The Weekend Review: November 2011

Originally posted 2012-01-02 14:00:52. Republished by Blog Post Promoter

By Chris Moore:

The SMiLE Sessions (The Beach Boys)

Producer: Brian Wilson, Mark Linett, Alan Boyd, and Dennis Wolfe

Released: November 1, 2011

Rating: 5 / 5 stars

Top Two Tracks: “Surf’s Up” & “Our Prayer ‘Dialog’”

I’ll keep this one brief, as there’s already been so, so, so much written about SMiLE, that infamous, legendary album that almost was, then wasn’t, then in 2004 pretty much was, and finally in 2011 finally is.  Well, it “is” in the best, closest manner it could ever have been, as The SMiLE Sessions are compiled from what Brian Wilson and the Beach Boys managed to finish before it all fell apart, nothing new added.  So, the Sessions lack the polish and finality of 2004’s Brian Wilson Presents… SMiLE!, afforded it by modern recording equipment and, no less significantly, Wilson’s healthier state of mind.  Inversely, the 2004 version lacked the spark, the elusive x factor presented by the Beach Boys’ voices.  When blended, there simply has never been another group quite like Brian, Dennis, and Carl Wilson, Mike Love, Al Jardine, and Bruce Johnston.  Accordingly, I would first recommend you hear Pet Sounds (1966).  If you’ve already heard that, you might be ready for SMiLE.  If you are, judge the version of the Sessions you’ll buy relative to how hardcore a fan you are (I had to go for the full 5-disc boxset, but you might not).  If you’re not, try out Sunflower (1970) or The Beach Boys Today! (1965) first.  But don’t forget to make it back to the greatest album that never was.  And also don’t forget to check back for more Beach Boys cover songs here on the music blog!

 

Camp (Childish Gambino)

Producer: Donald Glover & Ludwig Goransson

Released: November 15, 2011

Rating: 3 / 5 stars

Top Two Tracks: “Fire Fly” & “Hold You Down”

Camp is an imperfect album, with flares of talent and inspiration tempered with stretches of less notable work.  Being that this is Childish Gambino’s first studio album proper, this is all to be expected, particularly of an up and coming talent, and there is much evidence here to suggest that he is.  His attitude toward achieving success, especially in light of past experiences being ignored by girls and others, is explored across multiple tracks, the best of which is “Fire Fly,” truly the standout track for its incisive catchiness.  Childish Gambino has all the necessary bravado, as well as a unique personality and willingness to let his guard down; although I’ve heard it argued that his beats are derivative (I’m far from an authority on this front), his lyrics have an interesting blend between those typical of contemporary rap and those drastically different from the normal.

The Weekend Review: January 2011 Report

Originally posted 2011-05-15 23:30:36. Republished by Blog Post Promoter

By Chris Moore:

Hello and welcome to the first Weekend Review of the new year.  I hope you’ll enjoy our new monthly format, optimized for ease of use with the hope that you’ll be able to turn to LaptopSessions.com for new music news in 2011.  Hurry back next weekend for the February report!

The King is Dead
The DecemberistsProducer:
Tucker Martine

Released:
January 14, 2011

Rating:
4.5/5 stars

Top Two Tracks:
“Rox in the Box” & “Rise to Me”

After the impressive – and yet distracting – complexity of 2009’s The Hazards of Love, the Decemberists return to kick off 2011 with what may very possibly be the best album of the year.  The King is Dead, referred to as a “barn album” by band members in the deluxe edition doc Pendarvia, is an album of simple and yet profound beauty.While, to be fair, it lacks the mind-blowing scale of recent previous efforts, there is something to be said for a cohesive and eminently listenable collection of tracks.

Think of it as an acoustic rock masterpiece, headlined by the soaring “Rox in the Box” and the sing-along anthem waiting to happen “This is Why We Fight.”  Even the fully acoustic, balladic tracks like “Dear Avery” are gorgeous to such an extent that you won’t be able to skip the track, even if you’re on the road looking for a rock song.  Although the lead single, “Down By the Water,” lacks something of the “x factor” that makes songs truly great, it is still a tightly packaged, catchy tune indicative of the best of the King is Dead sound.  Oh, and if you think “Calamity Song” sounds like an aural love-child of R.E.M., you won’t be surprised to learn that it actually features Peter Buck on lead guitar.

Good, good stuff, and a high bar to be set this early in the year.

 

Mine is Yours
Cold War KidsProducer:
Jacquire King

Released:
January 25, 2011

Rating:
2.5/5 stars

Top Two Tracks:
“Royal Blue” & “Flying Upside Down”

2008’s Loyalty to Loyaltywas the album that introduced me to and left me in awe of the Cold War Kids.  Their unique sound and keen sense for mixing the slow and off-center with the straightforward and single-worthy led me to high expectations for their next release.Well, as is often the case with high expectations, the reality rarely compares.

Whether my reaction is due to what I had expected to find on Mine is Yours is honestly too early to say, but what I’ve heard here is a collection of underwhelming tracks, many of which seem to promise more than they deliver and are often longer than they deserve to be.  Tracks like “Royal Blue,” “Sensitive Kid,” and “Flying Upside Down” stand out as excellent without need of qualification, but others like “Broken Open,” “Louder Than Ever,” and “Cold Toes on the Cold Floor” beg for more consideration, more development, in order to reach the heights established on the previous record.

This is not to say that it should be like a sequel to Loyalty to Loyalty, but the songs of Mine is Yours should at least be as interesting.  While I was initially turned off by the slicker production values, I’ve entirely come around on that, which makes me wish that more attention to detail had been paid.

 

The Party
Ain’t Over

Wanda JacksonProducer:
Jack White

Released:
January 25, 2011

Rating:
3.5/5 stars

Top Two Tracks:
“Shakin’ All Over” & “Nervous Breakdown”

Slogans like “The Queen of Rockabilly” don’t typically entice me to purchase music, but in this case, it was bookended by Jack White’s name in the production credits and a nod to Bob Dylan’s “Thunder on the Mountain.”In short, I couldn’t resist at least one listen.

I was pleasantly surprised to find that The Party Ain’t Over holds up to repeated listens, fronted by the outstanding “Shakin’ All Over,” a track that aptly blends the gritty alternative sound for which White is so well known with the sonic signature of 50s rock and, I suppose, rockabilly.  Here, as on the rest of the record, riffs abound and Jackson’s ragged voice establishes her in my mind as the female equivalent of a contemporary Dylan, in vocal delivery if not in lyricism, craftsmanship, etc.  In the area of originality, it is clear she doesn’t hold a candle to aforementioned Bard, but her choice of covers is impeccably fitting: a devastating take on “Busted” (see: Johnny Cash), the closest anyone has come to covering a 2000s Dylan track without earning a sneer from me, and a redefining arrangement of Amy Winehouse’s “You Know That I’m No Good.”

Even the latter half tracks are enjoyable, foot-tappers like “Nervous Breakdown” and “Dust on the Bible,” as well as slower tunes such as “Blue Yodel #6” (not to be confused with #4, or my personal favorite, #9).  All in all, for an impulse purchase out of raw curiosity, The Party Ain’t Over is a testament to Jack White’s capabilities as producer and studio musician; it may not be the best album of 2011, but it bears a certain quality and strength of arrangement (both within tracks and across the album) that it deserves to be noticed.

The BEST VOCAL PERFORMANCES of 2011 (The Year-End Awards)

Originally posted 2012-01-16 20:00:47. Republished by Blog Post Promoter

By Chris Moore:

This is a tough category.  All of the songs on the my upcoming top fifty songs list have excellent vocals, many of which are standout performances.  However, there are also songs that go unrecognized on the top fifty list that are notable for their outstanding vocals.  Thus, as a rule, songs included in the top fifty list are not considered here.

I suppose you could consider this my way of sneaking in an extra ten songs that I didn’t find room for on my best songs list, but I hope you’ll consider it an additional category.  These ten songs are great in their own rights, but especially by virtue of the excellence of their vocals.  Some are smooth, some are rough; some are passionately outraged, some are tenderly heartfelt.  Taken together, they’re the standout vocal performances of 2011:

1) “Something to Believe In” – Parachute (The Way It Was)

2) “Estate Sale Sign” – The Mountain Goats (All Eternals Deck)

3) “Blue Spotted Tail” – Fleet Foxes (Helplessness Blues)

4) “Shakin’ All Over” – Wanda Jackson (The Party Ain’t Over)

5) “2012” – The Ghost of a Saber Tooth Tiger (La Carotte Bleue)

6) “When You Wish Upon A Star” – Brian Wilson (In the Key of Disney)

7) “Talking At The Same Time” – Tom Waits (Bad As Me)

8 ) “Sunloathe” – Wilco (The Whole Love)

9) “Bridge Burning” – Foo Fighters (Wasting Light)

10) “Amy, I” – Jack’s Mannequin (People And Things)

 

Belle and Sebastian’s “Write About Love” (2010) – YES, NO, MAYBE SO?

Originally posted 2011-01-03 22:12:44. Republished by Blog Post Promoter

Belle and Sebastian’s Write About Love (2010) – MAYBE NOT

Write About Love (Belle and Sebastian, 2010)

Write About Love (Belle and Sebastian, 2010)

(October 11, 2010)

Review:

Belle and Sebastian have certainly made their niche in the middle ground between indie pop quirkiness and sixties quasi-nostalgia — and no one should dispute that they make beautiful music on Write About Love — but too much of it simply fails to get off the ground.

Top Two Tracks:

“Come On Sister” & “I Can See Your Future”