“Here Comes Santa Claus” by Gene Autry & Oakley Haldeman – Chords, Tabs, and How to Play

Originally posted 2009-12-19 12:30:15. Republished by Blog Post Promoter

“Here Comes Santa Claus”
Gene Autry & Oakley Haldeman

Here comes Santa Claus!
Here comes Santa Claus,
Right down Santa Claus Lane!
Vixen and Blitzen and all his reindeer are
pulling on the reins.
Bb                       F
Bells are ringing, children singing;
Gm7                  F
All is merry and bright.
Bb                                     D7
Hang your stockings, and say your prayers,
D7        C7                              F
‘Cause Santa Claus comes tonight.

Here comes Santa Claus!
Here comes Santa Claus,
Right down Santa Claus Lane!
He’s got a bag that is filled with toys for the
boys and girls again.
Hear those sleigh bells jingle jangle,
What a beautiful sight.
Jump in bed, cover up your head,
‘Cause Santa Claus comes tonight.

Here comes Santa Claus!
Here comes Santa Claus,
Right down Santa Claus Lane!
He doesn’t care if you’re rich or poor, for he
Loves you just the same.
Santa knows that we’re God’s children,
That makes everything right.
Fill your hearts with Christmas cheer,
‘Cause Santa Claus comes tonight.

Here comes Santa Claus!
Here comes Santa Claus,
Right down Santa Claus Lane!
He’ll come around when the chimes ring out; it’s
Christmas morn’ again.
Peace on Earth will come to all if
We just follow the light…
Let’s give thanks to the Lord above,
‘Cause Santa Claus comes tonight.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Here Comes Santa Claus” (Gene Autry Cover)

Originally posted 2009-12-21 12:00:07. Republished by Blog Post Promoter

For Gene Autry chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to the final Monday edition of the Laptop Sessions before Christmas Day!  There’s been a lot of Christmas music being posted this month, and it’s hard to believe that this season is almost coming to a close.

Regardless, it’s an honor to kick off Christmas week here at the best cover song music video blog in the universe.

(And the most modest, too…)

“Here Comes Santa Claus” is a track from MoU’s expanded Christmas chord book.  It fits all the criteria for an enjoyable live song — easy to play, upbeat, instantly recognizable, and just plain fun.  There have been so many versions of this song recorded since Gene Autry’s original.  He himself re-recorded it not once, but twice.  In addition, Bing Crosby, Elvis Presley, and Bob Dylan have all recorded their own versions over the years.

In fact, in my favorite music/TV crossover this year, Dylan’s version was used as the opening song in the first few minutes of a Bones episode a couple weeks ago.  Of course, it faded out just as a bank robbery and a bombing were about to occur, but somehow I think Dylan must have enjoyed this macabre twist on the season for peace on earth and good will toward men.

That is, if he watches television.  I’m not entirely convinced he’s moved on from the radio…

It’s not only difficult to believe that Christmas will be this Friday, but that the new year is also just around the corner.  You should know that you have a special Guest Session to look forward to this Friday, with new sessions regular Jeremy Hammond bringing yet another all-new artist’s material to the blog.  It’ll be one of those “how have we not included a song from this guy” moments, I promise.  Being that it’s the end of the decade as well, there’s a lot to look forward to in the coming weeks.  To celebrate the decade’s best albums, The Weekend Review is in the middle of a Top Five Albums of the Decade, 2000-2009 countdown, with number 3 having been revealed yesterday in Ben Folds’ 2001 release Rockin’ the Suburbs.

On a side note, yesterday’s review brings me within one review of my twenty-six review commitment for the year, as suggested by Jim back in February of this year.  I hope he’ll be happy to hear that, in the spirit of continual progress, I’ll be committing to one review a week this year for a grand total of fifty-two!  Because I’ll be reviewing albums on a very regular basis, I’ll be able to really vary the type of reviews that I do.  For instance, I tend to review the albums I like most because I’ve always figured, why waste my time on the music I’m not crazy about?

Well, no more.

This will be a year of exercising my critical abilities as I review new 2010 releases, revisit the classic hits and infamous misses of the past, as well as continue my Deep Racks Report series (for which I already have five albums lined up — I’ve featured albums that begin with A, B, and C, so you maybe you can imagine where I’m going with this…). And I’ll be continuing the five star rating system I introduced a couple of weeks ago. While I’m still hesitant to comfortably box an album into a fraction like that, I really like the feel of the five star rating system.

In other end-of-the-year highlights, the Laptop Sessions will be featuring some great lists, including the Weekend Review’s take on the following:

“The Top Thirty Rock Albums of the Decade”

“The Top Ten Rock Albums of 2009”

“Yes, No, or Maybe So: One Sentence Reviews of 2009 Albums”

“The Top Ten Rock Songs of 2009”

“The Best Packaging of the Year”

“The Best Deluxe Edition Features of the Year”

As a final note, I would like to call on Jim and Jeff to share their thoughts for the best music of the decade.  We all have our overlapping areas of mutual appreciation, but we certainly have room for debate.  Considerable room, at times.

I know what my picks are for the best albums and songs of the decade, but I would love to be reminded or learn of Jim and Jeff’s picks.

With that, I’m done for tonight.  As I sign off, I wish a merry Christmas to all those out there eagerly awaiting a Christmas Eve service or the pitter-patter of eight tiny reindeer overhead.  As for me, I’m going back to the MoU 2006 Christmas Concert CD for a stroll down memory — and also Santa Claus — lane.

See you next session!

“Must Be Santa” (Bob Dylan / Christmas Cover)

Originally posted 2009-11-30 12:00:43. Republished by Blog Post Promoter

For Christmas songs chords & lyrics, CLICK HERE!

By Chris Moore:

It’s official: the Christmas season is upon us yet again!  I, for one, found it difficult to concentrate on the work I brought home this weekend, choosing instead to listen to Christmas music — specifically that on Bob Dylan’s new 2009 holiday album Christmas in the Heart (see my review here!) — and playing some of my favorite seasonal songs on acoustic guitar.  One of my new favorites is a song written by Hal Moore and Bill Fredricks titled “Must Be Santa.”

Now, before you get too excited, I should begin by making it very clear that tonight I am covering Bob Dylan’s rendition of “Must Be Santa” and NOT the performance “popularized” by Mr. Music and the Cool Kids Chorus.

Please don’t be disappointed…

Seriously, though, if you would like to hear that rocking version, you’ll just have to download it for yourself.  Or the versions by Mitch Miller, Raffi, Point Sebago Resort, Glen Burtnik, Miss Lisa, Miss Molly, The Friel Brothers, The Angel Choir, The Holly Players Orchestra, The Hit Crew, Mary Lambert, Bob McGrath, Kids Sing’n, the Pokemon Christmas Bash band, or Lorne Greene with the Jimmy Joyce Children’s Choir — good luck finding that last one.

If you’re craving a good polka, then don’t miss out on the Brave Combo version (which, ironically, is the closest in style and arrangement to Dylan’s).

And who could forget the Kids Rap’n the Christmas Hits version?

These cover songs range from boring to funny to vomit-inducing and back again.  This brings me to the Bob Dylan version, which is a breath of fresh air when played beside these other covers.  Dylan’s “Must Be Santa” is a frantic, polka-inspired three minutes of Christmas spirit, accordions, and bright choral vocals built up around Dylan’s gruff lead.  Recorded nearly half a century after Mitch Miller first recorded the song in 1961, it is interesting to see how our image of Santa and the general sound and style of Christmas music (i.e. both sets of chord changes as the song progresses a la so many other seasonal favorites) really haven’t changed much in all this time.

Of course, it doesn’t hurt that Dylan’s album — and his recent work in general — is an homage to a simpler time in American popular music.

That is perhaps why Dylan’s new album, time-ravaged vocals and all, has slipped in so quickly among my favorite Christmas albums of all time.  Although it was recorded earlier this year, there is a sense of nostalgia and even timelessness in each of its tracks.  Somehow, he has managed to record the songs in a style that seems very natural from his current studio band.  Indeed, Dylan has seemingly reached further and further into the past for the styles of his past several albums.  In this sense, 2009 was the ideal year for him to record an album of traditional favorites and holiday songs from earlier in the century.

I don’t think any music will ever usurp the positions that The Beach Boys’ Christmas Album and the Moody Blues’ December currently hold in my heart.  The Barenaked Ladies’ Barenaked for the Holidays, Brian Wilson’s What I Really Want For Christmas, and America’s Harmony are certainly the next runners up.  Some of my attachment to this music is admittedly due to my own personal memories, such as listening to the Beach Boys each year as my family decorated the tree and attending a Moody Blues Christmas concert with two of my dearest friends several years ago.  That being said, there is also a universal element to the music on these records that I can’t imagine any fan of rock music being able to deny.  Somehow, these aforementioned bands have managed to incorporate religious hymns, classic rock Christmas songs, and originals into unified works that I look forward to dusting off each and every year.

For now, I’m wading into the music of season via this new Dylan album.  After all, this is the punchline of a joke I’ve been making for as many years as I’ve loved Bob Dylan — “Imagine if Dylan recorded a Christmas album!”  My friends and I would laugh, but I was always privately jealous that their favorite bands — the Beach Boys, the Moody Blues, etc. — had recorded Christmas albums or at least a Christmas song or two.

Now, I have my secret wish, and I couldn’t be happier!

Yes, Dylan’s voice is rugged, and truth be told, I was a bit hesitant to embrace this album when I gave it one listen upon its release a month ago.  However, it only took a second listen for me to get hooked.

Whatever music you may enjoy listening to at this time of the year, I hope you’re enjoying it, and I hope you’ll come back throughout the week for Jim’s music video tomorrow, a guest session(!) on Friday, and another installment of Weekend Review.

See you next session!

“Run Rudolph Run” (Chuck Berry Christmas Song Cover)

Originally posted 2008-12-11 22:20:04. Republished by Blog Post Promoter

By Jim Fusco:

Welcome to your Thumpin Thursday©™ edition of the Laptop Sessions with me, Jim Fusco!

Tonight, Chris and I bring you another acoustic-electric tune in Chuck Berry’s classic Christmas hit, “Run Rudolph Run”.  And NO, that’s not “Run Run Rudolph” as many people (including me up to a couple years ago) think.  I’m not sure why Berry titled it the way he did, but if that’s the way it is, you know the Laptop Sessions will stay true to the original.

I like this performance a lot because it gave me a chance to do a guitar solo, which I rarely get to do on these music videos.  And this is a pretty rockin’ solo, too.  It’s always so much fun to play it.  But, to be honest, I’m actually not that huge of a fan of Chuck Berry’s version.  I mean, I love the song, but his version is just so subdued.  It sounds like a song that he just farted out in like two takes, then said, “It’s good.  It’s like playing rock’n’roll into my eighties good,” and then left the studio.

I love his guitar playing style, though.  It always sounds so effortless.  I even have a Chuck Berry influenced guitar, but a string was broken and I was too lazy to play it.  You can search for Masters of the Universe’s live version of this song to see me playing my Chuck Berry guitar!

Actually, I kind of have this “thing” against Chuck Berry for no good reason.  One time, a long time ago, my mother went to Chuck Berry concert.  They waited for HOURS for him to arrive, as he was late for one reason or another.  Well, he came out, played like two songs, and left.  She never forgave him.

I can’t believe it’s another Original Wednesday week for me starting on Sunday, which is when you’ll see me next.  After I’m done with some other freelance work I’ve been doing, I’ll be able to devote a bit more time to promoting the Laptop Sessions and our new site, Cover-Songs.com, in hopes of increasing our site views by 50% by February.  You know what would help the most?  WORD OF MOUTH!  So, tell your friends, blog about us, put a link on MySpace- DO ANYTHING and help us get the word out!  The more excited we are, the more we’ll do for the site.  And the more views we get, the more excited we are.  So, I hope everyone will chip in and tell a friend about the Laptop Sessions.

Have a great night and we’ll all be looking forward to the weekend…not to mention great videos from Chris and Jeff.  It’ll be “like having two weekend nights off before your next cover song music video” good!