“A Winter’s Tale” (Moody Blues)

Originally posted 2009-12-08 00:06:19. Republished by Blog Post Promoter

For Moody Blues chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to another all-new edition of the Laptop Sessions.  To kick off another full week of new material, I’ve reached into the Moody Blues catalog of songs — specifically from their 2003 album December — to bring you a cover song version of their cover of the Mike Blatt and Tim Rice song “A Winter’s Tale.”

Now, although I am an English teacher, this is not to be confused with the William Shakespeare play “The Winter’s Tale.”  Not only is there a notable difference in parts of speech (namely the indefinite – “a” – versus the definite – “the” – articles), but there is also a big difference in tone.  Still, “The Winter’s Tale” is quite a trip.  Consider, for instance, that this play contains one of Shakespeare’s most infamous stage directions: “Exit, pursued by a bear.”  What I find the most interesting is that there is contention over whether he used an actual bear for the original productions, or simply a man dressed in a bear costume.

I would assume the latter, but the former is just so much more fascinating…

But this is all beside the point.

“A Winter’s Tale” is one of those songs that is indisputably beautiful, sung perfectly by Justin Hayward.  For those who have seen them in concert recently, you may have noticed my apparel is a nod to Hayward’s typical onstage wardrobe.  That wasn’t too difficult to arrange, as I simply removed my tie and jacket and voila!  Of course, this is also one of those songs that, upon playback, forces me to remember I’m a rhythm guitarist hammering away at what is such a subtle, pretty song at heart.  During our MoU Christmas concerts, Mike would front the band on this one, fingerpicking and taking the lead — and for good reason!

The reason I’m standing up is because the song simply didn’t sound right when I played it sitting down.  I found I was having trouble getting comfortable as I played it.

Of course, the majority of the song being played on barre chords didn’t help either…

Several takes and several strained ligaments in my hands later, you’ve got yourself a new Laptop Session.

As a final note about the song, I found it very interesting that this song, originally written by songwriters Mike Batt and Tim Rice, hit #2 on the UK charts back in 1982.  Batt teamed up with Rice to write the song for performer David Essex.  Another interesting bit of trivia is that Batt went on to produce Justin Hayward’s solo album Classic Blue between 1988 and 1989 at Abbey Road Studios in London.  Classic Blue, ironically, is an album of covers.  The track listing includes three songs written by Batt, as well as classics from Brian Wilson, Lennon/McCartney, and Led Zeppelin.

I hope that you enjoy this installment of the Laptop Sessions, and I encourage you to hurry back for more very soon.  In addition to your regularly scheduled (yuletide?) cover song music video tomorrow, there may be a brand new Guest Session on Friday, as well as another edition of the Weekend Review.  If you missed last weekend’s music review, you should know that I just kicked off a top five albums of the decade countdown.  Each weekend between now and January 2nd, 2009, I will reveal another album on the list, as well as a full review.  Then, on January 2nd, I will post my full “Top Thirty Rock Albums of the Decade” list, along with my review for the number one rock album of the decade.

Thus far, the Barenaked Ladies’ Maroon (2000) has cinched the #5 slot.  Which album will rank as the fourth best album of the decade?

You’ll have to tune in to the Weekend Review to find out…

See you next session!

“Living Well is the Best Revenge” by R.E.M. – Chords & How to Play

Originally posted 2010-07-14 23:30:08. Republished by Blog Post Promoter

“Living Well is the Best Revenge”
R.E.M.

B
It’s only when your poison spins into the life you’d hoped to live
and suddenly you wake up in a shaken panic
B            A         B
now…

You had set me up like a lamb to slaughter,
Garbo as a farmer’s daughter.
Unbelievable.  The gospel according to… who?
I lay right down.

F#
All your sad and lost apostles
A                             E
hum my name and flare their nostrils,
F#                                                     A
choking on the bones you tossed to them.
F#
Now I’m not one to sit and spin because
A                       E
living well is the best revenge, and
D               A                    E
baby, I am calling you on that.

Don’t turn your talking points on me.
History will set me free.
The future is ours and you don’t even rate a footnote.
now…

So who’s chasing you?
Where did you go, you disappear mid-sentence in a judgement crisis…
I see my in and go for it.  You weakened shill.

All your sad and lost apostles
hum my name and flare their nostrils,
choking on the bones you tossed to them.
Now I’m not one to sit and spin
because living well is the best revenge,
and baby, I am calling you on that.

You, savor your dying breath.
I forgive but I don’t forget.
You work it out.  Let’s hear that argument again.  Camera 3.  Go.  Now.

All your sad and lost apostles
hum my name and flare their nostrils,
choking on the bones you tossed to them.
Now I’m not one to sit and spin
because living well is the best revenge,
and baby, I am calling you on that.
baby, I am calling you on that.
baby, I am calling you on that.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s).  They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“1 Corinthians 15:55” by Johnny Cash – Chords, Lyrics, & How to Play

Originally posted 2010-03-08 20:19:13. Republished by Blog Post Promoter

To see how it’s played in the cover song music video, CLICK HERE!

“1 Corinthians 15:55”
Johnny Cash

A
Oh, death, where is thy sting?
E                                           A
Oh, grave, where is thy victory?
A                                        D
Oh, life, you are a shining path, and
D                                      A
hope springs eternal just over the rise when I
E                                              A
see my Redeemer beckoning me.

A
Oh, row my ship over the waves of your sea; let me
E                                     A
find a safe port now and then.
A       D                                   A
Don’t let the dark one in your sanctuary
B                                  E
until it’s time to pack it in.

Oh, row, row my ship with the fire of your breath
and don’t lay a broadside on your ship as yet.
Blow, ye warm winds when it’s chilly and wet,
and don’t come too soon for collecting my debt.

Oh, death, where is thy sting?
Oh, grave, where is thy victory?
Oh, life, you are a shining path,
and hope springs eternal just over the rise when I
see my Redeemer beckoning me.

Oh, let me sail on with my ships to the east
and keep my eye on the North Star.
When the journey is no good for man or for beast,
I’ll be safe wherever you are.

Just let me sail in to your harbor of lights
and there, and forever, to cast out my line.
Give me my task and let me do it right,
and do it with all of my might.

Oh, death, where is thy sting?
Oh, grave, where is thy victory?
Oh, life, you are a shining path,
and hope springs eternal just over the rise when I
see my Redeemer beckoning me.

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Who Says” by John Mayer – Chords, Tabs, and How to Play

Originally posted 2009-11-14 22:13:04. Republished by Blog Post Promoter

“Who Says”
John Mayer

D                G
Who says I can’t get stoned,
Em                                    A
Turn off the lights and the telephone?
Bm          E
Me in my house alone —
G                A            D
Who says I can’t get stoned?

Who says I can’t be free
From all of the things that I used to be?
Rewrite my history —
Who says I can’t be free?

D               G     D                           A
It’s been a long night in New York City;
A                G     D                     A
It’s been a long night in Baton Rouge.
G            D                 F#m               Bm
I don’t remember you looking any better,
Bm  E                                           A
But then again I don’t remember you…

Who says I can’t get stoned,
Call up a girl that I used to know?
Fake love for an hour or so —
Who says I can’t get stoned?

Who says I can’t take time,
Meet all the girls in the county line?
Wait on fate to send a sign —
Who says I can’t take time?

It’s been a long night in New York City;
It’s been a long night in Austin too.
I don’t remember you looking any better,
But then again I don’t remember you…

INSTRUMENTAL

Who says I can’t get stoned,
Plan a trip to Japan alone?
Doesn’t matter if I even go —
Who says I can’t get stoned?

It’s been a long night in New York City;
It’s been a long time since twenty-two.
I don’t remember you looking any better,
But then again I don’t remember, don’t remember you…

Outro:  D

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **