“Who Says” (John Mayer Cover music video)

Originally posted 2009-11-16 22:16:26. Republished by Blog Post Promoter

For John Mayer chords & lyrics, CLICK HERE!

By Chris Moore:

Hello and welcome to a very special Monday edition of the Laptop Sessions! What makes tonight so special, you might ask? Well, for the first time in months, I’m bringing you a cover song music video of a song that has yet to be released.  No worries, though — if you like this song, then you’ll be able to buy it in stores tomorrow. 

The song I’m bringing you tonight is “Who Says,” the first single from the forthcoming 2009 John Mayer studio album Battle Studies.  There’s a little bit of a story behind this one, so here goes…

I first learned about this album when I happened upon Mayer’s video blog established to document the recording sessions.  The first video was a tour of his newly designed and built home recording studio.  Do I even need to describe it?  Believe me, it’s drool-inducing.  Although a couple of the entries were only jams or just a bit weird, I ended up searching YouTube for some of the new songs.  As I expected, most were available as live concert performances that someone videotaped and uploaded.  I listened to a couple, including “Who Says,” and I started to get excited about this release. 

I have a general rule against hearing too much of an album before it comes out.  After all, it’s more than half the fun of buying a new album to be able to get in the car, put it on the CD player, and discover the music for the first time.  Sometimes this is an exciting, expectation-defying journey (a la last week’s Echo & the Bunnymen album The Fountain).  Other times, it can be just as disappointing an experience as one can have (i.e. U2’s No Line on the Horizon deluxe edition CD). 

I should also comment on my recent opinion of Mayer. 

As I wrote in my review of Where the Light Is, I am a big fan of Mayer’s first three releases — the independently released EP Inside Wants Out, his debut Room For Squares, and his follow-up Heavier Things.  And yet, just as he gained “credibility,” I lost interest.  Yes, his third album Continuum offers some interesting guitar parts and melodies, but I resented the idea that he needed to become a blues afficionado in order to be accepted by those outside his stereotypical audience of young girls.  In my mind, this was a step backward in his songwriting.  Did no one notice or appreciate the effort he put into the album design for the first two albums, or the backing vocals in “Your Body is a Wonderland” that echo the chorus lyrics of “My Stupid Mouth”?  There was so much care taken with those releases that the minimalism of his last release was disappointing.  From the title of Heavier Things alone, one could imply that Mayer was interested in tackling more “important issues” and being taken more seriously. 

But, even in Heavier Things, he retained his sense of what was important — interpersonal relations, perspective, ambition, etc.  On Continuum, political and social issues apppeared as the subjects for his songs, which always seemed out of place to me. 

Anyone who knows me knows that I have an intense sense of loyalty, sometimes to my own detriment. But I had told myself I wouldn’t buy future Mayer releases to spare myself further disappointment, as I did with Where the Light Is.  That being said, I can’t deny that this single “Who Says” sounds more to me like the John Mayer that I enjoyed listening to on earlier works.  It’s simple, catchy, and tackles the same desires that my favorite John Mayer songs always did — namely, the desire for freedom from personal and social expectations (think: “No Such Thing,” “Not Myself,” “Bigger Than My Body,” and others). I don’t read the reference to marijuana as a literal desire to get high, but rather as a symbol for what society or one’s friends and family members think you shouldn’t do because “it’s not like you.”

So, I’ll give the album a try. 

And you better believe there will be a review forthcoming.

Until then, I hope you enjoy my video tonight.  I’m not sure what came over me, but I made this one a real production.  I tacked on a purposely goofy intro and follow-up documentary that I hope you laugh at — either because it’s funny or because you’re laughing AT me, as long as the result is the same!

And I know that I have other news and ideas on my mind that I wanted to share tonight, but I can’t remember what they are.  So, for now, I hope you enjoy this video and hurry back tomorrow for an all-new Jim Fusco Tuesday, then later this week when I post another music review. 

See you next session!

“Off He Goes” (Pearl Jam Cover)

Originally posted 2009-05-12 06:44:26. Republished by Blog Post Promoter

By Chris Moore:

Hello and welcome to another week and another all-new Monday edition of the Laptop Sessions.  It’s been quite a weekend, and it’s going to be quite a week!

On Friday night, I stayed late at school for as long as I could, but I just couldn’t resist going to see the newly released Star Trek movie.  For once, a movie lived up to the hype!  I picked up Nicole for the trip to the theater, and although we’ve seen a lot of good movies together (not to mention a decent number of flops), this has to top them all.  Although I’m more of a Trek geek than she is, I think it’s fair to say we were equally excited during and after the movie.  If you love the classic series and films, then you’ll appreciate the respect paid to these characters.  If you know nothing about the franchise, then this is the perfect film to watch first.  I can’t wait to find an excuse to watch it again very soon…

Saturday was a crazy day for me, as my sister Jaime graduated from Nyack college at 2 pm in New York.  I got up early (for a Saturday, at least!) and drove to New York for my least favorite of all activities: ceremonies like a graduation.  That being said, it was worth it to see my sister graduate.  We met as a family later on for dinner and that was great, too.  It was great to have Nicole join us, too, and she made what could have been a long, boring drive with lots of downtime an enjoyable little day trip.  Sunday was more of the same, as it was Mother’s Day, and my sister is only home for a week before returning to New York to work.  We got to hang out, talk music, and watch an episode of The Twilight Zone that gave her nightmares as a young child.  We didn’t get to play The Office board game, but there will always be time for another round in the future.  (And I’ll be ready this time! 😉 )

Tonight finds me watching the Mets.  After a seven game winning streak, it appears that they’re going to lose one.  I’m loving this iPhone “MLB.com – At Bat 2009” application.  It makes listening to games and staying in touch with the stats and standings soooo easy.  It’s been a great week for watching Mets baseball, and I don’t want to complain.  But I don’t quite get why they seem unable to score runs when Johan Santana is pitching.  Maybe they get subconsciously complacent, since he’s such a great pitcher.  Even tonight, although he got into a couple sticky situations, he worked his way out of each one — until they pulled him out 1/3 into the seventh inning.  What truly amazes me is his ERA; as of tonight, it is .78!  Games with Santana on the mound would have to get busted open wider than Abyss during a Pay-Per-View for weeks straight for him to reach the ERA’s of the other Mets starters…

But, enough of blogging for blogging’s sake — I should probably introduce the song I’ve recorded for tonight’s acoustic cover song music video.  “Off He Goes” is a track from Pearl Jam’s 1996 album No Code.  This album was the first to break from their previous sound a bit and some fans disapproved.  I’ll admit that it’s not my favorite album in the Pearl Jam catalog by any stretch, but there are some great tracks on it.  “Hail, Hail” is one of the most rocking and catchy songs in their catalog.  “Present Tense” is one of my favorite Pearl Jam tracks, if only for the combination of lyrics and gradual instrumental buildup.  “I’m Open” is a cool spoken-word track — yes, those do exist!

This track, “Off He Goes,” is perfect material for an acoustic cover song.  Initially, after having this song come up on my iPod this weekend, I thought it would be an easy song to record.  Ironically, I almost decided not to learn it and record it for fear of being criticized for recording too many simple songs.

Well, that’s simply not the case…

As Jim can attest to, I spent over an hour and fifteen minutes and about 40-50 takes of this song to get it anywhere near where I wanted it to be.  There are still a couple of discrepancies I hit while singing the tune, but I also nailed a few of my favorite subtleties in the song.  What recording this song taught me was how truly difficult it is to make a slow, deceptively simple song like this really translate into a great performance.  I have even more respect for Eddie Vedder than I did before, especially for the fact that he plays guitar and sings in concert on this one.  The chords are so easy — really, just F, C, and Am — but the strumming pattern was difficult to hit in a few places.  (**The best part about recording these sessions, undoubtedly, is spending all that time, posting on YouTube, and waking up to find that two people have viewed it, one of whom has one-starred it and left no comment.  Thanks for that.**)

That’s enough for one Monday.  I hope you enjoy the session (more than my first YouTube viewer did) and hurry back all week for great new acoustic cover song music videos.

See you next session!

“Beyond Here Lies Nothin'” by Bob Dylan – Chords, Tabs, and How to Play (Lyrics from “Together Through Life”)

Originally posted 2009-03-30 06:33:41. Republished by Blog Post Promoter

For the cover song music video, CLICK HERE!

” Beyond Here Lies Nothin’ ”
Bob Dylan

Am – Am – Dm – Am – E – Am

Am
Oh, well, I love you pretty baby;
You’re the only love I’ve ever known.
Am                                  Dm
Just as long as you stay with me,
Dm                               Am
The whole world is my throne.

Am                      E
Beyond here lies nothin’…
E                                      Am
Nothin’ we can call our own.

Well I’m moving after midnight
Down boulevards of broken cars.
Don’t know what I’d do without her,
Without this love that we call ours.

Beyond here lies nothin’…
Nothing but the moon and stars.

(SOLO)

Down every street there’s a window,
And every window’s made of glass.
We’ll keep on lovin’ pretty baby,
For as long as love will last.

Beyond here lies nothin’…
But the mountains of the past.

(SOLO) x2

Well my ship is in harbor,
And the sails are spread.
Listen to me, pretty baby:
Lay your hand upon my head.

Beyond here lies nothin’…
Nothin’ done and nothin’ said.

Am

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **

“Good Enough” by Tom Petty & The Heartbreakers – Chords, Tabs, & How to Play

Originally posted 2010-02-26 12:30:44. Republished by Blog Post Promoter

“Good Enough”
Tom Petty & The Heartbreakers

INTRO:   Em     Am     C     B     Em     C#m    Bbm   Gm  – F#m  –  Em

Em
She was hell on her mama, impossible to please;
Am
She wore out her daddy, got the best of me.
C                                                  B
And there’s something about her that only I can see,
B               Em                 C  –  B
And that’s good enough.

You’re barefoot in the grass, and you’re chewin’ sugarcane.
You got a little buzz on; you’re kissin’ in the rain.
And if a day like this don’t ever come again,
That’s good enough.

C                                B                                                    A  –  G –  F#
Good enough for me; good enough for right now, yeah.
Good enough for me; good enough for right now, yeah.

SOLO:   Em     Am     C     B     Em     C#m    Bbm   Gm  – F#m  –  Em

God bless this land, God bless this whiskey.
I can’t trust love: it’s far too risky.
If she marries into money, she’s still gonna miss me,
And that’s good enough.  Gonna have to be good enough…

SOLO:   Em     Am     C     B     Em     C#m    Bbm   Gm  – F#m  –  Em  (x2)

OUTRO:                                    Em     C#m    Bbm   Gm  – F#m  –  Em  (x6)

** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **