you’re reading this, and have enjoyed nearly 200 videos from the four of us. I also want to thank Mike for jumping in with an awesome original song on Wednesday. Given that I haven’t been doing much writing lately, and Mike had expressed a lot of interest in doing an original, it was the natural thing to do.

Today’s song is one from Pearl Jam – a band that we have seen before on the sessions. I am covering another song from their album “Vitalogy” called “Better Man”. It starts out soft and gets much stronger and emphasized in the last part. This song received (and still does receive) much airplay on the radio.

I don’t feel this is my strongest performance, but it works much better than I thought it did while recording. Note to future artists – never eat a pack of Nutter Butters before recording a video. You’ll have to cancel it out with 1/2 a Gatorade and a Vitamin Water (“Water sucks – Gatorade is better”, to quote the Waterboy).

Anyway, enjoy this latest entry, and check back for your Sunday! Sunday! Sunday! edition with Jimnelious…er, Jim Fusco!

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

Music Review: John Mayer’s New Live Album is Not So New, Not So Desirable

Originally posted 2008-07-04 23:25:08. Republished by Blog Post Promoter

By Chris Moore:

This live album by Mayer is perhaps, in terms of new music, the biggest disappointment of the year for me.  Being a John Mayer fan from the beginning, I have never quite been able to understand the degree of praise he has received for going back to the blues roots.  Yes, he is an excellent guitarist, and I am happy that more people are giving him the respect he deserves.  But he was always an energetic, talented guitarist – recall “Neon” as merely one of many examples.  I was unimpressed with the John Mayer Trio – its minimalist setup and apparent reference to the great rock trios of the seventies (Jimi Hendrix Experience comes to mind) has always seemed out of place to me when considering the depth of Mayer’s vocals and instrumental components on his studio recordings.  Then, Continuum was released, and I was truly befuddled.  It wasn’t so much that I disliked this new album – though I did and do find it lackluster at most turns – but this new album garnered such an exaggeratedly positive response.  Based on Rolling Stone magazine’s review, one might expect that this was John Mayer’s most amazing album to date and perhaps one of the most significant albums of the year.

This brings us to current day, 2008, and the release of Where The Light Is: John Mayer Live in Los Angeles.  As I entered my local music retail store, I headed for the CD section, knowing that the live album had just been released.  I had decided the night before, when I first learned of its release, that I would not purchase it.  I made this decision, knowing full well that, once I enjoy one or two albums from any given artist, I usually end up buying all their subsequent releases.  However, I thought to myself, what if they lose my interest entirely?  In the case of John Mayer, it wasn’t so much a branching out and changing of his style that concerned me – it was and is my perception that he has regressed as a songwriter.

When I saw the live album, I almost bought it.

The packaging itself is solid – a live concert in three sections: an acoustic solo set, a John Mayer Trio set, and a full band set.  The acoustic set alone intrigued me; “Stop This Train” is one of my few favorites from Continuum, “Daughters” would work perfectly in this type of arrangement, and Tom Petty’s “Free Fallin’” is one of my favorite songs.

So, I had picked it up, and looking it over, the desire to buy it was creeping in.  Then I read the second section – the Trio set.  Five of the eight songs in this portion were featured in the John Mayer Trio live album.  What could be so significantly different about these performances?  Of the final nine songs in the full band set, all but two were songs from Continuum.  The other two included “Why Georgia,” one of my favorite songs by Mayer, and a Ray Charles cover.  Why would I want to hear a live set of songs from an album that I was unimpressed with?

Saddened and, truthfully, disappointed, I placed the CD back on the rack.  I can’t say I will never listen to Where The Light Is, but I can say with certainty that I will not purchase it myself.  And that makes me very sad, as Mayer had quickly become one of my favorite new music artists on the scene a few years ago.  For perhaps the first time in my young, CD-collecting life, I have left an artist behind.  He may be off to new work with the blues community, but I’m off to listen to his lesser-appreciated work – the charming and spirited Inside Wants Out EP, the instant hit Room For Squares, and even the follow-up effort Heavier Things.  For me, those albums had it all – solid songwriting and great guitar work.

At most, I may return to Continuum and try to figure out what exactly it is that I have missed.