For the acoustic cover song music video, CLICK HERE!
Intro: E F#m7 E F#m7 E
Once I thought the world was crazy,
Everyone was sad and chasing
Happiness and love and
I was the only one above it.
Once I thought, without a doubt,
I had it all figured out.
Universe with hands unseen;
I was cold as gasoline.
E G F#m7
Took too long to see
F#m7 C F#m7 E F#m7 E F#m7 E
I was wrong to believe in me only…
Once my life was a game so unfair
It beat me down and kept me there.
Unaware of my naysaying,
Solitaire was all I was playing.
INSTRUMENTAL: G F#m7 C F#m7 (x3)
Took too long to see
I was wrong to believe in me only…
** These chords and lyrics are interpretations and transcriptions, respectively, and are the sole property of the copyright holder(s). They are posted on this website free of charge for no profit for the purpose of study and commentary, as allowed for under the “fair use” provision of U.S. copyright law, and should only be used for such personal and/or academic work. **
Hello and welcome to another installment of “Chris Moore Monday.” It is my priviledge and responsibility to start off each week right, usually with a selection that is in “new music” news. I figure this is appropriate, since tomorrow is “New Music Tuesday” – what better role is there than to turn you on to great new music?
Okay, so tonight’s song is technically a week old…
Dan Auerbach is better known as one half of the blues rock music group the Black Keys. The band formed in Ohio in 2001, and in less than a decade, they have accumulated an impressive resume — including opening for Beck and Radiohead, playing on Late Night with Conan O’Brien and The Late Show with David Letterman, and receiving accolades from Rolling Stone such as one of the “10 best acts of 2003.” Although the band has not broken up, this year has found Dan Auerbach making a name for himself by releasing his very first solo album titled Keep It Hid. I almost transcribed and played this, the title track, but I couldn’t resist “My Last Mistake,” the subsequent track. Auerbach might agree with this choice of songs to record and play, as he performed “My Last Mistake” on the Friday, February 13th episode of Conan O’Brien.
So, you may be wondering how I heard of this release. Well, aside from receiving a coupon for the first-week purchase in my favorite email each week — the Newbury Comics e-newsletter!! — I was tipped off to the release by someone who has his finger on the pulse of all things modern and alternative rock. (So, thank you again, Geoff!) He’s the same person who strongly suggested I check out the 2008 albums of Beck and Cold War Kids, both of which I would never have purchased on my own.
And I would have missed out!
Now, they’re not my favorite records of the year, by any means, but there are some killer songs that would have passed me by entirely. So, hopefully I’ll continue to receive new rock music insight from Newbury Comics, Geoff, and who knows who else!
Speaking of new music, I constructed a fairly impressive “Albums of 2008” iTunes playlist. It contains 341 songs, ranging from the Barenaked Ladies children’s album to Ben Folds’ album (which was certainly NOT kid-friendly!). I hadn’t really listened to the playlist since the New Year, but I just turned it on yesterday and fell in love with it again. I’m listening to it now, and even now, Coldplay’s “Viva La Vida” just faded into Brian Wilson’s “Oxygen to the Brain.” Where else can you find that sort of variety?! I cling to my playlists and albums these days, as the popular media has only embraced an extremely small and profoundly unrepresentative sample of what modern rock music has to offer. Take the aforementioned Coldplay, an overrated and — until recently, in this writer’s opinion — mediocre band. Chris Martin and his band have received more Grammys than all of my favorite bands combined. No kidding! Meanwhile, Brian Wilson got a Rolling Stone article for his amazing 2008 album That Lucky Old Sun, and that was all. I understand that he is older and there perhaps isn’t a market for his music, but I find it sad that more people couldn’t have been exposed to the bright, brilliant, and uplifting rock tunes that pour forth from that album.
Enough ranting for one day’s post…
As a final note, I finally picked up and watched the Sam Jones documentary I Am Trying to Break Your Heart. I had planned on watching it with Dana last night, but he hadn’t returned home, so I got ready to watch it alone. Then, Mike texted and sounded interested. So, before I knew it, Mike had arrived with apple juice and saltines (food for sick people — my personal choice is G2 and wheat toast!) and we cranked up the volume on the big screen. What a great documentary — not only is the filmography reminiscent of Don’t Look Back, but Jeff Tweedy is looking very Dylan-esque. Scruffy, bearing harmonica rack, singing poetic lyrics — what more could I ask for? Also, he seems like he would be a difficult guy to live and/or work with. But that being said, I like Jeff Tweedy a great deal, and it was really interesting to see him candidly in the studio. And thanks to Dana and Mike for making last night an event in and of itself — when Jim returns from vacation, I just may have to join them for their late night sessions that I miss so much since I’ve become an “old man” with a wakeup time of 5 or 5:30am…
And now to tie this ALL together…
Wilco switched to Nonesuch records after the Yankee Hotel Foxtrot fiasco (the situation filmed and described in I Am Trying to Break Your Heart), and Dan Auerbach is also on the Nonesuch label. So, as you see, it all comes full circle…
Don’t miss an all-new Jim Fusco Tuesday tomorrow. Until then…
Hello and welcome to an all-new week of cover song music videos at my personal favorite blog on the web today — and I swear I’m not biased! I had a busy but very enjoyable weekend, including going to see the Moody Blues as they tore the house down at the “Chevrolet” Theater in Wallingford, Connecticut. (I put the Chevrolet part in quotations because I refuse to recognize that as the name. Just about everyone I know still calls it the Oakdale, despite Chevy’s blatant self-promotion.)
The song I chose to learn and record came out of the music I listened to on the way home from the concert on Saturday night, namely the Moody Blues’ “Live at the Isle of Wight Festival,” a concert from 1970 that was released a year or so ago on CD and, more recently, on DVD. As could be expected, this concert includes songs from their first three LPs, but it certainly includes a healthy portion of songs from their A Question of Balance album, released that same year. My session tonight, a John Lodge track titled “Minstrel’s Song,” is a song from that aforementioned album.
The live version from 1970 is an upbeat version and a great performance, but there really is no comparison to the studio recording on the album. Even though I agree that A Question of Balance simply doesn’t hit the same peaks of concept album perfection that On the Threshold of a Dream and To Our Children’s Children’s Children did — what a year 1969 must have been for Moody Blues fans and music lovers in general! — in my opinion, it can’t be beat in terms of production quality and a constant flow of catchy, interesting songs. I suppose this makes sense, as it has been said that the album was an effort on their part to record songs that would be more easily reproduced in concert. Thankfully, though, they did return to their inventive soundscapes for their following two releases.
Now, let’s pause for a moment to add in some Laptop Sessions trivia. In the past, there have been two other tracks from A Question of Balance recorded as cover song music videos here at the blog. One is a foregone conclusion — the truly amazing album opener “Question,” a true acoustic masterpiece, if only for the opening guitar strum pattern. And I’ll even tell you that Jim recorded it.
My question is: what was the second song from this album to be recorded by a Laptop Sessions contributor, and which guitarist here at the blog recorded it? If you know, then be the first to add a comment below!
The reason I chose this song is the same reason I have spent the past two days listening to the Moody Blues nonstop — first the concert CD, then A Question of Balance, followed by Strange Times — namely, because the concert was such an entertaining experience. This is probably the third or fourth time I have seen Justin Hayward, John Lodge, and Graeme Edge in concert, and they continue to impress every year they come around. (They must have a decent fanbase in Connecticut, as they appeared at the Mohegan Sun on Sunday, the next night after performing at the Oakdale!) As my third and final concert of the summer, there was some pressure here based on how much I enjoyed my previous two, Bob Dylan and Wilco respectively. And, again, there was no contest; the Moody Blues only get better — or, more realistically, stay at the same level of greatness — with age.
Some highlights from this stop on the Moody Blues’ “Summer Nights Tour 2009” included Justin Hayward foregoing his usual collared shirt for a lime green t-shirt with a definite summer feel to it, then a white t-shirt after the intermission break. The set list included some interesting song choices, most notably “Peak Hour” from the “Lunch Break” segment of their debut album Days of Future Passed. Supposedly, this song has not been performed in concert for about 40 years! Regardless, it was one of the highlights of the night, combining catchy vocals and impressive harmonies with amazing instrumental work.
Perhaps the funniest moment of the night came when Graeme Edge, before performing “Higher and Higher,” recalled the classic mentality that it’s all about “sex, drugs, and rock ‘n’ roll.” He claimed that it was still true, even if the drug of choice may have changed to Viagra.
Obvious crack at their age aside, I can’t stress enough that the Moody Blues are still at the top of their game. Ever since Jim and I spent a summer a couple years ago listening to all of their albums (each one repeatedly) in sequence, the Moody Blues have held a special place in my heart and in my thoughts of the summer time. Each time they come around, I realize they have a lot to live up to in terms of their past performances and their impressive discography. All in all, they played for almost two hours and included at least one song from just about every studio album they ever released, with the exception of two of my favorites, The Present and Strange Times. Jim might correct me here, as I decided to entirely enjoy this concert without keeping track of the set list or writing a full review, but my full review would have gone something like this: don’t miss out on the chance to see the Moody Blues if you get the chance!
Well, that about does it for me. On a final note, is it a bad sign if, after playing my finished Laptop Session as I wrote this post tonight, my cat reached over and hit the “Volume Down” key on my MacBook? I’m not even kidding here. I hope you don’t have the same reaction!
The video you’re about to watch pushes the limits of the Laptop Sessions format, as it features the abilities of not one, not two, but three performers. Now, this is certainly not unheard of — MoU united about a year ago and performed four-man videos around Christmastime. And when it comes down to it, what you’ll find is that tonight’s video includes all the essentials for a great Laptop Session — a predominantly acoustic sound, a great rendition both vocally and instrumentally, and not only a brand new song but also a brand new band to the blog!
So, what more could you ask for?
Tonight’s Guest Session players are The Frets, and they bring you a live, intimate recording of the Kings of Leon’s “Sex on Fire.” The band Kings of Leon is a relatively new band, having started in 2000. But, when you really think about it, they’re not that far away from their tenth anniversary — and one decade together ain’t bad, let me tell you! The Beatles were together for less time… They are billed as a Grammy Award-winning rock band, and although they are three brothers and a first cousin who hail from Nashville, Tennessee, they’ve seen about 80% of their album sales in Europe. This is not surprising, as our Guest Sessions cover band tonight is based out of Scotland. When they sent their video, they wrote very simply:
“Scottish band the Frets doing “Sex on Fire.”
I suppose they’d like their music to speak for itself. On their YouTube Channel, there is apparently some news about a name change for the Frets, though. Go ahead, read for yourself:
“GALLAS* SAYS: innovation not immitation. Keep supporting GALLAS* in the coming 2009 AS YOU DID THE FRETS 2008.”
This is apparently on the heels of a change in lineup. Well, regardless of the band’s name, we hope you enjoy their Kings of Leon cover song video tonight. Hopefully they’ll send us another video once they’ve officially re-formed as a new band.
Thank you, Frets, and thank you all for stopping by to watch the latest installment of the Guest Sessions!