“Things We Said Today” (The Beatles Cover)

Originally posted 2008-04-03 22:13:45. Republished by Blog Post Promoter

By Jim Fusco:

Welcome to your Thursday edition of The Laptop Sessions acoustic cover songs music video blog with me, Jim Fusco! I just reached 100 subscribers and I know it’ll only grow faster from here! I hope you’ll tell your friends about the music blog, too.

Anyway, now to today’s cover song video. Today, I give you another in our series of Beatles cover songs that I’ve loved for a long time, “Things We Said Today”.

Paul McCartney said that this song was about a girlfriend of his he met while in another country. They had such a great time together and made all those crazy young promises of “always waiting for you”, etc. So, he’s singing about remembering the things they said to each other while feeling alone and far away. What a great, heartfelt idea for a song!

One of the things I’ve always liked about “Things We Said Today” is the cool strumming pattern of the A-minor chord that starts the song.  For a song about such a melancholy feeling, the opening chords are so harsh.  Of course, that harsh feeling comes up again in the bridge of the song, where Paul gets a bit rougher with his singing style.  I think the middle-8 is one of the best that Paul McCartney ever wrote.  He flawlessly transitions his voice from sweet and mellow to biting.  It’s very impressive.

I guess the duality in “Things We Said Today” between the verses and middle sections is reflected in the lyrics of the song.  On the surface, you’ll notice that Paul is first saying how they’ve promised to “be the only one” for each other.  But, if you read into it a little bit, you’ll hear what he really means.  He knew, because of the distance between him and the girl he’s talking about, that the promises of “being the only one” were empty and could never be true.  He knew it was only a passing fling.  In the middle section, he says, “And though we may be blind, love is here to stay.”  He’s saying that in a new relationship like that, people tend to overlook obvious challenges like, you know, living thousands of miles away from each other.  And, in the minds of these naive folks that are newly in love, it’ll stay great forever!  Those of us who have been through that situation know the real eventual outcome.

On a funnier note, I had to relocate to my room for this song (good thing I have a Laptop!) because my parakeets would not stop chattering downstairs! But, I’m glad they’re getting along, even if it is to the detriment of my acoustic cover song videos.

I hope you enjoy today’s Beatles acoustic video- I’ll catch you on Sunday with an all-new Beach Boys song!

We have a NEW album out called Homestead’s Revenge (by Masters of the Universe- the band I’m in). You can buy the high quality mp3s or the CD version. Here’s the web address: http://jimfusco.com/albums.html.  PLEASE check it out and let me know what you think!  I hope you all enjoy today’s Session, and REALLY enjoy the new album- it’s two years in the making!

“Little Willow” (Paul McCartney Cover)

Originally posted 2008-09-06 14:03:47. Republished by Blog Post Promoter

By Jim Fusco:

Hey folks!  Today, I bring you a favorite song of the Fusco family in “Little Willow” by Paul McCartney.  “Flaming Pie” is one of my favorite all-time albums and that’s because we listened to it CONSTANTLY when it came out, during vacation, and all throughout the summer.  It always brings back fond memories and I always play the album when I take my own vacations now.

It’s fitting that I’m presenting this song today, as we’re in the midst of Tropical Storm Hanna up here in Connecticut.  Hopefully it won’t be too bad because I have a video job (taping an anniversary party) up at the Mohegan Sun casino tonight.  Should be fun, but who wants to drive an hour in a tropical storm?

So, why is it so fitting?  Well, I read in the liner notes of “Flaming Pie” (which is the booklet I modeled the booklet to my first album, “With Or Without You”, after exactly) that this song, “Little Willow”, was written to calm people after a hurricane.  It’s such a great song- so simple, but it has a great calming effect.  I thought it was a perfect one to do while outside with my nylon string guitar.

There’s also “Heaven on a Sunday” off of this album that makes me feel so calm.  I guess that’s the point of the song, but it always reminded me of a particular summer when I went to Boy Scout camp in Camp Sequassen.  That must’ve been a busy summer.  No wonder I remember this album so well!  Anyway, I used to get to fish off of a row boat there.  Having “Heaven on a Sunday” (“cooling my fingers in the bay…”) stuck in my head while peacefully fishing was a zen-like experience.  I think of that moment and it takes me right back there.

On another topic, how about Jeff with his Beatles cover yesterday?  And Chris doing Hendrix?  Amazing, folks- you never know what you’re going to get next on this music video blog- the BEST music video blog in the universe!  Starting in a couple weeks, we’ll be bringing you yet another “New Bands Week” here on the Sessions because we love to challenge ourselves and entertain you.

I’ll be making a couple of BIG announcements in the next few minutes here on the music blog, so stay tuned and for now, enjoy today’s music video!



“Come and Get It” (Badfinger Cover)

Originally posted 2008-07-14 22:58:15. Republished by Blog Post Promoter

By Jim Fusco:

Welcome, welcome to another video in the Laptop Sessions music video blog series!

Tonight, I bring you my 99th video- yes, my 99th video! It’s from yet another band we haven’t done yet: Badfinger!

This song was one of their first singles, written by Paul McCartney while he was still with the Beatles. A version exists of McCartney playing and singing this song himself on the Beatles Anthology Volume 3. Honestly, it sounds exactly the same. That, for me, lets me know why there were so many rumors that Badfinger was just the Beatles in disguise. Of course, that’s not the case. Badfinger’s members actually have a very sad biography- if you ever get a chance to read about it, I think it would be worth your while.

There are many songs from Badfinger that I’d love to do in the future, including “Day After Day”, “Baby Blue”, and “No Matter What”. Those are all great songs and really showed that this group wasn’t just a Beatles spin-off bunch, but a real musical force and a darn-good band.

Come back tomorrow for another Laptop Session from Chris and come back on Thursday for my big 100th video!



The Weekend Review: February 2012 Report

Originally posted 2012-05-28 12:24:57. Republished by Blog Post Promoter

Go Fly A Kite (Ben Kweller)

Released: February 7, 2012

Rating: 4 / 5 stars

Top Two Tracks: “Jealous Girl” & “Mean to Me”

When I saw Ben Kweller open for the Barenaked Ladies a couple years ago, I was floored by this performer who managed to blend a wide variety of influences and crossed the genre lines while maintaining a coherent, high adrenaline rock show.  For months afterward, as I picked up his albums, I struggled and largely failed to find anything to match what I had experienced live.  Now, with Go Fly A Kite, Kweller has finally recorded an album that properly expresses all his strengths, alternating between electric rockers and softer acoustic tracks, all the while maintaining a power pop energy that works to his strengths.  Mainstream music critics will largely ignore this album.  Nicholas Moffitt of VZ Magazine went so far as to call it “likeable,” but not before qualifying even this statement with “fans of Kweller and power pop.”  Is Go Fly A Kite the next great rock album?  I’m not arguing that, but it is one of the few albums in recent memory that relies only upon instrumentation and vocals for its energy.  There are no computer tricks employed here: only good, old-fashioned human performance.  There isn’t a clunker in the bunch, and the track listing steadily unfolds larger ideas and themes (not to mention the diorama-style CD packaging, which is one of the most imaginative I’ve seen).  Forget Moffitt’s qualification: if you’re a fan of rock and upbeat, energetic music, Ben Kweller’s latest is a must-hear.

 

 

 

Kisses on the Bottom (Paul McCartney)

Producer: Tommy LiPuma

Released: February 7, 2012

Rating: 2 / 5 stars

Top Two Tracks: “My Valentine” & “I’m Gonna Sit Right Down and Write Myself a Letter”

A confession before I commence: I’m admittedly predisposed to a bad taste in the mouth upon hearing a well-established artist has decided to record an album of covers.  (I know, I know: I write reviews predominantly for a cover songs music video blog.  But, to be fair, we post them for free and for practice in between our regularly-scheduled albums of originals.)  A brief history of just a few of the cover albums that should compel a roll of the eyes: Michael McDonald’s Motown (2003) and the following year’s oh-so-creatively titled Motown Two, all five volumes of Rod Stewart’s The Great American Songbook series (2002-2005, 2010), and perhaps the most disappointing fall into the valley of covers: Eric Clapton’s Me and Mr. Johnson, a follow-up to 2001’s excellent Reptile album, followed in 2010 by a disappointing album of covers – Clapton – masquerading as his latest solo album.  So, when it comes to albums of this ilk, I approach with caution.  In this case, it is not so much that McCartney’s Kisses on the Bottom is a bad album.  It clearly is a very well-thought-out, passionately rendered record.  And yet, on the heels of a string of masterful solo releases – Chaos & Creation in the Backyard (2005) and Memory Almost Full (2007) being probably the best of his career – this collection of traditional pop could do little else than fall short after five years without a new McCartney album.  For what they are, the songs are really done quite well.  It is clear from interviews with McCartney and his producer Tommy LiPuma that this was a labor of love, and it was even revealed that he held off on this project out of desire to avoid any allegations of jumping on the covers train (he even referenced Stewart’s Songbook series).  In the end, the clear standout is “My Valentine,” which just so happens to be one of two McCartney originals on the record.  Coincidence?  I think not.  He has referenced his next album as being along the same vein as the Foo Fighters’ analog, garage rock Wasting Light (2011), so I and others like me can rest easy on that.

 

 

 

Deep Space [EP] (Eisley)

Producer: Eisley

Released: February 14, 2012

Rating:  2.5 / 5 stars

Top Two Tracks: “Lights Out” & “Laugh It Off”

This pretty much fits the archetype of the EP: not bad, not great, just a little something to fill the silence between records.  If you enjoyed last year’s outstanding The Valley, then you’ll most likely enjoy Deep Space [EP].  Or, you could save yourself the five bucks and return to The Valley for more songs and a more fulfilling experience.

 

 

 

 

Sounds from Nowheresville (The Ting Tings)

Producer: Jules De Martino

Released: February 24, 2012

Rating:  4 / 5 stars

Top Two Tracks: “Hang It Up” & “Guggenheim”

Don’t let the modern production qualities fool you: there is more here than the extensive list of “engineers” and “mixers” in the credits would have you believe.  The critics have called the Ting Tings out for this and any number of other criticisms: the album is too short, too frivolous, inane, etc.  What they have missed – and what most tracks on Sounds from Nowheresville have to offer – is energy and ambition, subtle touches in the harmonies beyond what is more readily apparent in the synthesized sounds, not to mention the centrality of Katie White’s guitar (yes, that is a real instrument in the mix and it is the female lead singer playing it; if only for that, I have reason to respect this album).  “Hit Me Down Sonny” and “Hang It Up” are as bright, cool, and catchy as you would expect, and yet other tracks like the passionately delivered “Guggenheim” and the tender, acoustic-based “Day to Day” and “Help” express the range the band has to offer.  While this is definitely not a development I would have expected, I have to admit that the Ting Tings have put out one of what will probably be the best albums of the year.

 

 

 

Rooms Filled With Light (Fanfarlo)

Released: February 28, 2012

Rating:  3.5 / 5 stars

Top Two Tracks: “Shiny Things” & “Lenslife”

On Rooms Filled With Light, Fanfarlo have done a nice job of bringing a certain bright quality to the domain of oft-introspective synthesized music.  Aside from channeling a bit too much Ric Ocasek in his vocals at times, Simon Balthazar and company have recorded and sequenced a cohesive and purposeful record that boasts elements of artistic intention while maintaining pop-ready hooks, riffs, and overall production quality.