“Something Good This Way Comes” (Jakob Dylan Cover)

By Jeff Copperthite:

And now, I am proud to bring you another great addition to The Laptop Sessions library. While he is technically not a new artist, his solo work is.

Today, Jakob Dylan released his first solo album “Seeing Things”, and to celebrate this release, I have dedicated today’s Laptop Session to this album. I have been very excited about it and can’t wait until amazon ships it to me.

Meanwhile, about 2 days ago I finally figured out how to play today’s song “Something Good This Way Comes”. It is track 8 and has been one of the songs on his website for quite some time. The album is very heavy on the acoustic guitar, and also finger picking. While I’m not new to it, I don’t do it often. Obviously, a single acoustic guitar (where Jakob Dylan is using 4+ in some songs) will not sound as much like the album, but I think this effort is quite good.

Also, you’ll notice the first verse I seem a bit loud. I sorta forgot “gee i’m fingerpicking I better sing a little softer”. The rest of it sounds fine, however.

If you wanna know the chords (relative to 2nd fret Capo), the verse is:

D G D D G D Em D A Em D A

Chorus is: G A D
Bridge is: F#m, Bm, A, D, E, A7

I hope you enjoy today’s session, and I hope you have picked up (or will pick up) “Seeing Things”. I can’t wait to hear the entire album! Come on amazon…

Meanwhile, enjoy today’s session, and come back tomorrow for another Original Song by Jim Fusco! I can’t wait to see what he chooses.

Editor’s Note: Unfortunately, Jeff’s acoustic cover song music videos are no longer on YouTube, but we decided to keep his cover song blog posts up.  We figured these music blog entries would be good for posterity’s sake and because Jeff always gave such insightful posts each Session.  We hope to see Jeff’s impressive catalog of acoustic rock songs here on the Laptop Sessions cover songs and original music blog again in the future.  But, for now, please make sure to check-out hundreds of other acoustic cover songs from all of your favorite bands here on the Laptop Sessions music blog!

“You Can’t Count On Me” (A Counting Crows Cover)

By Chris Moore:

Hello and welcome to another all-new Laptop Session! Today’s selection is “You Can’t Count On Me,” from the Counting Crows’ new album, Saturday Nights and Sunday Mornings. This record is a concept album of sorts, as Adam Duritz sings his way from a raucous Saturday night out on the town to a Sunday morning of realizations. I’ve been really excited about recording a tune from this album — there’s been a lot of good new music this year so far, but this has been one of my favorite albums. To be honest, I didn’t know much about Duritz and company, but I have a lot of respect for him as a songwriter and a performer after listening repeatedly to the album.

I hope you like my cover song version of this song, and if you do, you should check out the official in-the-studio videos posted on the Counting Crows YouTube channel. And don’t forget to come back to http://LaptopSessions.com tomorrow for another quality video blog post from our very own Jeff Copperthite…

See you next session!


The Weekend Review: March 2013 Report

By Chris Moore:

The Next Day (David Bowie)

Producer: David Bowie and Tony Visconti

Released: March 8, 2013

Rating:  4.5 / 5 stars

Top Two Tracks: “The Stars (Are Out Tonight)” & “The Next Day”

After releasing albums at breakneck speed for over three decades until 2003, David Bowie returns from a ten year studio album silence with The Next Day, a masterful accomplishment that serves to reestablish his place in rock music.  Here, Bowie offers up heartfelt vocals across a range of songs from fast-paced to downbeat and heavily produced to minimally rendered.  His work continues to demonstrate dominance, particularly in the realm of quirky atmospherics, and the first three tracks quickly suggest the diversity to come across the record.  From “The Stars (Are Out Tonight),” the most single-worthy standout on the album (despite the fact it was chosen as the second single) to well-paced yet laidback “I’d Rather Be High” to the balladic, smooth, bittersweet tones of “Where Are We Now?”, Bowie’s range is what is perhaps most impressive on The Next Day.  This is a project on which all of the songs share a common sound and feel, yet defy any criticism of uniformity.  This is not to mention the lyrical content, which is worthy of uninterrupted time spent listening while reading along to a lyrics booklet.  With this all established, we can only hope that Bowie won’t wait another decade for a follow-up.

 

 

 

 

Old Sock (Eric Clapton)

Producer: Eric Clapton, Doyle Bramhall II, Justin Stanley, & Simon Climie

Released: March 12, 2013

Rating: 2 / 5 stars

Top Two Tracks: “Every Little Thing” & “Gotta Get Over”

The last truly dominant, dynamic, and original Eric Clapton album was released in 1998.  It was titled Pilgrim and featured all Clapton tracks with only a couple exceptions.  The ratio of originals-to-covers fell to 2:1 for the still outstanding Reptile in 2001 (an album equal to if not better than Pilgrim) and the uneven Back Home (2005).  His 2010 solo release, strapped with the fittingly unoriginal title Clapton, saw him boasting a credit on only one track and a co-writing credit at that.  Now, three years later, Old Sock continues the trend as his first solo album to feature no original compositions, blues-cover albums like From the Cradle, Riding with the King, and Me and Mr. Johnson notwithstanding.  The most frustrating part of this realization is that Clapton is clearly still deserving of his status as legendary guitarist, teasing licks and riffs here and there that are distinctly a style and delivery all his own.  It is difficult to blame him for taking this relaxed route in the latter days of his career, as his recent covers compilations have tended to net reviews equal to or greater than those awarded his recent original efforts.  It is also difficult to listen to Old Sock and not feel the nagging desire to switch over to Pilgrim or Reptile sooner rather than later.

 

 

 

 

Earth Rocker (Clutch)

Producer: Machine

Released: March 15, 2013

Rating:  4.5 / 5 stars

Top Two Tracks: “Crucial Velocity” & “D.C. Sound Attack!”

 

After a foray into more blues-based work, Clutch returns with resounding and resonating rock that is not only instantly accessible but also worthy of repeated listens and further study.  The pace rarely lets up as, track after track, the band continues to rip into full-throttle rock.  Indeed, the first five tracks are among the strongest opening sequences they’ve presented: from the infectiously catchy laugh refrain in “Earth Rocker” to the allusive “Unto the Breach,” the pace doesn’t let up until the well-placed, hauntingly stripped-down “Gone Cold.”  Lyrically, Neil Fallon’s words are by turns forceful and poetic, direct and open for interpretation.  The commentary is perhaps sharpest on “Mr. Freedom,” the blend of vocal and instrumental energy screams forth from “D.C. Sound Attack!,” and the vocals never seem quite so driven as on “Unto the Breach,” yet it is on “Crucial Velocity” that a near-perfect fusion of all the strengths of this album is achieved.  From the dead-on-target guitar work to the razor sharp lyrical commentary, it is difficult to understand why this track was held back as the second single.  Regardless, Earth Rocker provides further evidence that Clutch can still render loud, relevant rock on a level beyond most other bands.  The first six tracks are essentially perfect, and the second half presents gems – “Book, Saddle, and Go” and “Cyborg Bette” to name a couple – that may be overshadowed initially but will offer up more over time.  In short, Earth Rocker is an essential rock album for 2013.

“Eleanor Rigby” (Beatles Cover)

By Federico Borluzzi:

Acoustic cover of “Eleanor Rigby” from the Revolver album (1966).  I didn’t have any orchestra, so I find my way to play this song with my acoustic guitar only.

** EDITOR’S NOTE: **

Go ahead and check out this stellar solo version of the Beatles classic “Eleanor Rigby.”  I, for one, wish I could fingerpick and sing at the same time like Federico can — I would have gotten a lot less comments on my “Just Breathe” (Pearl Jam) video, I can tell you that much!

The Laptop Sessions all began with Jim’s first Beatles cover song music video of “Here, There, and Everywhere,” and it’s always exciting to be able to induct a new, interesting cover into the Beatles category.  Thanks, Federico, for another great contribution to the Guest Sessions!